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HARDEEP, RASHMI and ATUL are brothers and sisters. Which means they can say anything they like to each other, no matter how honest. Mad, Sad and Bad is a 90-minute comedy about mixed race ... See full summary »
When the young republic of The Netherlands is attacked by England, France, and Germany, and the country is on the brink of civil war, only one man can lead the country's strongest weapon, the Dutch fleet: Michiel de Ruyter (Frank Lammers).
Stage musical adaptation of H.G. Wells' alien invasion novel, recorded live at London's O2 arena in 2012. The reimagined story, which was first released in 1978 as a concept album by Jeff ... See full summary »
Kerry Jane Ellis,
After the death of his father, the weirdo Yvan Lesurf believes his mother Claudia Lesurf and his uncle Adrien Lesurf have poisoned him since they got married to each other. Completely ... See full summary »
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Casper Van Dien,
In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world.Written by
Kenneth Chisholm (email@example.com)
Three of the original Dagenham seamstresses invited Sally Hawkins for tea, prior to the filming, as they wished to inform her properly about mindset behind the strike, that she was set to portray in the film. Hawkins' grandmother also worked as a seamstress, although not at the Dagenham factory. See more »
Barbara Castle in the film berates her two male assistants, calling them 'chauvinistic', but feminists did not routinely call men 'male chauvinist pigs' until after the publication of Germaine Greer's The Female Eunuch in 1970. See more »
Christ, I like a drink, but I ain't out on the beer every night or screwin' other women, or... 'Ere, I've never once raised me hand to you. Ever. Or the kids.
What? Why are you looking like that?
Right. You're a saint now, is that what you're tellin' me, Eddie? You're a bleedin' saint? 'Cause you give us an even break?
What are you saying?
That is as it should be. Jesus, Eddie! What do you think this strike's all been about, eh? Oh yeah. Actually you're right. You don't go on the drink,...
See more »
Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »
Written by Shelly Pinz / Paul Leka
Performed by The Lemon Pipers
Published by Minder Music Limited (P)1968 Sony Music Entertainment Inc
Licensed courtesy of Sony Music Entertainment UK Limited See more »
thought-provoking and entertaining
The movie gets to convey the atmosphere of those months in 1968, where 187 women joined together and went on a strike to ask for equal salaries to men, and better conditions of work. We as viewers really feel the cohesion, the solidarity, as well as the tensions of this group. Never pedantic, or too dramatically committed, the movie gets to make the public, mainly the female one, reflect upon the hard struggle women had to face before getting some basic rights, when still actual and necessary is the reflection about today's condition of female workers, when some kind of discrimination is still to be faced. However, the movie proceeds with a soft and entertaining pace, maybe at some points too entertaining, the sparkling character of Rita O'Grady herself was invented in order to make the story more cinematographically involving. No doubt however the cast makes a difference, the actresses offer single heart-felt interpretations, in the same way as the choral shots show intensity and strong emotion.
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