In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured time-line. Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future...
This is the first film in the series to actually show characters being sent back in time, and the machine that does it. See more »
(at around 58 mins) During the hospital sequence which occurs in California USA it would not be prudent for any doctor or emergency medical technician to leave their patient while performing a medical procedure when detectives enter and say "Doctors. Excuse us please." See more »
Before they died, my parents told me stories about how the world once was; what it was like long before I was born; before the war with the machines. They remembered a green world, vast and beautiful, filled with laughter and hope for the future. It's a world I never knew. By the time I was born, all this was gone.
"Skynet," a computer program designed to automate missile defense. It was supposed to protect us, but that's not what happened. August 29th, 1997, Skynet woke...
[...] See more »
There is an extra scene during the credits. See more »
Written by King Logan, Eric Dawkins, Sean Anderson & Jane Zhang (as Zhang Liangying)
Produced by King Logan
Performed by Jane Zhang featuring Big Sean
Jane Zhang appears courtesy of Show City
Big Sean appears courtesy of G.O.O.D. Music/Def Jam Recordings See more »
Another two hours of a dead horse being flogged sold to the public by Hollywood.
The story ended with T2, Cameron told all the story needed and moved on unlike fans of this sorry forced franchise and the three studios that each picked up the rights and made one contrived cash-grab after the next before passing it on one after the other like a dirty whore.
This is the worst rehash of old ideas ever resold to a desperate fanbase. A baby-faced Sarah Connor who looks like she should be getting ready for a prom date unlike the hardened paramilitary character that Lind Hamilton trained like a madwoman to deliver in looks and performance. Some 8-ball headed actor trying to pass of John Connor, an Asian Robert Patrick doing all the same stuff we saw 20 years ago and an old age pensioner Arnorld Schwarzenegger being made to do everything in CGI his awful frame lost the ability to do decades ago.
Only Hollywood would flog a dead horse so continuously and still find an audience however small and desperate, to watch and cheer every single swing of the lash.
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