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The Infiltrator (2016)

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A U.S. Customs official uncovers a money laundering scheme involving Colombian drug lord Pablo Escobar.


Brad Furman


Ellen Sue Brown (screenplay) (as Ellen Brown Furman), Robert Mazur (based on the book on)
2,474 ( 53)





Cast overview, first billed only:
Bryan Cranston ... Robert Mazur
Leanne Best ... Bowling Alley Waitress
Daniel Mays ... Frankie
Tom Vaughan-Lawlor ... Steve Cook
Niall Hayes Niall Hayes ... Scott Mazur
Lara Decaro ... Andrea Mazur
Juliet Aubrey ... Evelyn Mazur
Olympia Dukakis ... Aunt Vicky
Amy Ryan ... Bonni Tischler
John Leguizamo ... Emir Abreu
Joseph Gilgun ... Dominic
Jason Isaacs ... Mark Jackowski
Richard Katz ... Attorney
Fred Furman Fred Furman ... Federal Court Judge
Juan Cely ... The Informant


A U.S. Customs official uncovers a money laundering scheme involving Colombian drug lord Pablo Escobar.

Plot Summary | Add Synopsis


The true story of one man against the biggest drug cartel in history

Motion Picture Rating (MPAA)

Rated R for strong violence, language throughout, some sexual content and drug material | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Mongrel Media | Official Facebook | See more »




English | Spanish

Release Date:

13 July 2016 (USA) See more »

Also Known As:

El infiltrado See more »

Filming Locations:

London, England, UK See more »


Box Office


$28,000,000 (estimated)

Opening Weekend USA:

$5,303,775, 17 July 2016, Wide Release

Gross USA:

$15,425,870, 25 September 2016

Cumulative Worldwide Gross:

$14,805,854, 5 August 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs



Color | Black and White | Color (archive footage)

Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


This picture's opening title cards read "TAMPA, FLORIDA - 1985" and "Based on a true story." See more »


During the initial undercover arrest set in 1985, a police car is on scene with its light bar on. The side of the light bar has embedded LEDs which didn't appear in vehicle applications until after 2000. Xenon strobes or incandescent lights would have been used in such applications at that time. See more »


Robert Mazur: Roberto, I am glad you are here. But there is a part of me that wishes you hadn't taken that risk.
Roberto Alcaino: Without family or friends what kinda world it is be. There will be no reason to be alive. Hmm? It's a good day.
See more »


References The Godfather (1972) See more »


I Can't Wait (Re-Record)
Written by Jamie Dunlap (as John Smith)
Performed by Nu Shooz
Courtesy of Nu Shooz Orchestra LLC
By arrangement with Spirit One Music
Published by Nu Shooz Orchestra LLC
Administed by Spirit One Music
See more »

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User Reviews

Most lifeless movie of the year.
16 July 2016 | by RendanlovellSee all my reviews

If I had an award to give for the most disengaging movie of year I would give it to this movie. Right now. I wouldn't even wait till I've seen all the movies that I want to in 2016. Because this is probably the most bland, heartless movie I have ever seen. Which is something I never thought would happen in a Bryan Cranston movie. The movie is about a government Infiltrator. He is given the task of going undercover in one of the biggest mobs in history and break them apart. With this kind of source material it would seem impossible to make a boring movie. You have an R rating, one of the best actors working, and one of the craziest true stories ever.

And you did the very thing no one could have imagined. You made one of the dullest mob films I have ever had the displeasure of seeing. The only reason I am not calling this one of the hands down worst films of the year is because of Mr. Cranston. Who, despite the garbage he is working with, turns in a typically excellent performance.

Every else does a pretty great job as well. But this is one movie that proves that an ensemble cast means nothing when the movie around them sucks. You'd think going into a film like this that there would be stakes, or tension. But there isn't, at all. Even scenes where bad dudes are looking over a briefcase filled with recording equipment don't land. Why? Because that scene lasts less than ten seconds.

You can't expect people to feel nervous about what is happening when the person looking over the case doesn't even touch it. He looks at it from a distance for a few seconds and clears it. Where's the tension in that? Moments like this plague the film. Anytime actual conflict arises it stays for so short a time that it doesn't feel remotely nerve racking.

The makers put these moments in the film to make you nervous right? So, why do they mean nothing to the rest of the film? This mans whole career is based around secrecy and going with the flow. But when the entire film feels scripted there is nothing to get invested in. It doesn't feel like the bad guys are controlling anything.

It feels like Cranston could have done whatever he wanted to them. If he asked them to handcuff themselves and walk into a prison cell, I'm confident they would have done it. It was so incredibly boring to watch. Even when it tries to show how the job is affecting his family life, it's bland. That has everything to do with the absolutely atrocious characters. There's no one to care about here in the slightest.

I was constantly waiting for some one to die so that we could really see who these people were and how would react to that but that moment never came. Not only does this movie feel artificial and generic but it plays everything so safe. Despite being in the middle of a mob that prides themselves in cutting people up you never see anything like that. So how can we be invested in our main character or his "struggle"? This disregard of storytelling is only highlighted by it's run time, which feels ten times longer than the two hours it claims to clock in at.

There is so much that this film does wrong it actually blew me away. Among all the reasons I listed there's also a by the numbers soundtrack, poor direction, and an utter disregard to small details. When your film is mostly meant to be character driven and every one of them is a walking blank slate then you have a big problem. The only saving grace is Cranston and his incredibly convincing performance. Aside from that, this is easily the most lifeless, bland film that I seen all year.

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