The Emersons are a theatrical family, of sorts - one son Samuel,17, is a street performer who recites Shakespeare while his brother Beckett, 19, picks pockets in the crowd. Their father ... See full summary »
Brothers Samuel and Beckett Emerson are barely scraping by. Their father, Warren, continues to gamble and drink away any money they bring home. With all the havoc that is constantly going ... See full summary »
Based on the issue of domestic violence, a young couple goes out one night with their friends. While another woman is contacting the man (played by Thomas Sangster) his girlfriend has trust... See full summary »
Stephanie de Whalley
Nigel has fallen in love. But when you live in orbit aboard a ramshackle space hovel with the most risk averse family imaginable, it isn't easy to follow your heart; especially when the ... See full summary »
Jamie Magnus Stone
Robert Noble, a bullied child who has premonitions, visits an old people's home and meets an elderly lady who asks him to go to Chance House and solve the mystery of the young boy who supposedly fell to his death there.
Jess is a solo mother and reluctant parking warden. Tom is a self-obsessed Greetings Cards salesman with an addiction to competitions who will do anything to win. Together they are just two... See full summary »
He did not shave his head or eye brows for this role. He wore make up. See more »
Why do you think you're here? Donald? Why do you think you're here?
What are you thinking, Donald? Hmm? Come on, what are you feeling? Sometimes it can be so...
What time is it?
Don't worry, plenty of time.
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Not avoiding the melodrama but keeping it not melodramatic
A year ago I wrote a review about Matching Jack, an Ausralian film about almost the same sort of story. I complained then that despite of the superb acting, the story itself followed every cliché in the book. Well this one is more or less writing the textbook of how to do it right. It doesn't avoid any of the unavoidable melodrama of such a story but it does it without ever letting it spill over. The acting is superb in this one too, but the story makes you feel like you're viewing real people and not a movie about real people, and in this case it works for the film. It's nice to see Andy Serkis for real this time - he does a wonderful job even when not hidden behind fancy CG. Also excelling are the two young leads Thomas Brodie Sangster and Aisling Loftus. There's something in this sort of story that brings out the best from actors. In such a movie if they didn't do it properly it would've turned the film downright unwatchable.
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