In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance.Written by
In the bathroom scene where the girl is trying to remove her tooth, the girl hits her mouth in front of the mirror with the dumbbell; she laughs and blood runs down her jaw; however, after the cut, the blood disappears. See more »
The new words of the day are: "Sea", "Highway", "Road trip" and "Shotgun".
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If you are easily offended by bold unusual film-making especially in the areas of sex and violence do not see this film. That said I just saw this at the Palm Springs International Film Festival and thought it was a very interesting and very brave film. Well worth seeing if you can like strong, unusual films. Probably close to 30% of the audience walked out, but I was encouraged by the 70+% that remained, especially since most of the audience were 60+ Americans. The 20-somethings I talked to on the way out were very enthusiastic. The woman sitting next to me said "What did it mean? I don't understand" but to me there were enough deep meanings and points to ponder on a 30-minute drive home and I can't wait to tell friends about it. Everything from the dangers of creating a "perfect family" to "the mechanization of capitalism and upper middle class life" to metaphors for the dangers of repressive families and governments. At it's simplest, it proves that people, especially young ones, are in so many ways what their parents make them. This is not a film you will forget!
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