In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A seemingly indestructible Android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all cost
Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured time-line. Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future...
The police car that the T-1000 drives has the license plate number that was used on the police car on Adam-12 (1968). See more »
Heavy vehicles, such as school buses use air brake systems. When a loss of pressure is experienced in the system, such as when John destroys the air tanks, the brakes auto-apply. The bus would therefore come to an immediate halt, not continue on with "no brakes" as is seen in the movie. See more »
Before they died, my parents told me stories about how the world once was; what it was like long before I was born; before the war with the machines. They remembered a green world, vast and beautiful, filled with laughter and hope for the future. It's a world I never knew. By the time I was born, all this was gone.
"Skynet," a computer program designed to automate missile defense. It was supposed to protect us, but that's not what happened. August 29th, 1997, Skynet woke...
[...] See more »
There is an extra scene during the credits. See more »
The first two Terminator films are among the best of their genre and are brilliant films also in their own right. Rise of the Machines started the series' decline and had its faults but also had some good things that made it better than its reputation, while Terminator Salvation although with its moments was even more disappointing. While not a complete disaster, the latest in the Terminator franchise is the worst yet and sees a once classic series at rock bottom.
Are there any good points? Not many, but yes there are. The best thing about Terminator Genisys is Arnold Schwarzenegger, while more subdued than he can be he is rock-solid and has the most intensity and charisma of the entire cast. Despite not having a lot of screen time and being mute, Byung-hun Lee is nonetheless credible as T-1000. Some of the scenery is quite atmospheric and striking.
Everything else was severely wanting. The rest of the cast are not good at all, with Jai Courtney being by far the worst actor for Kyle Reese of the series in a performance that is both insipid and annoying (which didn't entirely surprise me seeing as out of the little I've seen of him he's always struck me as a lazy actor with an arrogant ego). Just as much as the anaemic Emilia Clarke faring the worst of all the actresses playing Sarah Connor, who behaves in a way that you'd expect a stereotypical bratty and vapid high school teenager to act but not Sarah Connor. Jason Clarke is not quite as stiff as Christian Bale was in Terminator Salvation, but it is still a shock to see the role of John Connor being performed and written so blandly. The chemistry between them is also barely there, most of the time it's even non-existent. JK Simmons is basically wasted, and his dialogue and character are forced and out of place.
The characters are like personality-less ciphers, with none of what made them so memorable before as characters and no convincing conflict, in a film that definitely could have benefited from less characters and more development (which is non-existent) . The script is overstuffed and confused, as well as tonally unbalanced with overly-complex scientific jargon, cheesy one-liners (even Schwarzenegger's don't work particularly well this time), misplaced comedy (that's even more distracting than in Rise of the Machines and used with even less subtlety) and too many ideas barely explored. The story, as well as having a stitched-together episodic feel, is at best a head-scratcher, with it being confused to being at times incoherent as a result of doing too little with too much. It's also very dull, not just because of the leaden pacing but because there is not much new and little interesting is done with the ideas presented in the film and it completely lacks atmosphere, thrills, mystery or suspense, and any drama is both heavy handed and lacking in heart.
Direction from Alan Taylor is lazy, favouring spectacle over depth and story and character development. And unfortunately the spectacle is not that good. The special effects are not terrible, but they at best never rise above just-passable (the worst of the series in this regard, they are quite poor actually in the beginning section and fake-looking too in other parts), are used with little to no imagination, and there is too many of them (sometimes in places where they were not even needed). The action sequences are equally painfully unimaginative, are sloppily edited, are leadenly and predictability choreographed and contain no tension or thrills whatsoever, let alone any fun. It's very erratically shot and scored with a mix of overbearing bombast and dirge-like drone. The ending also felt incredibly forced and tacked on.
Overall, Terminator Genisys was a pretty poor and disappointing film, and is by far the worst of the Terminator franchise. 3/10 Bethany Cox
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