Doug (Rhys Darby) thinks he has the perfect life and is stunned when long term girlfriend Susan (Faye Smythe) dumps him. He finds an injured duck and reluctantly decides to nurse it better ... See full summary »
In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world.Written by
Kenneth Chisholm (email@example.com)
Sandie Shaw who sang the film's title song used to work as a punched-card operator in the Ford plant at Dagenham several years before the events depicted in the film. See more »
Whilst the interior of Lisa Hopkins' 1600E Mk 2 Cortina was in fairly good shape for a 42 year old car, it was pretty ropey for a brand new car which it would have been at the time the film was set in. See more »
Bollocks. I'm sorry, but it is. Three hours we've been sat here. That's what matters to the girls? How you're qualified to talk about that, I do not know.
[she pulls out threads of leather]
Have a look at this. There. You put them together, go on!
Ford property, I believe?
Oh stop it! We have to pick all these different pieces and work out how they go together. Cause there ain't no template is there? We have to take them all and sow them one by one into the finished article. That is not ...
[...] See more »
Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »
All Or Nothing
Written by Steve Marriott (as Marriott) / Ronnie Lane (as Lane)
Performed by Small Faces
Published by Aviation Music Limited Courtesy of The Decca Music Group
Under license from Universal Music Operations Ltd See more »
The movie gets to convey the atmosphere of those months in 1968, where 187 women joined together and went on a strike to ask for equal salaries to men, and better conditions of work. We as viewers really feel the cohesion, the solidarity, as well as the tensions of this group. Never pedantic, or too dramatically committed, the movie gets to make the public, mainly the female one, reflect upon the hard struggle women had to face before getting some basic rights, when still actual and necessary is the reflection about today's condition of female workers, when some kind of discrimination is still to be faced. However, the movie proceeds with a soft and entertaining pace, maybe at some points too entertaining, the sparkling character of Rita O'Grady herself was invented in order to make the story more cinematographically involving. No doubt however the cast makes a difference, the actresses offer single heart-felt interpretations, in the same way as the choral shots show intensity and strong emotion.
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