Naan Kadavul
- 2009
- 2h 45m
IMDb RATING
7.7/10
2.4K
YOUR RATING
After Rudran's father leaves him in Kashi, he grows up to be an Aghori. However, when his family gets him back home, he faces problems adjusting to the city lifestyle.After Rudran's father leaves him in Kashi, he grows up to be an Aghori. However, when his family gets him back home, he faces problems adjusting to the city lifestyle.After Rudran's father leaves him in Kashi, he grows up to be an Aghori. However, when his family gets him back home, he faces problems adjusting to the city lifestyle.
- Awards
- 10 wins & 15 nominations total
Photos
Featured reviews
Naan Kadavul may not have had the box office run of its commercial stereotype counterparts but it has every aspect that exemplifies a great movie. Bala has the tendency to bring out the best of every actor he directs and Naan Kadavul is no exception in this regard. Every member of the acting crew has lived their characters. Arya's impact, while short, is majestic and adds an aura yet unseen in Tamil cinema. Every scene has been brilliantly crafted and Bala's attention to detail is second to none. Illayaraja music adds vibrancy to what is already a magnificent piece of art and takes its beauty to an entirely different level. The directorial standard set by Bala will hold as a benchmark for many a generations to come.
Well I should say that I am just not a movie goer, but a movie analyzer. And it takes a lot of things for me to be impressed by an movie. This master piece made by the legend in the making (BALA)is far away from words. This is pure brilliance and will surely get a place in the world cinema. I don't care if the movie did well or not in the box office
Two extremists (one of the Agori and the other is of the beggar's life)of our social world, made to meet each other at a point in the movie which mesmerizes the movie watcher. This is not a formula movie flick and will not satisfy every audience, but whoever want to see a movie that is beyond a normal one, here it is
The way in which Arya's charactered is been told him to do
The life in the back ground music given by our Illayaraja
And each and every character told in the movie itself is an art
The hero is clearly none other than the director of the movie. My rating is 8/10
Two extremists (one of the Agori and the other is of the beggar's life)of our social world, made to meet each other at a point in the movie which mesmerizes the movie watcher. This is not a formula movie flick and will not satisfy every audience, but whoever want to see a movie that is beyond a normal one, here it is
The way in which Arya's charactered is been told him to do
The life in the back ground music given by our Illayaraja
And each and every character told in the movie itself is an art
The hero is clearly none other than the director of the movie. My rating is 8/10
as SUPER STAR 'RAJNIKANTH' said here after never such a movie can be made..it goes down as one of the all time classic movies..like bala's previous movies SETHU, NANDHA , PITHAMAGAN he continues to stunt you with realistic story of NAAN KADAVUL..ARYA's dedication in the movie will make his carrier to look back...he has set a standards which other have to follow..ilayaraja has again gave a evergreen memories with his excellent music..he has done magics with the background score..Bala has tried to debate a few serious issues in the movie. The first is obviously about who is God? He also talks about life and death and how death is actually a boon to one who cannot lead a good life. Summing up, Naan Kadavul is not a movie that everyone can digest. It shows reality in such brutality that you wonder whether such things really do happen. It cannot be called violent; the word 'brutal' has to be repeated often to describe the movie.
Director Bala is notorious for his unique choice of disturbing subjects and Naan kadavul is no different. This time around he comes up with a story down under the hells of reality.
Aarya plays the lead role of an Aghori devotee named 'Rudra' which probably is the least humane character that any actor would dare to do. Shiva is the lord of elimination in Hindu texts, and an Aghori who is an ardent follower of Shiva believes in 'Dushta nigraha' or elimination of the evil. Aarya has done fair justice to the role and Bala has exploited him in his looks and acting potentials. Bala seems to have spent enough time in studying the life style of the Aghori sects and beggars. That reflects in the eventual realism that results.
Cold blooded action and shocking pragmatism may disturb the audience. So you have to prepared for 'anything' and 'everything'. Cinematography is a chilling package of the movie and every face that comes along in the movie appears real and original to the plot. Music by ilayaraja is definitely fitting to the scheme.
Violent imagery is objectionable to minors and women. So it's not any family 'go-watch'. But the movie is well told, and questions the true nature of Kadavul- the God and repeating statements made by Rudra-'Aham brahmasmi' surely keeps you thinking.
If you can appreciate the alternate thinking that the director has convincingly achieved in the movie then go and give it a try.
Aarya plays the lead role of an Aghori devotee named 'Rudra' which probably is the least humane character that any actor would dare to do. Shiva is the lord of elimination in Hindu texts, and an Aghori who is an ardent follower of Shiva believes in 'Dushta nigraha' or elimination of the evil. Aarya has done fair justice to the role and Bala has exploited him in his looks and acting potentials. Bala seems to have spent enough time in studying the life style of the Aghori sects and beggars. That reflects in the eventual realism that results.
Cold blooded action and shocking pragmatism may disturb the audience. So you have to prepared for 'anything' and 'everything'. Cinematography is a chilling package of the movie and every face that comes along in the movie appears real and original to the plot. Music by ilayaraja is definitely fitting to the scheme.
Violent imagery is objectionable to minors and women. So it's not any family 'go-watch'. But the movie is well told, and questions the true nature of Kadavul- the God and repeating statements made by Rudra-'Aham brahmasmi' surely keeps you thinking.
If you can appreciate the alternate thinking that the director has convincingly achieved in the movie then go and give it a try.
Have no words to describe this masterpiece. "Naan Kadavul" may offer different kind of feeling to everybody -am sure. But all I want to say is that "This Is A true Indian Movie". This movie must be nominated for Oscars and wish that the world takes note of it. This is good for the world at large and since this was created in India, it will have to follow the same fate of every other immortal classic that was done in India Viz..."No recognition at large" unless the world gives the recognition. It created in me the same sorry feeling when I knew - Vedanta, Mahabharata or any other immortal spiritual classics was produced in India. They will never be acknowledged great unless world looks at it. ...
About this movie - what happens when an enlightened man living all his life with his guru and as a complete recluse and practicing the teachings taught; is suddenly taken by providence to his birth place. There is this sudden clash...A man beyond the world impacted with not just the world but with the harsh and depraved part of the world. Bala explains thereafter with extreme fragility and immense knowledge of spirituality. Thanks to you Bala...you have proved once again.
About this movie - what happens when an enlightened man living all his life with his guru and as a complete recluse and practicing the teachings taught; is suddenly taken by providence to his birth place. There is this sudden clash...A man beyond the world impacted with not just the world but with the harsh and depraved part of the world. Bala explains thereafter with extreme fragility and immense knowledge of spirituality. Thanks to you Bala...you have proved once again.
Storyline
Did you know
- Trivia'Ajith Kumar' was selected for the role, but, eventually walked out due to disputes with Bala. Furhtermore Suriya and 'Narain' were also approached for the lead role, before Arya took the role. Similarly for the role of the heroine, Poorna, Gopika, Meera Jasmine, Reema Sen, Parvathi Melton, Neetu Chandra and Meenakshi were all approached and Bhavana and Karthika had started then left the project, before Pooja accepted the controversial role.
- ConnectionsReferenced in Boss Engira Baskaran (2010)
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Himalayan Aghori
- Filming locations
- Benares, Varanasi, Uttar Pradesh, India(opening sequence)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹140,000,000 (estimated)
- Gross worldwide
- $413,051
- Runtime2 hours 45 minutes
- Color
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