A band of samurai sets out to avenge the death and dishonor of their master at the hands of a ruthless shogun.A band of samurai sets out to avenge the death and dishonor of their master at the hands of a ruthless shogun.A band of samurai sets out to avenge the death and dishonor of their master at the hands of a ruthless shogun.
- Awards
- 5 nominations total
Shû Nakajima
- Horibe
- (as Shu Nakajima)
Featured reviews
Although it doesn't follow the historical story of the 47 ronin I like how Hollywood imagined it. I've learned to judge a movie based on if it entertained me and this film did!! I liked the cinematography as well another feather in Reeves acting cap!! Supporting cast was excellent as well the 3d was marginal at best I'd buy the 4k and ignore the 3d version.
"47 Ronin" is one of those movies that takes a real historical event and tries to up the ante by throwing in some fictional elements and more impressive action sequences. Much like other movies that did this sort of thing before, like Zack Snyder's "300", this movie also has a lot of visual thrills and handles the historical aspects of the story very well. Sadly, unlike other movies of it's kind, most of the fictional elements of the movie don't contribute much to the overall experience, making them feel a bit unnecessary at times.
A band of samurai who have lost there master set out to avenge his treacherous death at the hands of Lord Kira. Enter Kai, a humble "half breed" with more to him than meets the eye, with catching favor with the fallen Lord's daughter, Kai must join the 47 Ronin to not only avenge his honor but save the woman he loves..
Very visually appealing with a nice blend of action and a wonderful nod to ancient Japanese mythology. I felt though that there could have been more to the story, simple and clichéd in some areas but overall an enjoyable film. Keanu does a decent job with his part but the true meat and potatoes comes from Hiroyuki Sanada, who does a masterful job in his portrayal as the chief ronin, Ôishi . The true pleasure and joy within this film is its nod and ode to the ancient Japanese mythology of the time, which in my opinion is done very well. Some may not understand the conclusion of this film but in a little learned knowledge of the culture one would see it for what it was intended for.. All in all an enjoyable movie and film for any fan of action films and historical fantasy.
Very visually appealing with a nice blend of action and a wonderful nod to ancient Japanese mythology. I felt though that there could have been more to the story, simple and clichéd in some areas but overall an enjoyable film. Keanu does a decent job with his part but the true meat and potatoes comes from Hiroyuki Sanada, who does a masterful job in his portrayal as the chief ronin, Ôishi . The true pleasure and joy within this film is its nod and ode to the ancient Japanese mythology of the time, which in my opinion is done very well. Some may not understand the conclusion of this film but in a little learned knowledge of the culture one would see it for what it was intended for.. All in all an enjoyable movie and film for any fan of action films and historical fantasy.
47 Ronin is a film reimagining of a popular Japanese folktale that is stuck inside its mythic contraptions. Everybody is an archetype, as opposed to a character. Love, hate or brotherhood between characters is assumed rather than shown through character development. The story starts and ends with an unknown narrator, who tells the story as if we were all listening to a old tale by a campfire. The end result is that it places a distance between the story and the audience. It is as if the story itself is matted on a frame, and we are just looking at it in a gallery with a curator recounting the story as opposed to the viewer experiencing the story from a first-person perspective.
Keanu Reeves is not the problem here. There is no room here to critique about woodiness as there wasn't enough for him to do. He is casted here for marketing reasons and it really shows. Reeves' character is sidelined by Hiroyuki Sanada, who plays the leader of the Ronin. Sanada carries the film with his powerful presence; you really do believe he can really hurt someone with a sword. He has long been the go-to guy for American-Japanese co-productions and it's finally nice to see him in a central role. Tadanobu Asano also shows up to chew some scenery as the villain and adds a depth that wasn't on the page. My fingers are still crossed he will play Genghis Khan again in a sequel to Mongul.
Hearing the film opened poorly in Japan is unfortunate. Perhaps it is uncomfortable for the Japanese to see their own folktale retold in a foreign production. I have bulked at my fair share of Hollywood misrepresentations of Chinese culture, and evidently there is a sufficient amount of Orientalism in the film. Though the fantasy elements and the production design are so extreme it plays closer to a graphic novel. The more I think about why the fantasy elements were added, the more it seems like it is there to justify the casting of Keanu Reeves as a half- Caucasian half-Japanese outsider amongst an entire cast of Japanese actors. I can't help but imagine what a more realistic telling of this story would have been like as the Japanese cultural elements and Samurai politics were more interesting than the magic and mythic beasts.
