The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
Based on a true story of James "Whitey" Bulger, an Irish Mob godfather and a FBI informant who had a "secret trading" deal with his brother, William "Billy" Bulger, a state senator and a Boston public figure, and John Connolly, an FBI agent. They planned to take down theft Italian mob and mafia in Boston, which went awry and things turned massively violent. When the credence for each other began fading out, drug dealing, murders, and extortion started to rise, and forced the FBI's Boston office to confirm that Whitey Bulger was one of the most notorious criminals in US history and also one of the FBI's Ten Most Wanted List criminals.Written by
Gusde
Revere Beach in Revere, Massachusetts, just north of Boston, was transformed into Miami Beach for the Miami scenes. Filmmakers added real palm trees to the beach, and dressed up a local pizzeria to look like a Cuban café. See more »
Goofs
In the movie, Whitey Bulger recruits his partner, Steve Flemmi, into becoming an FBI informant with him. In real life, FBI agent Paul Rico recruited Flemmi 10 years earlier. See more »
Quotes
[first lines]
Kevin Weeks:
Before we start, I want you to kow something. I'm not a rat. You understand? I want that on record before we start.
DEA Agent Eric Olsen:
Okay. You are not a rat. And it's on record. Mr. Weeks, the charges against you, racketeering, extortion, kidnapping, and accomplice to murder, are very serious. Am I correct in stating that you are here today to make a deal with the federal government?
Kevin Weeks:
Correct.
DEA Agent Eric Olsen:
And am I correct in stating that you are going from trusted confidant to one of South Boston's most notorious ...
[...] See more »
Crazy Credits
As the actors are listed, pictures and footage of the real people they portrayed are shown. See more »
Encompassed with episodic rhythm and an awfully conventional format, Scott Cooper mutates a story of rich soil capable of greatness to a detaching and routine crime film. Black Mass grasps only on the superficial layer as it focuses solely on documented events of the crime they organized. Due to this, the movie suffers as it seems to be merely a biography- laying out these horrific events in these specified timeframes but not putting any focus on the characters that performed it. All action, but none of the story that happens between that allows the audience to view who they are and what they're like. Black Mass fails to delve deeper into the roots, and this of course limits the scope of all the actors. Great mob cinematography such as The Godfather, Goodfellas, and the Sopranos- all of these were so great because they allowed the audience to see what the characters were like when they weren't shooting, beating, or plotting against people.
That being said, in their limited boxes boy do these actors put on a show. Led by Johnny Depp and Joel Edgerton, the audience can tell straight from the start that this cast reveled and lived their roles. With the amount of overwhelming, heinous events; the film had to have someone cold-hearted and sleazy, and woah did these actors become the epitome of that. However, due to this heavily limited character, the only "rise" the audience feels are from the bone-chilling actions that these men did. Black Mass fails to captivate. And when the closing credits roll a feeling of disappointment washes over you, as it feels like you just watched an episode on the ID channel with really, really good actors.
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Encompassed with episodic rhythm and an awfully conventional format, Scott Cooper mutates a story of rich soil capable of greatness to a detaching and routine crime film. Black Mass grasps only on the superficial layer as it focuses solely on documented events of the crime they organized. Due to this, the movie suffers as it seems to be merely a biography- laying out these horrific events in these specified timeframes but not putting any focus on the characters that performed it. All action, but none of the story that happens between that allows the audience to view who they are and what they're like. Black Mass fails to delve deeper into the roots, and this of course limits the scope of all the actors. Great mob cinematography such as The Godfather, Goodfellas, and the Sopranos- all of these were so great because they allowed the audience to see what the characters were like when they weren't shooting, beating, or plotting against people.
That being said, in their limited boxes boy do these actors put on a show. Led by Johnny Depp and Joel Edgerton, the audience can tell straight from the start that this cast reveled and lived their roles. With the amount of overwhelming, heinous events; the film had to have someone cold-hearted and sleazy, and woah did these actors become the epitome of that. However, due to this heavily limited character, the only "rise" the audience feels are from the bone-chilling actions that these men did. Black Mass fails to captivate. And when the closing credits roll a feeling of disappointment washes over you, as it feels like you just watched an episode on the ID channel with really, really good actors.