Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
In the early 1970s during the Cold War, the head of British Intelligence, Control, resigns after an operation in Budapest, Hungary goes badly wrong. It transpires that Control believed one of four senior figures in the service was in fact a Russian agent - a mole - and the Hungary operation was an attempt to identify which of them it was. Smiley had been forced into retirement by the departure of Control, but is asked by a senior government figure to investigate a story told to him by a rogue agent, Ricky Tarr, that there was a mole. Smiley considers that the failure of the Hungary operation and the continuing success of Operation Witchcraft (an apparent source of significant Soviet intelligence) confirms this, and takes up the task of finding him.Written by
When Ricki Tarr makes a call from a red British phone box he puts the money in before dialing. This is incorrect - British public telephones at the time required you to wait for the call to be connected (indicated by a rapid beep-beep-beep tone) before inserting coins (and then periodic 'feeding'). See more »
The first episode of the BBC series sets the tone perfectly, introducing the key players and telling us what kind of people they are, all by just having them enter a room for a meeting without saying a word. The trouble with the movie version is that we never get the chance to know the characters. They are faceless people with difficult names and we don't care which one of them is the bad guy. I have read the book at least three times, seen the TV series twice and was still totally confused by the movie. Anyone who hasn't read the book, I would suggest, doesn't stand a chance. The grimy landscape around the Hotel Islay was nicely done. But why make every scene grimy? Where was the circus? Where were the lights of Shaftsbury Avenue? Where were the green fields around Jim Prideaux's prep school? The key scene with Connie Sachs is destroyed by a totally out-of-place crudity and the climax, when the mole is revealed, is thrown away with zero drama. What was going on?
33 of 51 people found this review helpful.
Was this review helpful to you?
| Report this