Arthur is a rich, alcoholic playboy with no regards to his working life. After another drunken run-in with the law, his aloof mother has had enough and forces him to marry Susan, a proper business woman, or else he will lose his inheritance. Just as he's engaged to Susan, he meets Naomi, a free-spirited girl who Arthur thinks is perfect for him. Any attempts at holding down a job are fruitless, so Arthur has to decide, what is more important: love, or his mother's money.Written by
The table saw that Burt Johnson (Nick Nolte) threatens Arthur with is a real saw. It is called a SawStop and is designed to instantly apply a break and stop the saw blade within milliseconds of coming in contact with a human appendage. However, it works more by detecting the natural electrical current in the human body and not so much by moisture as stated in the movie. See more »
When Arthur is talking to Susan's father in the Johnson Tower, and they put on the safety glasses, Burt's ear hook goes behind the ear and then on top of the ear and then back behind the ear. See more »
Grape shears, what an innovation! You can use them for my castration!
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During the animated storybook sequence played over the end credits, Arthur and Naomi are sitting across from each other and using binoculars. Arthur says (in a cartoon voice bubble) "Look, lesbian you!" and Naomi asks "Are you a boy or a girl?" See more »
Written by Marc Williams, Tinie Tempah (as Patrick Okogwu) and Labrinth (as Timothy McKenzie)
Performed by Tinie Tempah
Courtesy of Disturbing London Records Ltd under exclusive license to EMI Records Ltd
Under license from EMI Film & Television Music See more »
Was this remake horrible? No, but it also wasn't that great. In only a couple of scenes did this film lift itself above mediocrity. In comparing this update to the 1981 version, the original is simply better on every point. Russell Brand is probably the best choice they could make for the lead, but he doesn't measure up to Dudley Moore's Arthur. And the wonderful Helen Mirren does her best, but she just can't match John Gielgud's witty portrayal of Hobson. The writing fell particularly short of the mark. The one bright spot for me was Greta Gerwig, whom I had not previously seen. She did a fine job of making a thinly-written character become real. I look forward to seeing her in the future.
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