A father and his two teenage daughters find themselves hunted by a massive rogue lion intent on proving that the Savanna has but one apex predator.
Director:
Writers:
Awards:
- 2 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
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Liyabuya Gongo | ... |
Cut Offs
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Martin Munro | ... |
Kees
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Daniel Hadebe | ... |
Abduya
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Thapelo Sebogodi | ... |
Camo
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Chris Langa | ... |
Specs
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Mduduzi Mavimbela | ... |
Poacher Mizozi
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Chris Gxalaba | ... |
Chipo
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Idris Elba | ... |
Dr. Nate Samuels
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Kazi Khuboni | ... |
Pilot
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Leah Jeffries | ... |
Norah Samuels
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Iyana Halley | ... |
Meredith Samuels
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Sharlto Copley | ... |
Martin Battles
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Tafara Nyatsanza | ... |
Banji
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Ronald Mkwanazi | ... |
Mutende
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Naledi Mogadime | ... |
Amahle
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Thabo Rametsi | ... |
Jersey
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Directed by
Baltasar Kormákur | ... | (directed by) |
Written by
Jaime Primak Sullivan | ... | (story by) |
Ryan Engle | ... | (screenplay by) |
Produced by
Bernard Bellew | ... | executive producer |
Shayla Cowan | ... | associate producer |
Baltasar Kormákur | ... | producer (produced by) (p.g.a.) |
James Lopez | ... | producer (produced by) (p.g.a.) |
Will Packer | ... | producer (produced by) (p.g.a.) |
Jaime Primak Sullivan | ... | executive producer |
Janine van Assen | ... | line producer |
Music by
Steven Price |
Cinematography by
Philippe Rousselot |
Film Editing by
Jay Rabinowitz |
Editorial Department
Cody Cardarelli | ... | post-production coordinator |
Jeremy Crichton | ... | Data Technician |
Theresa Crooks | ... | colour assistant |
Ellis Evans | ... | second assistant editor |
Caleb Gibson | ... | technologist |
Jon Gray | ... | account executive |
Jitte Hoekstra | ... | editor: tv spot |
Jonas Jangvad | ... | colour assistant |
Ben Jones | ... | technologist |
Francois Kamffer | ... | feature finishing coordinator |
Anna Koronkiewicz | ... | second assistant editor |
Thomas Lambert | ... | finishing editor |
Maddie Leggett | ... | second assistant editor |
Steve Mercer | ... | first assistant editor |
Adam Nazarenko | ... | additional finishing colorist: Company 3 |
Hannah Perkins | ... | finishing producer |
Michael Ritter | ... | supervising digital cinema producer |
Benjamin Seward | ... | post-production coordinator |
Stefan Sonnenfeld | ... | senior colorist |
Matthew Tucker | ... | associate editor |
Viktorija Tupikaite | ... | Data I/O Operator |
Robert Scammell | ... | post-production content security manager (uncredited) |
Casting By
Bonnie Lee Bouman | ... | (SA Casting Director) |
Kim Coleman |
Production Design by
Jean-Vincent Puzos |
Art Direction by
Tarryn McCann | ||
Mark O'Donovan |
Set Decoration by
Fred Du Preez |
Costume Design by
Moira Anne Meyer |
Makeup Department
Riaze Foster | ... | hairdresser: Mr. Elba |
Madelein Krugell | ... | hair stylist / make-up & hair supervisor / makeup artist |
