Paha perhe
is a movie starring
Ville Virtanen, Lauri Tilkanen, and Pihla Viitala.
After a divorce a father raises his son on his own, while his ex-wife has custody over his daughter. When the mother dies, the brother end sister finally meet again.
Saara is a middle-aged doctor who one day finds out that her architect-husband Leo is having an affair with a younger woman, Tuuli. Instead of revealing her true identity, Saara pretends to... See full summary »
On the West Coast on Finland in nineteenth-century Ostrobothnia. Esko is the leader of a local gang of troublemakers and an uneven battle ensues over the estate, honor a father's last wishes.
Director:
Jukka-Pekka Siili
Stars:
Lauri Tilkanen,
Mikko Leppilampi,
Pamela Tola
As a 25-year war between Russia and Sweden concludes, two brothers who are part of an effort to outline new border accords become undone by their actions, and their mistreatment of a young woman during their journey.
Director:
Antti-Jussi Annila
Stars:
Ville Virtanen,
Tommi Eronen,
Viktor Klimenko
Täällä Pohjantähden alla is based on the book with the same title. It is a story of the little village. The movie starts in the 1890's and it ends to the Finnish civil war in 1918. Story ... See full summary »
Director:
Edvin Laine
Stars:
Aarno Sulkanen,
Titta Karakorpi,
Risto Taulo
After a divorce a father raises his son on his own, while his ex-wife has custody over his daughter. When the mother dies, the brother end sister finally meet again.
I was afraid 'Paha Perhe' would turn out to be another one of those formulaic Kaurismäki-ish low key Finnish dramas spiced with an awkward sense of dark humour. Fortunately, the impression was deceiving.
The film is about a father (Mikael) and son (Daniel) whose daily routine is greatly disturbed after 'the lost daughter' (Tilda), who they haven't heard of in years, crashes into their lives after her mother passes away. As the story has it, this affects the father and son in an entirely different way..
Albeit a somewhat slow start, the film was beautifully filmed, it had nice and charismatic young actors; the theme was pretty thought- provoking and controversial, and there was also a healthy amount of suspense and drama. Regardless, this is still a rather light and uplifting movie.
Even though the film has no direct connections to the Icelandic "Nói Albínói", I found those two films to be somewhat similar--in addition to the general dreamy vibe, youthful actors, and witty humour, there's the motive of breaking off from the present moment by discovering something 'along the way'. When Noi (the young protagonist in "Nói Albínói") finds the means to try to escape the dull and mundane reality of the wintry Reykjavik in a girl working in the local gas station, then for Daniel, her sister Tilda--a free-spirited girl who is not afraid to challenge the safe middle class way of life--provides the means for Daniel to reevaluate his place in life. But, just like Noi, Daniel soon finds himself at odds both with his father and society. Yet, this movie doesn't judge anyone, neither does it lecture us, it doesn't pretend to be a moral vanguard--it simply tells a story of ordinary people who find themselves in extraordinary situations.
Even though it is definitely a small-time film which will not reach a wider audience, it is definitely worth having a go at should you have the chance!
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I was afraid 'Paha Perhe' would turn out to be another one of those formulaic Kaurismäki-ish low key Finnish dramas spiced with an awkward sense of dark humour. Fortunately, the impression was deceiving.
The film is about a father (Mikael) and son (Daniel) whose daily routine is greatly disturbed after 'the lost daughter' (Tilda), who they haven't heard of in years, crashes into their lives after her mother passes away. As the story has it, this affects the father and son in an entirely different way..
Albeit a somewhat slow start, the film was beautifully filmed, it had nice and charismatic young actors; the theme was pretty thought- provoking and controversial, and there was also a healthy amount of suspense and drama. Regardless, this is still a rather light and uplifting movie.
Even though the film has no direct connections to the Icelandic "Nói Albínói", I found those two films to be somewhat similar--in addition to the general dreamy vibe, youthful actors, and witty humour, there's the motive of breaking off from the present moment by discovering something 'along the way'. When Noi (the young protagonist in "Nói Albínói") finds the means to try to escape the dull and mundane reality of the wintry Reykjavik in a girl working in the local gas station, then for Daniel, her sister Tilda--a free-spirited girl who is not afraid to challenge the safe middle class way of life--provides the means for Daniel to reevaluate his place in life. But, just like Noi, Daniel soon finds himself at odds both with his father and society. Yet, this movie doesn't judge anyone, neither does it lecture us, it doesn't pretend to be a moral vanguard--it simply tells a story of ordinary people who find themselves in extraordinary situations.
Even though it is definitely a small-time film which will not reach a wider audience, it is definitely worth having a go at should you have the chance!