A hairdresser, who has lost her hair to cancer, finds out her husband is having an affair, travels to Italy for her daughter's wedding, and meets a widower who still blames the world for the loss of his wife.
Anton is a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds, he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness. Anton and his wife Marianne, who have two young sons, are separated and struggling with the possibility of divorce. Their older, ten-year-old son Elias is being bullied at school, until he is defended by Christian, a new boy who has just moved from London with his father, Claus. Christian's mother recently lost her battle with cancer, and Christian is greatly troubled by her death. Elias and Christian quickly form a strong bond, but when Christian involves Elias in a dangerous act of revenge with potentially tragic consequences, their friendship is tested and lives are put in danger. Ultimately, it is their parents who are left to help them come to terms with the complexity of human emotions, pain and empathy.Written by
Sisse Graum Jørgensen, Producer
In the first minutes of the movie, the white T-Shirt that Anton (Mikael Persbrandt) is wearing during the surgery of the little girl gets blood stained (at around 24 mins). When finished and outside the tent, the stain is much smaller and misplaced (at around 20 mins). When leaving on the small truck, the blood stain has moved once more (at around 50 mins). See more »
If you hit them hard enough the first time they won't dare to hit you again.
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Is there any subject more mistreated in movies than retaliation? No, I don't think so. There's a dishonourable and long history about it and calling some of the stuff redneck and primitive is being unfair to the whole redneck movement.
Susanna Bier puts other dimensions to it. The boy being bullied at school is also an old subject, but here the real painful questions about so called pay-back are thrown in our faces. A revenge is seldom just a revenge; it brings other consequences too. That sounds like a cliché, but Susanne Bier says it in a way which concerns us. Like vengeance movies seldom do.
Great performance by Mikael Persbrandt, well known for misusing his talent too many times. But not here.
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