Philisiwe Mkhize | ... | hair stylist (as Philisiwe 'Maps' Mkhize) / makeup artist (as Philisiwe 'Maps' Mkhize) / makeup artist |
Jessica Nixon | ... | hair stylist / makeup artist |
Nadine Prigge | ... | hair designer / makeup designer |
JoJo Williams | ... | makeup artist: Mr. Elba |
Production Management
Rebecca Adams | ... | post-production supervisor |
Bernard Bellew | ... | unit production manager |
Robyn Snell | ... | production supervisor |
Sean T. Stratton | ... | post-production executive (uncredited) |
Second Unit Director or Assistant Director
Wendy Croad | ... | second assistant director |
Harpa Elísa Þórsdóttir | ... | first assistant director |
Art Department
Coleen Brink | ... | action vehicle coordinator assistant |
Tony Chance | ... | storyboard artist |
John Colebourn | ... | storyboard artist |
James Collett | ... | standby art director |
Christophe Dalberg | ... | supervising art director |
Wayne du Rand | ... | graphic designer |
Adriana du Toit | ... | action vehicle coordinator |
Chloe-Marie Francken | ... | set dresser (as Chloe-Marie Fracken) |
Etienne Harris | ... | Fabricator |
Nathan Victor Honey | ... | hod scenic: action vehicles |
Rudi Jones | ... | action vehicle mechanic and on-set coordinator |
Jos Joubert | ... | property master |
Margot Mouton | ... | props buyer |
Jonathan Opgenhaffen | ... | concept artist |
Fabien Ouvrard | ... | concept artist |
Emma Dee Padoa | ... | assistant property master |
Cara Payne | ... | concept art manager |
Jean Rigby | ... | stand-by carpenter |
Mark Risk | ... | storyboard artist |
Cristiana Serra | ... | standby art director |
Brendan Smithers | ... | construction manger / supervising art director |
John Van Vliet | ... | set decoration assistant |
Tessa Wessels | ... | concept artist |
Sound Department
Mark Appleby | ... | adr mixer |
Ben Barker | ... | co-supervising sound editor |
Michael Botha | ... | adr recordist |
Francesca Bourne | ... | assistant foley mixer |
Robby Brown | ... | foley editor |
Simon Diggins | ... | adr mixer |
Gillian Dodders | ... | dialogue editor |
Zoe Freed | ... | foley artist |
Danny Freemantle | ... | sound design editor |
Glenn Freemantle | ... | supervising sound designer / supervising sound editor |
Nick Freemantle | ... | sound effects editor |
Glen Gathard | ... | foley mixer |
Bob Gremore | ... | adr mixer |
Rebecca Heathcote | ... | foley artist |
Claire Hesom | ... | boom operator |
Dayo James | ... | Sound Design Editor |
Garrick Jones | ... | adr mixer |
Conrad Kuhne | ... | production sound mixer |
Oleg Kulchytskyi | ... | re-recording mixer |
Jenna Lange | ... | audio post producer |
Kelly Laskey | ... | boom operator |
Heather Linnie | ... | mix technician |
Robert Malone | ... | re-recording mixer / sound design editor |
Sean Miller | ... | adr recordist |
Ian Morgan | ... | supervising dialogue & ADR editor |
Charl Mostert | ... | adr assistant |
Virginia Mphatsi | ... | sound utility (as Virginia Mpatsi) |
Brendan Nicholson | ... | re-recording mixer |
Fergus Pateman | ... | mix technician |
Paolo Pavesi | ... | foley editor |
Nick Roberts | ... | adr mixer |
Mike Tehrani | ... | adr mixer |
Jasper Thorn | ... | assistant re-recording mixer/mix technician |
Arthur Turner | ... | dialogue editor |
Stephen Webster | ... | adr mixer |
Isa Yousufzai | ... | mix technician |
Jason Chiodo | ... | re-recording mixer: marketing (uncredited) |
Special Effects by
Lise-Marie Bothma | ... | special effects coordinator |
Damian Green | ... | special effects technician |
Jose Losper | ... | senior special effects technician |
Samuel Murombo | ... | special effects technician |
