Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only ... See full summary »
After his boss is murdered, Nelson is on the run for fear of prosecution. He hides out in a small town to avoid the police, which should be easy because they know he didn't do it and they aren't looking for him.
David Anthony Higgins,
In November 1939, Georg Elser's attempt to assassinate Adolf Hitler fails, and he is arrested. During his confinement, he recalls the events leading up to his plot and his reasons for deciding to take such drastic action.
Her innocent good looks are just a cover for Last Comic Standing winner Iliza Shlesinger's acerbic, stream-of-conscious comedy that she unleashes on an unsuspecting audience in her hometown of Dallas in her stand-up special "War Paint."
Two criminals, Vic and Danny, kidnap Alice Creed. They fastidiously set-up an apartment building and handcuff Alice to the bed, all in a careful attempt to make sure that she won't escape and they won't get caught. But what do Vic and Danny really want with Alice? And is Alice cunning enough to foil their plans and escape?Written by
Even in the scenes where her character is not being filmed, Gemma Arterton would still insist on being handcuffed to the bed to help her performance. See more »
When Vic checks the bullets in the gun, he removes the magazine, then replaces it and operates the slide. A bullet should have ejected as it was recently fired and there would have been one in the chamber. See more »
Wake up Ms. Creed, it's breakfast time!
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A compelling, well-acted low-budget thriller about greed
The title is something that confused me, as we spend the whole time with the titular character, yet at the end of it, comprehension dawns.
Acting: Arterton actually surprised me as in Quantum of Solace, Prince of Persia and Clash of the Titans she was uneven and had this contrived, grating posh accent but here, she speaks in her normal accent and is far more consistent in emoting. Goes to show, you can't write of every actor, even after a couple of so-so performances.
As improved as she is, the other two, Marsan and Compston (particularly the former) overshadow her somewhat. Marsan is a cunning and calculating crook and Compston is his naive accomplice. Marsan is particularly menacing and Compston develops his character pretty well. There's a plot twist involving all three that I personally didn't anticipate in that way.
Plot and Pacing: From the unnerving opening without much dialogue to the gripping conclusion, this, to me, wasn't completely predictable. Budget constraints meant the cast remained a trio, but I would've liked to have seen other important characters mentioned.
Cinematography: Conveys a true sense of sickening planning in Alice's kidnapping, humiliation at the hands of the pair, deception, fear - all pretty much what I'd expect from a thriller of this sort.
Score: What little there was there was good and I loved the Radiohead-sounding song with Bjork-esquire vocals Holy Moly by Cathy Davey, as it's suitably mellow for the end of the film.
Overall: This has been called a glorified stage play by some people, but to me, it felt like a film with nuances concerning characters and much like Hard Candy(comparison as it's also indie and had a small cast) was a really taut thriller that had me glued to the screen all the way through.
This is proof that British Cinema is still alive and well and that every now and again, a little gem will come out. A film with flawed characters with a theme of the selfish desires they share.
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