Captain Ahab's descent into madness destroys everyone around him. This powerful character drew John Barrymore, Orson Wells and John Huston. This film has been called the best, most authentic version of Herman Melville's MOBY DICK.
Two parallel journeys, Bianca's and a young illegal immigrant's, end up overlapping, in search of an impossible salvation, despite an almost inevitable shipwreck. At all costs. Against the ... See full summary »
In this extremely loose adaptation of Melville's classic novel, Ahab is revealed initially not as a bitter and vengeful madman, but as a bit of a lovable scamp. Ashore in New Bedford, he ... See full summary »
A mysterious explosion occurs at the Balam Bridge in Seoul on November 20th, 1994. In front of hot-blooded local news reporter Lee Bang-Woo, Yoon Hyeok appears. Yoon Hyeok is from the same ... See full summary »
A Sergeant must deal with his desires to save the lives of young soldiers being sent to Viet Nam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old Army buddy.
Francis Ford Coppola
James Earl Jones
When noted anthropologist Dr. Ethan Powell (Sir Anthony Hopkins), who left society to live in the jungle is imprisoned for murder, it's up to young psychiatrist Theo Caulder (Cuba Gooding, Jr.) to get through to him.
Cuba Gooding Jr.,
The interactions between Ahab, Michigan & Stubb is reminiscent of captain Vere, Billy Budd & Master-at-arms John Claggart, the main characters of Billy Budd, another novel written by Moby-Dick's author, Herman Melville. See more »
It seems that each filmed version of Moby-Dick is compelled to be worse than the one before and that each embodier of the partially disembodied Ahab must make his predecessor seem better, not just in the distance of time but also in distanced performance. Who will underperform William Hurt I hope never to see. Each scriptwriter also must feel a need to demonstrate the superiority of Melville's original, both in his concept and execution. The most recent version appears somewhat like a Second City take on Moby-Dick Meets The Outsiders: all the tortured Jugendangst! Ethan Hawke does do a good C. Thomas Howell sendup, but Hawke should rather be doing a good performance of a first mate, one who is one step below the ship's master. Even the Pequod gets nonverisimilitude. A square-rigged whaler gets turned into a bark. If people cared enough to write, finance, film, and present what is generally regarded as a if not the preeminent work of American fiction, why was care and cash not more carefully scripted and directed? Even the cgi attempt at the whale of whales had the look of an audition submission for an early ScyFy project.
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