Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta. After a series of setbacks leave Yuda homeless and uncertain about his new future, a chance encounter results in him defending the orphaned Astri from becoming the latest victim of a European human trafficking ring led by the wildly psychotic, Ratger and his right-hand man Lars. With Ratger injured in the mêlée and seeking both his "merchandise" and bloody retribution, Yuda's introduction to this bustling city is a baptism of fire as he is forced to go on the run with Astri and her younger brother Adit as all the pimps and gangsters that inhabit the night hound the streets chasing their every step. With escape seemingly beyond their grasp, Yuda has no ...Written by
PT. Merantau Films
During the first part of the movie which tells Yuda's daily life with his mother and brother, half of the dialogs are in Minang language (one of more than 500 local dialects and languages in Indonesia), and have to be subtitled into Indonesian in the Indonesian released. See more »
Yuda left his small bag on construction site after on previous day his wallet was stolen once and he know none of the construction worker and he slept for the whole night on there after crossing the fence illegally. (This scene doesn't appear on International version.) See more »
That's bullshit. Anything I earn on stage is mine and you know it.
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For The Past ten years or so ever since the matrix came out and dazzle our eyes with fancy moves and dashing kicks, all MA movies tried to copy it out from small punches to the high kicks but they forgot that MA is more than CGI ,Flying and impossible jumps. Mernatu came after 25years or so dry spell from Indonesia and you might be thankful for that.
The movie plot and story simple in alota ways with subplot about life,parenthood,love and the underworld. what makes this movie so good is that the action is action no fakes or flaps, when they slug out they do slug it out, they use every kind of weapon near by, the hero get hit and hit back (that's what seems to allude others as the hero is untouchable even the Chinese and Asian movies falls in this pit recently)
In the end Merantau is A solid film, I enjoy and am sure others will enjoy it MA fan or not. I've never heard of Silat before this film but I can feel it's little more than a form of fighting rather than a way to explore one soul.
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