The Butler

There is a bit of great acting in this vaguely historic film, but Director Lee Daniels uses so much made-up and absurd pseudo-history that the story trips over his heavy-handed political lessons. Why is Lee Daniels' name above the title and who gave him this much license to re-write history after only one other film we've heard of?

That said, Forest Whitaker is compelling as the lead in this story about a White House butler that had an amazing life, but it is 90% made up. While there was a butler who served many presidents, the screenplay is actually fiction. While somewhat entertaining, these comical characterizations of U.S. presidents often feel like a made for TV, kids history channel special.

Oprah plays his wife and there are a dozen or so entertaining cameos with some unique acting choices. The cameos kept it interesting even when the story of The Butler dragged on.

If Lee Daniels had let go of the politics and heavy-handed directing, this pseudo-history lesson may have earned an Oscar nomination for Forest. But, in the end, you can see why the Academy cannot reward this artificial and revisionist history tale. With this much effort to tell us a 60 year history lesson, I just wish we knew if more of it were true. Instead, it's a mixed bag. 7/10.

The Butler was a serious disappointment, and it had two main problems. #1: The casting. Casting big-name actors in the role of the presidents or other minor parts was one of the biggest faults of the film. In this movie, there was never Dwight Eisenhower or Nancy Reagan on screen, it was always Robin Williams or Jane Fonda playing Dwight Eisenhower or Jane Fonda. This was especially a problem since all of these roles consisted of a combined two minutes or less. It was the same case with James Marsden, John Cusak, Alan Rickman, Terrence Howard, Liev Schreiber, Mariah Carey, etc. #2: The first point can be classified in this one as well: Throughout the film it never felt like you were in the life of Cecil Gaines, the entire time it felt like I was watching a movie. Beginning with all the big-name actors, down the directing. Every single scene you could see the directors intention with that scene - this scene I'm supposed to laugh, this scene I'm supposed to cry, I'm supposed to like this character, I'm supposed to like this president because I'm supposed to laugh in this scene where he's sitting on the toilet asking for prune juice. I never felt like I was allowed to make decisions for myself. I really wanted to like this movie because of the great story that was in it, but it was very poorly done.

This film is about the life of a White House butler (Forrest Whitaker) from the Eisenhower era through the Reagan era. During this time, lots of changes occur in America--particularly in regard to civil rights. This is seen in snippets as well as its effect on the butler's family.

"The Butler" made a lot of money and a lot of folks enjoyed it--so it was clearly successful. However, as I watched the film, I kept thinking how much better it all could have been had it been a mini-series. After all, about 25 years pass in the film and a HUGE amount of important history transpire....and it's all crammed into only a little more than two hours. As a result, it seems a bit episodic and disconnected--plus a couple presidents weren't even mentioned. The characters, at times, seemed a bit one-dimensional. Plus, an infusion of energy sure would have been appreciated. However, overall, it IS worth seeing but also could have been better. My guess is that some of these factors might be why this odds-on favorite for the Oscars eventually ended up being skunked. Good but not great. For a more detailed look at much of this same material, try watching the great 9-hour mini-series "Backstairs at the White House" from 1979.

By the way, I do think this film SHOULD have received an award. So, I am awarding it the 2014 Planktonrules Award for the stupidest casting of US presidents. Who thought having John Cusack playing Nixon made any sense at all? It was so badly miscast that it made Robin Williams as Eisenhower seem almost plausible!

..........................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA....and ORLANDO, FL

******** POSSIBLE MINOR SPOILERS *********

There are, undoubtedly, scenes in Lee Daniel's The Butler that made me feel quite uncomfortable. Most certainly, many other viewers will echo similar discomfort experienced while watching this near great movie. Unfortunately, the existence of atrocities and flagrant injustices in our not too distant past doesn't mean that they should be whitewashed or airbrushed out of our collective memories! (Absolutely no pun intended here)

Don't let me give you the wrong impression about The BUTLER. In just over 2 hours until end credits, there are but a scant few minutes of images that some of us would, perhaps, just as soon forget. At the heart of this remarkable film, is a tale of a great generational divide between estranged father and first-born son; redemption, change, forgiveness, repentance and catharsis are also pivotal elements in this "Inspired by a True Story" drama painted on a historical backdrop canvass.

Although The BUTLER does highlight the tremendous progress our society has made in the past century toward fulfillment of Dr. Martin Luther King's "Dream", obviously, there is an undercurrent underscoring the fact that this area is one that involves constant self-reinvention to ensure continued improvement.

There are multiple noteworthy elements here. First, Oprah Winfrey's triumphant return to an on-screen leading role. Despite having done numerous voice-overs in recent years, BUTLER represents the end of a 15 year hiatus, when she participated in the ill-fated BELOVED. Her performance, although not quite Oscar nomination caliber, would win, without a doubt, an Academy Award for best "Billionaire Female Actor on the Planet", if such a prize existed! Accepting this role surely resulted in reduced income for Oprah in 2013. If that doesn't make her participation in this project a "Labor of Love", what would?

BUTLER is my pick for 2013 Best Ensemble Performance Golden Globe. Cast Credits give the impression of a page lifted directly from a Who's Who in Acting & Entertainment! Cuba Gooding, Jr.; Robin Williams, in a refreshing, but brief, appearance as a pensive and soft-spoken President Eisenhower; Vanessa Redgrave; Clarence Williams III; James Marsden as President Kennedy; John Cusack, as an ever brooding and duplicitous President Nixon; David Oyelowo, as the rebellious prodigal son; Terence Howard; Lenny Kravitz; Mariah Carey; Jane Fonda, who sparkled as Nancy Reagan and Alan Rickman as her careful-not-to-step-on-her-toes husband, Ronald! The only weak link, in my opinion, was Liev Schreiber as President Lyndon B. Johnson. His portrayal just did not resonate with me.

Quite frankly, despite analyzing carefully for any historical missteps, there were only a couple rather minor ones that were noticeable. About three-quarters into BUTLER, the story-line, focus and viewer interest level seemed to sputter a bit, but got right back on track rather quickly.

The film did attempt to provide moments of comic relief from the oftentimes somber on-screen events, most of them evoking healthy laughter but a handful of them kind of fell flat. If it weren't for these few mentioned flaws, BUTLER most definitely would have been rewarded with a 10*Star* rating! When released on DVD, rest assured it will be added to my 800+ collection!

….ENJOY/DISFUTELA!!

Any comments, questions or observations, in English o en Español, are most welcome!

The Butler (Daniels, 2013, B+)

This should have been a punchline. At least, that's what I was walking in expecting. From the overblown marketing to the downright bizarre cast, it had all the trimmings of a pure turkey. Here's the thing, though... It's not. The film is not a facsimile of historical events, it is an invigoration of them and despite the relatively classical style on display, Lee Daniels brings a real brio to the proceedings. It helps that he has Whitaker to make it all stick as the film's unfailingly warm and engaging center. Even in the first 20-30 minutes when the film is struggling to find its legs, his performance is an unmannered beauty. The rest of the actors are also galvanized into action, proving that verisimilitude is not the highest criteria for historical fiction. This is a film as powerful, as beautiful, as unlikely, and as raggedly imperfect as the country it chronicles.