| Runtime | 2 hr 28 min (148 min) |
| Sound Mix | Dolby Digital | DTS | SDDS |
| Color | Color |
| Aspect Ratio | 2.35 : 1 |
| Camera |
Arriflex 235, Panavision Primo and G-Series Lenses
Arriflex 435 ES, Panavision Primo and G-Series Lenses Beaumont VistaVision Camera, Panavision Primo Lenses Panavision 65 HR Camera, Panavision System 65 Lenses Panavision Panaflex Millennium XL, Panavision C-, E-, G-Series and Super High Speed Lenses Panavision Panaflex System 65 Studio, Panavision System 65 Lenses Photo-Sonics 4C, Panavision Primo Lenses Photo-Sonics 4ER, Panavision Primo Lenses |
| Laboratory |
Imagica Corporation, Shinagawa-ku, Tokyo, Japan
(processing)
Laboratoires LTC, Paris, France (processing) Technicolor, Hollywood (CA), USA (also prints) Technicolor, London, UK (processing) |
| Film Length |
3,925 m
(Portugal)
4,037 m (Sweden) |
| Negative Format |
35 mm
(also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219)
65 mm (Kodak Vision3 250D 5207, Vision3 500T 5219) |
| Cinematographic Process |
Panavision
(anamorphic)
Panavision Super 70 (some scenes) VistaVision (aerial shots) |
| Printed Film Format |
35 mm
(Kodak Vision 2383)
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) D-Cinema |
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See also
Full Cast and Crew | Release Dates | Official Sites | Company Credits | Filming & Production
