In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance.Written by
Arturo Rispstein said he wanted to send a message to director Yorgos Lanthimos saying: "I hope we win" the night of the Oscars when this movie was nominated, suggesting that Lanthimos' movie was based on 'The castle of Purity' (1973) See more »
In the bathroom scene where the girl is trying to remove her tooth, the girl hits her mouth in front of the mirror with the dumbbell; she laughs and blood runs down her jaw; however, after the cut, the blood disappears. See more »
The new words of the day are: "Sea", "Highway", "Road trip" and "Shotgun".
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I give up. After sitting in front of the computer for almost half an hour, tossing and turning thoughts in my head as I try to write something about my latest adventure at the Auckland International Film Festival – "Dogtooth", I've decided that it is not possible to do so.
What I will say is this: watching "Dogtooth" was one of the strangest experiences I've ever had. I have honestly never seen any other film like it. Sometimes hysterical, sometimes shockingly intense. It is a hypnotic trip that displays brilliant originality and borderlines pure insanity. In my humble opinion, it is a film that should be watched by every single person, for the experience alone. Sadly, like so many other gems, I'm almost certain that this film will never find a wide release, so, please do seek it out, I beg you all.
I am so glad that I watched the movie cold, as the only things I knew about the movie was a promotional photo and the fact that it's Greek, a decision that I believe made the experience even more powerful for me, and a decision that I advise you all to take.
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