The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part-time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost gold.
Based on a true story of James "Whitey" Bulger, an Irish Mob godfather and a FBI informant who had a "secret trading" deal with his brother, William "Billy" Bulger, a state senator and a Boston public figure, and John Connolly, an FBI agent. They planned to take down theft Italian mob and mafia in Boston, which went awry and things turned massively violent. When the credence for each other began fading out, drug dealing, murders, and extortion started to rise, and forced the FBI's Boston office to confirm that Whitey Bulger was one of the most notorious criminals in US history and also one of the FBI's Ten Most Wanted List criminals.Written by
Mark Mahoney was cast as Mickey Maloney on the strength of his performance in Blood Ties (2013), without reading or auditioning for the role. According to Executive Producer James Packer, The Venice Beach tattoo artist, scenester, and owner of the Shamrock Social Club was "audacious, to say the least", requesting a very high salary for his relatively minor role. Scott Cooper insisted on hammering out an agreement with Mahoney, partly because of frustration with constant difficulties securing key cast members, and partly because "the amount of money he demanded, and the manner in which he demanded it, was in some ways the best audition I've ever seen! It reminded me why I wanted him for the part in the first place!" In his downtime during shooting, Mahoney would put a shamrock tattoo on any member of the cast and crew who wanted one. See more »
In the movie, Whitey Bulger recruits his partner, Steve Flemmi, into becoming an FBI informant with him. In real life, FBI agent Paul Rico recruited Flemmi 10 years earlier. See more »
Before we start, I want you to kow something. I'm not a rat. You understand? I want that on record before we start.
DEA Agent Eric Olsen:
Okay. You are not a rat. And it's on record. Mr. Weeks, the charges against you, racketeering, extortion, kidnapping, and accomplice to murder, are very serious. Am I correct in stating that you are here today to make a deal with the federal government?
DEA Agent Eric Olsen:
And am I correct in stating that you are going from trusted confidant to one of South Boston's most ...
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As the actors are listed, pictures and footage of the real people they portrayed are shown. See more »
I try not to get my hopes up too much for certain movies, and "Black Mass" (which I got very excited about) just reminds me why.
Oh, Scott Cooper... how did you manage to make one of the most twisted, unusual, and mysterious gangster stories into an emotionless web of a film? From acting to editing, there was so much wrong that it's almost surprising.
My main issue was the nonexistence of a certain necessity: stakes. In all great mafia flicks, stakes are essential. Would "Goodfellas" have been as remarkable if it didn't feel like any wrong move would set off a universe-ending set of events? Would the "Godfather" have been considered the greatest film of all time if a war wasn't seconds away from breaking out? "Black Mass" managed to keep a story that easily could've had those steaks from having any at all. This was, of course, caused by the emotionless acting, but more on that in a second. But this film really made me not care if the protagonist (whether you consider that to be Bulger or Connolly) lives or dies; and in a mob movie, that is a worse crime than anything committed on screen.
So the acting I blame entirely on Cooper. Every single actor did a great job with what they were given, but the problem is that they were given the wrong thing. For example, Depp was probably told to play a silent yet psychotic, friendly yet intimidating crime lord. Did he do that well? Absolutely. Is that who the character was written as? Not at all. Same goes for Joel Edgerton's - who I thought did the best job out of all of the actors - character, Jesse Plemons' character, and even smaller characters like Adam Scott's. All those actors did well, but not in the right parts.
The list goes on with issues, so let's talk about why the movie got 2 stars rather than zero (therefore, let's talk about the positives). I've heard some critics discuss the overuse of violence in the film. Though there is quite a bit of violence, I thought it was used very tastefully. No blood was used where it didn't seem necessary, and personally, I think that the violence becomes numbing, which takes us even further into the mob guys' mentality on murder. Also, I thought the shooting locations were very well chosen, as they really captured the narrow-mindedness of the lead characters' lives.
So should you see this movie? -If you love mafia movies of any shape or size, then go see it. -If you love Johnny Depp, wait until it comes out on demand. -If you don't love mafia movies, haven't seen many mafia movies, or just have none of the listed qualities above, then don't see this film.
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