To sum it all up, 47 Ronin is a fantasy graphic novel style adaptation of a Japanese folktale released in December. Perhaps it is not exactly the most festive way to start the new year with all the beheadings and Samurai ritual suicide. The story also takes a long time to get set up, which asks for a lot of patience on the viewer's part. The ideal crowd would have been overseas anime geeks who are fascinated with Japanese pop culture, and perhaps for that, the film may have fared better if it was released in the March-April slot. That all said, even with its flaws and supposed qualifiers, 47 Ronin accomplishes what it sets out to do. It's just not for everybody.
Keanu Reeves is not the problem here. There is no room here to critique about woodiness as there wasn't enough for him to do. He is casted here for marketing reasons and it really shows. Reeves' character is sidelined by Hiroyuki Sanada, who plays the leader of the Ronin. Sanada carries the film with his powerful presence; you really do believe he can really hurt someone with a sword. He has long been the go-to guy for American-Japanese co-productions and it's finally nice to see him in a central role. Tadanobu Asano also shows up to chew some scenery as the villain and adds a depth that wasn't on the page. My fingers are still crossed he will play Genghis Khan again in a sequel to Mongul.
Hearing the film opened poorly in Japan is unfortunate. Perhaps it is uncomfortable for the Japanese to see their own folktale retold in a foreign production. I have bulked at my fair share of Hollywood misrepresentations of Chinese culture, and evidently there is a sufficient amount of Orientalism in the film. Though the fantasy elements and the production design are so extreme it plays closer to a graphic novel. The more I think about why the fantasy elements were added, the more it seems like it is there to justify the casting of Keanu Reeves as a half- Caucasian half-Japanese outsider amongst an entire cast of Japanese actors. I can't help but imagine what a more realistic telling of this story would have been like as the Japanese cultural elements and Samurai politics were more interesting than the magic and mythic beasts.
To sum it all up, 47 Ronin is a fantasy graphic novel style adaptation of a Japanese folktale released in December. Perhaps it is not exactly the most festive way to start the new year with all the beheadings and Samurai ritual suicide. The story also takes a long time to get set up, which asks for a lot of patience on the viewer's part. The ideal crowd would have been overseas anime geeks who are fascinated with Japanese pop culture, and perhaps for that, the film may have fared better if it was released in the March-April slot. That all said, even with its flaws and supposed qualifiers, 47 Ronin accomplishes what it sets out to do. It's just not for everybody.
Interesting movie, false advertising about the guy with the pistol, the fights were good, I do not know the full story about the 47 Ronin but I think this modern adoption was a good version of it, but they probably could have been more accurate to the original story and it would have been even better.
Storyline
Did you know
- TriviaAccording to Keanu Reeves, filming was first done in Japanese for the sake of the supporting cast, and then filming was done in English.
- GoofsNear the end of the film, during Mika's elaborate, large-scale wedding to Lord Kira, she is shown in an all white wedding kimono ensemble. In contrast, traditional Japanese wedding kimono colors are red or another rich color, such as purple or turquoise/teal. The only traditional Japanese wedding where the kimono is white (symbolizing purity) are Shinto weddings, which are small, private affairs, just family and close friends.
- Crazy creditsThe Universal spinning Earth begins normally, but after the camera backs away to show the full globe and logo it then slowly zooms back in with the Earth still spinning to Japan and the movies title is drawn over the Pacific Ocean. Clouds then obscure everything then clear as the view zooms in to Japan and the narration begins.
- ConnectionsFeatured in WatchMojo: Top 10 Worst Movies of 2013 (2014)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- 47 Ronin: La Leyenda del Samurai
- Filming locations
- Isle of Skye, Highland, Scotland, UK(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $175,000,000 (estimated)
- Gross US & Canada
- $38,362,475
- Opening weekend US & Canada
- $9,910,310
- Dec 29, 2013
- Gross worldwide
- $151,783,839
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