While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
This movie is about a strict girls high school whose faculties are all female. After the maternity leave of a chemistry teacher, the principal has to bent the rules for the presence of a male teacher in the girls high school.
The Glass Agency is the story of a war veteran living in post war Iran. It depicts veterans who are suffering from social problems after the war. Society does not understand them and the ... See full summary »
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they ... See full summary »
Shirin is supposed to get married in a couple of hours, but she unexpectedly murders a man. The cause of the crime, rooted in her nightmarish childhood, unravels gradually and the real question emerges: Who is the REAL criminal?
A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to introduce her to their recently divorced friend Ahmad, now living in Germany. The next morning, the two women go shopping in the town and Elly says that she has to return to Tehran because her mother has been recently submitted to hospital for heart surgery, but Sepideh asks her to stay and hides her luggage. The children are playing in the sea and one mother asks Elly to watch them. Out of the blue, Sepideh's daughter calls to some men playing volleyball to rescue one of the children from the water. After rescuing the little boy they seek out Elly, questioning whether she has drowned or returned to Tehran. What has happened to Elly?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When they decide to stay in the villa and start to clean it, Ahmad calls the boy (Omid) by name asking him about where he can find a vacuum cleaner. Seconds later, he asks the boy about his name. See more »
"Elly" seems like a rough sketch for "A Separation" (2011), one of the best films of this century IMHO. In both cases, Farhadi's focused on social lies and deceptions and the ways they come back to bite us—as well as on the contrasts and contradictions between the lives and aspirations of contemporary Iranians and the restrictive social norms of Islam—but "Elly"'s not as tightly plotted or as involving. In many ways it's like typical film-festival fare from a non-Western country—it's a little hard to keep track of the characters at first, and it's not always clear why they're behaving the way they do The setup's intriguing: old college friends from Tehran—three married couples and their kids and a recent divorcé—and a slightly mysterious plus one, Elly, share a clapped-out weekend cottage on the Caspian Sea. At first everyone's acting goofy, singing and busting little Zorbalike dance moves.
Then something happens—two things really—and everything changes. The sky darkens, the sea gets rough, and husbands and wives are (almost literally in one case) at each other's throats. Suddenly these 21st-century sophisticates are chattering about evil portents and lost honor and fear of shaming; several layers of deception have to be unwrapped before the film's ambiguous ending. Expert cast (including the husband from "A Separation" and Nefertari from "Exodus: Gods and Kings"!); the performances seem a little over the top at times, but that may just be a cultural thing; great cinematography. Certainly worth watching, prob'ly more so if you've already seen "A Separation."
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