A hairdresser, who has lost her hair to cancer, finds out her husband is having an affair, travels to Italy for her daughter's wedding, and meets a widower who still blames the world for the loss of his wife.
How far would decent human beings be willing to go, when tragedy blurs the line between just and unjust? With "A Second Chance", Susanne Bier and Anders Thomas Jensen have crafted another ... See full summary »
Nikolaj Lie Kaas
Anton is a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds, he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness. Anton and his wife Marianne, who have two young sons, are separated and struggling with the possibility of divorce. Their older, ten-year-old son Elias is being bullied at school, until he is defended by Christian, a new boy who has just moved from London with his father, Claus. Christian's mother recently lost her battle with cancer, and Christian is greatly troubled by her death. Elias and Christian quickly form a strong bond, but when Christian involves Elias in a dangerous act of revenge with potentially tragic consequences, their friendship is tested and lives are put in danger. Ultimately, it is their parents who are left to help them come to terms with the complexity of human emotions, pain and empathy.Written by
Sisse Graum Jørgensen, Producer
When Anton (Michael Persbrant) performs his first surgery he scratches his head/corrects the position of his mask after having put on sterile gloves (at around 42 mins) thereby contaminating them and risking that the patient gets infected. A real surgeon would never do this, and if she or he did, she or he would change gloves. See more »
Sometimes it feels like there is a veil between you and death, but that veil disappears when you lose someone you loved or someone who was close to you, and you see death clearly, for a second, but later the veil returns, and you carry on living. Then things will be alright again.
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Denmark's contribution to the Academy Award for best foreign language film in 2011 delivers with great directing, acting and storytelling.
After his mother's funeral Christian moves to Denmark with his father, who he holds responsible for his mother's passing. On his first day at school in his home-country he meets Elias who is getting bullied by the schools boy mafia and defends him.
Two families struck by conflict crosses each other in Susanne Bier's tenth feature film where a thoroughgoing story from two different worlds about fathers and sons, revenge and redemption, sorrow, child upbringing and friendship is conveyed through Susanne Bier's varied perspectives and intimate filming. Susanne Bier's recently Golden Globe nominated film is an in-depth study of character with a brilliant Mikael Persbrandt in a somewhat untypical role where he really gets the chance to show his warmest character trades and several less though essential character studies of Ulrich Thomsen who is efficient in an underplayed role as a father trying to reach his son, the often engaging Trine Dyrholm in the leading female role and the two excellent young actors playing Elias and Christian. The films stunning cinematography, its tailored narrative and the thoughtful dialog in this compelling and well written psychological drama, makes it one of Susanne Bier's strongest dramas concerning human relations.
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