In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. (Harrison Ford) is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured time-line. Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future...
Despite being considered a reboot that nullifies the existence of Terminator 3: Rise of the Machines (2003) and Terminator Salvation (2009), the final film resembles the plot of the proposed sequel to Terminator Salvation, with the exception that Judgment Day has reverted back to 1997 as opposed to 2004. See more »
(at around 52 mins) When Sara and Kyle do the time transport and end up naked on the road at night, a van screeches to a halt with its headlights on, and there is a significant amount of water trapped in the driver front corner marker light that is visible from both the side and front. The water visibly sloshes back and forth inside the light with wave action. Usually indicative of a cracked lens or bad gasket. See more »
Before they died, my parents told me stories about how the world once was; what it was like long before I was born; before the war with the machines. They remembered a green world, vast and beautiful, filled with laughter and hope for the future. It's a world I never knew. By the time I was born, all this was gone.
"Skynet," a computer program designed to automate missile defense. It was supposed to protect us, but that's not what happened. August 29th, 1997, Skynet woke...
[...] See more »
There is an extra scene during the credits. See more »
Written by King Logan, Eric Dawkins, Big Sean (as Sean Anderson) & Jane Zhang (as Zhang Liangying)
Produced by King Logan
Performed by Jane Zhang featuring Big Sean
Jane Zhang appears courtesy of Show City
Big Sean appears courtesy of G.O.O.D. Music/Def Jam Recordings See more »
The newest entry to the Terminator franchise, strives with towering efforts to reclaim the glory of its two James Cameron-directed predecessors, but miserably fails to deliver even a faint hint of wit and sense, in the wake of its convoluted confusion-infested time-travel narrative.
In this fifth installment, ill-wittedly conceived and called GENISYS, The Terminator is definitely back, but his legacy is dead, butchered to bits of rusty metal junks through lazy and uncreative reinvention of its original source material. The timeline is set back to 1984. Skynet sends its own terminator from 2029, to kill Sarah Connor (Emilia Clarke), mother of future subversive leader of the resistance, John Connor (Jason Clarke). Consequently, a human, Kyle Reese (Jai Courtney) is also sent to stop the terminator, in humanity's desperate hope to save their species. At the time, Sarah is already being protected by her guardian terminator (Arnold Schwarzenegger), whose reasons of arriving in her time, is seemingly set to be never known.
Time-travel has always been a fascinating subject, and it in such fashion that Terminator: Genisys, attempts to build its own stronghold in the mold of the first two films. The take assumes an interesting onset, depicting an apocalyptic future where machines lord over the human minority, but it spirals down to fatal loops of nonsensical uncreatively-staged retreads when the what can be considered the inception of human salvation (Schwarzenegger's Terminator's arrival), begins. Once the deadly cat-and-mouse chases spin out of control, confusion begins, and the film itself, can't be bothered to clear off heads as it totally busy itself to trying to awe-inspire spectators, with elaborately-constructed action setpieces, teeming with CGI-mastered explosions, pursuits, and fight scenes. There's no denying that such attempt is carried out with colossal success, but the audience would inevitably find appreciating the feat, difficult and pointless . The proceedings are sutured into recreations of some iconic scenes of the original movies, while also devising its own, at the same time. But even with all these efforts, GENISYS still fails to generate sustained interest. The result of its motives manages to hit some of the nostalgic beats of the franchise, but tepid one-liners and confusing paradoxes would drag down its capacity to last. It is also by these narrative defects that interest is being stripped off its key players, making the audience barely care about the characters and the imminence of their extinction. This is why Genisys is way below the glory of its predecessors--the dread is barely present, and fear is forced, thus ineffective.
There is a screaming irony that bursts at the heels of this attempt to reinvigorate the sagging Terminator series: The Terminator (Schwarzenegger) returns to the past to save the whole of humankind, but the mess that is GENISYS, murders the franchise. 5/10
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