In a Better World
is a movie starring
Mikael Persbrandt, Trine Dyrholm, and Markus Rygaard.
The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.
A hairdresser, who has lost her hair to cancer, finds out her husband is having an affair, travels to Italy for her daughter's wedding, and meets a widower who still blames the world for the loss of his wife.
How far would decent human beings be willing to go, when tragedy blurs the line between just and unjust? With "A Second Chance", Susanne Bier and Anders Thomas Jensen have crafted another ... See full summary »
Nikolaj Lie Kaas
Anton is a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds, he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness. Anton and his wife Marianne, who have two young sons, are separated and struggling with the possibility of divorce. Their older, ten-year-old son Elias is being bullied at school, until he is defended by Christian, a new boy who has just moved from London with his father, Claus. Christian's mother recently lost her battle with cancer, and Christian is greatly troubled by her death. Elias and Christian quickly form a strong bond, but when Christian involves Elias in a dangerous act of revenge with potentially tragic consequences, their friendship is tested and lives are put in danger. Ultimately, it is their parents who are left to help them come to terms with the complexity of human emotions, pain and empathy.Written by
Sisse Graum Jørgensen, Producer
The Danish title 'Hævnen' translates into English as 'Revenge'. Susanne Bier mentioned that she prefers the English title 'In a Better World' which emphasizes the hopefulness of the film while the Danish title emphasizes the severeness of the film (at 1:52:49 in the Blu-ray director's commentary). See more »
In the first minutes of the movie, the white T-Shirt that Anton (Mikael Persbrandt) is wearing during the surgery of the little girl gets blood stained (at around 24 mins). When finished and outside the tent, the stain is much smaller and misplaced (at around 20 mins). When leaving on the small truck, the blood stain has moved once more (at around 50 mins). See more »
[after testing some explosives]
Fuck! That was sick! Imagine if we use one of the big ones. His car will be blown to pieces.
That asshole, Lars.
You want to blow up his car?
Someone will find out. A car is really expensive.
Your dad will be pleased.
I'm not so sure.
Doesn't matter. No one will find out. Are you in or out?
I'm not sure...
[...] See more »
Saw this in Toronto and it remained with me for days afterward. Shattering filmmaking! The size and elegance of a Hollywood big budget, with the honesty and challenge of an indy. The performances, especially those of the two boys, are riveting, but I was also impressed with the deep focus photography, the haunting score. Went to see this because I had so enjoyed After the Wedding - but feel this is even better. Only the ending conflict resolution is, perhaps, a little too easy-- but not unearned. And oh boy, was I grateful for it. I want to see this with my son, because I want him to experience the moral and emotional snake pit Bier and her screenwriter toss us into: every guy --no matter what age-- will get it, and none of us will like it very much. To me, Bier speaks about what it SHOULD mean to be a man. Is vengeance built into our genes? I hope not. And I hope this wins the Academy Award this year, and everybody in America goes to see it.
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