When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible - inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.Written by
Warner Bros. Pictures
In spite of the film's extensive surreal effects sequences, the majority of visual effects throughout the film, such as the Penrose stairs, rotating hallway, mountain avalanche, and zero-gravity sequences, were created through practical methods, not through the use of computer graphics imagery. The film only has around five hundred visual effects shots, as opposed to most other visual effects epics which can have upwards of 2000 visual effects shots. See more »
At 1h 48mins, people in the hotel are weightless, and being ushered into an elevator. This is pointless, as the elevator requires gravity to be present in order to work.. See more »
At the end of the credits Édith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends. See more »
You have this basic idea and the story, they are very good. And boy did the have money. And the CGI is spectacular, yes.
Further on this:
Inception is constantly VERBALLY explaining what is happening, why it is happening, how it's relating to things explained earlier and so on. The rules, the plot, the inner conflicts. Even at the 2/3rd of the movie, they are still explaining basic rules. I don't see why this was necessary as most of it is repetition. You get the same stuff over and over again, supposed you didn't get it for the first time. And again: VERBALLY. Exactly like in your average, random Venezuelan soap opera.
Inception does almost not have any scenes. As far as I'm concerned, movies are about scenes. Here, you'll only be able to remember certain sequences, because it's all just one big a montage of sequences. It's the montage of the master-plan from Oceans 11 for 150 minutes and it's exaggerating.
The score is non-stop blaring, all the darn time, even when people are just talking to each other, music is building up constantly to give you the perception, that there are serious things going on. It's just annoying, painful for the ears and pointless. Generally important scenes are in no contrast to basic scenes. It's one big video clip.
Characters. I don't remember a single name, as there is no kind of character development going on here. It's just some well dressed people. All the dialog is used up, for basic explaining like "for dummies", rather then building character, relationships, or just being generally cool dialog. Occasional tries sounds like tag-lines or slogans while being just plain unintelligent. Also, this is leaving the actors no space to - well - act... which is a waste of the great cast.
Now all these things are very amateur scriptwriting mistakes, or if you prefer: it's a stupid movie. But no one seems to notice as Nolan does everything to convince you that you are watching something meaningful.
The blaring music and the hectic editing, the fact that there are permanently 3 scenes of action cut together into one sequence underlined by an incredibly severe score, it's just there to distract. Because in fact the movie has nothing new to show us. Separate the sequences and you have the most basic and outdated action b-movie there is. Car chase. Fire fight. Explosion. Present it confusing enough so it seems complex. Same goes for the plot. The rules of the dream world are not complicated at all, you are absolutely able to sum it up in two sentences, just try. The Matrix set up it's world with a 10 minute sequence and we all got it where the whole theme is about equally, or more complex. Now Nolan is either deliberately confusing people for effect or simply because he doesn't have the skills as a scriptwriter to set up a movie. Neither of the versions seems too noble, but I guess it's a combination of those.
Now the fact, that no one really seems to have noticed ALL THIS this is just a total riddle to me. Even famous film critics praise this movie as ground breaking and brilliant and I just can't see, where I am totally stupid, or why I'd construe all these mistakes into the movie, when in reality, they just weren't there.
It's just malpractice, as what you have here is basic movie making rules ignored in the most inelegant fashion possible and then compensating for it with - well - money. Don't get me wrong, it's not knowing the rules and then breaking them, it just looks like not knowing the rules. It's what you could expect a first year student at a mediocre film school to do where his teacher then asks him to start all over again, with the first book. And it's just so "in your face". For most of the time, there is really nothing more then cutaways, the characters describing what is happening and Hans Zimmer smashing while you see expensive CGI and explosions.
But everything just seems so damn serious and exclusive and the music is really dramatic. How could this movie not be good, right? But it's a trick. It's the concept of visceral over-stimulation brought to a new level and I'm shocked that it works to the point where after almost a century of film making THIS is regarded as one of the best movies of all time.
IMDb TOT 250 #8. With The Godfather. Pulp Fiction. Schindler's List. The Shawshank Redemption. One Flew Over the Cuckoo's Nest. 12 Angry Men. Inception.
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