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Chloe (2009)

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Suspecting her husband of infidelity, gynecologist Dr. Catherine Stewart hires an escort named Chloe in order to test his faithfulness. Soon, the relationships between all three intensify.

Director:

Atom Egoyan

Writers:

Erin Cressida Wilson (screenplay), Anne Fontaine (motion picture "Nathalie")
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Popularity
2,778 ( 14)
3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julianne Moore ... Catherine Stewart
Liam Neeson ... David Stewart
Amanda Seyfried ... Chloe
Max Thieriot ... Michael Stewart
R.H. Thomson ... Frank
Nina Dobrev ... Anna
Mishu Vellani ... Receptionist
Julie Khaner ... Bimsy
Laura de Carteret ... Alicia (as Laura De Carteret)
Natalie Lisinska ... Eliza
Tiffany Lyndall-Knight ... Trina (as Tiffany Knight)
Meghan Heffern ... Miranda
Tamsen McDonough ... Waitress
Kathryn Kriitmaa Kathryn Kriitmaa ... Waitress 2
Arlene Duncan Arlene Duncan ... Party Guest
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Storyline

Catherine and David, she a doctor, he a professor, are at first glance the perfect couple. Happily married with a talented teenage son, they appear to have the perfect life. But when David misses a flight and his surprise birthday party, Catherine's long simmering suspicions rise to the surface. Suspecting infidelity, she decides to hire an escort to seduce her husband and test his loyalty. Catherine finds herself 'directing' Chloe's encounters with David, and Chloe's end of the bargain is to report back, the descriptions becoming increasingly graphic as the meetings multiply.

Plot Summary | Plot Synopsis

Taglines:

A gripping tale that will keep you on the edge of your seat! See more »


Motion Picture Rating (MPAA)

Rated R for strong sexual content including graphic dialogue, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Canada | France

Language:

English

Release Date:

26 March 2010 (USA) See more »

Also Known As:

O Preço da Traição See more »

Filming Locations:

Ontario, Canada See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$900,688, 28 March 2010, Limited Release

Gross USA:

$3,074,838, 11 July 2010
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Julianne Moore and Amanda Seyfried have the same birthday. See more »

Goofs

When Katherine is taking a shower and getting aroused, her nipples stick out a half inch. When Katherine and Chloe are in bed, and she's also aroused, her nipples are almost flat. See more »

Quotes

Catherine Stewart: My husband's cheating on me. At least, I think he is.
See more »

Crazy Credits

Daniel Pellerin (with thanks for 25 years of great work, from Atom) See more »


Soundtracks

Sonata no. 21 in C major, op. 53 (Waldstein)
Written by Ludwig van Beethoven
Performed by Eve Egoyan
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Frequently Asked Questions

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User Reviews

 
Erotic, exotic, beautifully shot, and with a score that is special
27 March 2010 | by zkenSee all my reviews

It was great to see the crowd for this film at my local cinema. Yes, the reviews for this look like they are all over the map. But let it be said that without this fantastic casting (Julianne Moore, Liam Neeson and Amanda Seyfried-a powerful erotic trio), the glorious cinematography and the wildly gorgeous sound track, it might be all of what these arm chair critics are saying. We live only a few miles from Canada by air but it might as well be Istanbul in the hands of this director. Magically the city of Toronto in winter is like another world, with a sleek modern feel that is alluring and cold at the same time. This is the perfect setting for a movie rich in the cloaked emotion of the upper class, lost in a deep freeze. Watching the film in spring in California, makes it seem even more unreal and foreign. In this landscape of ice, we see the characters emerge as modern people lost, alienated, hungary for love and even just human touch. This is a movie of antithesis, and startling allusions of the duality between trust and fear, openness and truth and the hard fact of emotional allusion and mirror like dreams. This film has nothing to do with Hitchcock and everything to do with Bunuel, and the deep wave of surrealist magic still washing on the shore of French thought and culture. Yes the ending is dubious, but it can't crush your response. For those of you wide awake enough to enjoy this, you will be rewarded in ways that American directors rarely seem to reach. What I say is bravo!I believe that for these moments, such dreams are very real.


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