A fantasized portrayal of Polish auteur Walerian Borowczyk: Boro in the Box discovers a cruel and obscene world. He experiences banal yet colorful adventures, caressing erotic birds and organic cameras in a phantasmagorical Alphabet.
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Hélène de Saint-Père
"The picture revolves around an American filmmaking couple who retreat to the island for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place ... See full summary »
In the first half, Gregoire, a movie producer of great charm, owner of Moon Films, plays with his younger daughters, talks with his wife and his eldest daughter, and keeps his studio going while one project hemorrhages money and creditors circle. In the second half, Sylvia, his Italian wife, tries to hold the family together as she looks fully into Moon Films' troubles. She meets with a banker, a temperamental Swede, Russian TV magnates, a film lab exec, and Moon's lawyer. Clémence, the oldest daughter, goes on her own search. Debt can crush; how does a family pick up the pieces?Written by
'The Father Of My Children' tells the story of the family of a film producer who comes under financial stress. Plot-wise, the film surprises when the expected ending occurs half-way through; we thus get to also see the aftermath. There's nothing wrong with this per se, although it means we really have two stories in one, and the overall narrative arc is thus slightly broken. But I don't think this is the only reason this film seems strangely devoid of dramatic tension. Even though there are some fairly notable developments, nothing really seems to upset the serenity of its affluent characters. At one point, there's a power cut and the lights go off; after a few minutes, they come back on again, and in some ways, that's how the whole film feels: stuff happens, but the consequences always seem not to actually matter that much. I normally like understated films; but this one, although nicely put together, feels underplayed, and therefore, just a little uninteresting.
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