An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a conspiracy at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living on post-apocalyptic Hawaii far in the future.Written by
One of the few films in history that has three directors working together as an original team who equally share directing credit. See more »
In the book, Luisa Rey is the reincarnation of Robert Frobisher, so her line in the Record Store about knowing the music of the "Cloud Atlas Sextet" makes sense. However, for the movie they changed the reincarnations so that was no longer the case, which means the line doesn't belong in the movie. See more »
[shivering beside the fire]
Oh, lonesome night. And babbits bawling, the wind biting the bone. Wind like this... full of voices. Ancestry howling at you, yibbering stories, all voices tied up into one. One voice differing. One voice, whispering out there, spying from the dark. The fangy devil, Old Georgie hisself. Mm. Now your ear up close, and I'll yarn you about the first time we met, eye to eye.
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When a montage is shown of all the characters the actors are playing, the font of the names changes with each time period. See more »
My wife and I were able to see an advanced showing of Cloud Atlas last night at The Chicago International Film Festival. I will say that I was thrilled to see this movie from the moment I saw the initial trailer release. I am a huge fan of movies that are epic in nature and are rather daring by taking on the task of time lines that may span a millennia.
I will not provide any spoilers but I will say that the film is truly grand in scope and as you may have deduced from the trailer, the film time span passes through hundreds of years and includes many characters and story lines that are interwoven or overlap.
I cannot say enough about the performances in the film. From top to bottom, everyone displays amazing performances. Hugo Weaving obviously is a show stopper in several scenes. The make-up and costume design will throw even the seasoned film-goer off as the transitions made by these characters are nothing short of spectacular. I cannot see another film coming close to being in the same category for the Oscar in Costume and Make-Up.
The visuals and the score of the movie were the biggest takeaways for me. There were moments that reminded me of Blade Runner mixed with Out of Africa. There are a large number of stories within the film, some large and some small, but many strong enough to be individual films themselves. That being said with the long running time of the film, almost 3 hours, coupled with the multitude of story lines and the very numerous edits, the film can be a daunting task for even a seasoned viewer. I'd be lying if I said I wasn't fighting to pay close attention to every detail to the first hour of the film to understand what was happening. The first 10 minutes alone caused me some confusion.
This film will not be for everyone due to its complexity and length, but for those who are true fans of films this epic in nature will truly appreciate the film. I very much look forward to another viewing of the film and encourage everyone to see the film at least once.
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