Max Poolman | ... | special effects supervisor |
Brandon Van Der Merwe | ... | Special Effects Floor Supervisor |
Visual Effects by
Victor Almela | ... | digital compositor: framestore |
Simon Aluze | ... | modeler: Framestore |
Laura Anderson | ... | Layout TD |
Mark Ardisson | ... | lighting artist |
Paul Ashall | ... | layout td: framestore |
Jonathan Bacheter | ... | modeler |
Stefano Bagnoli | ... | digital compositor: Framestore |
Ágúst Baldursson | ... | rigging td: Framestore |
Rosa Ballantine | ... | visual effects witness camera operator |
Lee Baskerville | ... | lead texture artist |
Angelo Beceiro Collinicos | ... | digital compositor: blackginger / vfx supervisor: blackginger |
Dario Bonito | ... | digital compositor: Framestore |
André Brandt | ... | compositor |
Steph Brooks | ... | visual effects coordinator |
Colin P. Brown | ... | vfx colorist: Framestore |
Simone Bruni | ... | lead lighting & lookdev td: Framestore |
Korinne Cammarano | ... | digital compositor: framestore |
Phillip Charles-Sweeting | ... | digital compositor |
Alina Adela Chis | ... | visual effects coordinator |
Sara Ciceroni | ... | digital compositor: framestore |
Andres Coron | ... | Groom TD |
Hal Couzens | ... | visual effects producer |
Cynthia Crimmins | ... | animation department manager |
Heidi Dahle | ... | lead compositor: Framestore |
Adolfo Dalda | ... | creature effects technical director: Framestore |
Tumurtogtokh Davaakhuu | ... | pipeline technical director: Framestore |
Chris Dawson | ... | Visualisation Artist: The Third Floor |
Emil Delchev | ... | render wrangler |
John Dolman | ... | digital compositor: Framestore |
Marcus Duprat | ... | Effects Technical Director |
Michael Falzon | ... | Senior Modeller: Framestore |
Ermir Fejzullai | ... | render wrangler & dataops |
Louisa Filary | ... | paint & roto artist |
Ralph Foster | ... | Editor: The Third Floor |
Nicholas Freeston | ... | Asset Artist at The Third Floor, inc. |
Laetitia Gabrielli | ... | lookdev artist: Framestore |
Christelle Georges | ... | Visualisation Artist: The Third Floor |
Ashley Gin-Sing | ... | Visualisation Artist: The Third Floor |
Matthew Glen | ... | visual effects editor |
Abhijitsinh Gohil | ... | Visual Effects Coordinator: Framestore |
Michal Golebiowski | ... | visual effects editor |
Erica Gualandi | ... | Visualisation Artist: The Third Floor |
Daniel C.M. Guerra | ... | cfx td: Framestore |
Marie-Ève Gélinas | ... | digital compositor: framestore |
Katie Hallaron | ... | concept artist |
Ellie Hamilton | ... | Creature FX Artist |
Daniel Hammonds | ... | digital compositor: framestore |
Megan Hattingh | ... | visual effects coordinator |
James Hedge | ... | vfx line producer |
Fern Hodgson | ... | art department production manager |
Rebecca Hopkinson | ... | lighting artist |
Owen Jackson | ... | visual development |
Andrew Jamison | ... | Visualisation Producer at The Third Floor, inc. |
Harry Keane | ... | visual effects coordinator |
Rohit Kesav | ... | CG Lead |
Damien Kessler | ... | FX TD: framestore |
Hasan Khan | ... | digital compositor |
Ben Kocic | ... | tracking artist |
Tyla Koen | ... | digital compositor: BlackGinger |
Priyanka Krishna Kumar | ... | assistant technical director: Framestore |
Madhav Kumar | ... | modelling artist |
Mattis Gaston Larsen | ... | compositor |
Erin Laurence | ... | visual effects production supervisor |
Ariel Levental | ... | compositor: Framestore |
Jacques Leyreloup | ... | environment td: Framestore London |
Daniel Long | ... | compositor |
Charlie Lovett | ... | senior postvis artist |
Francesco Lupo | ... | lead groom artist: framestore |
Antone Magdy | ... | lead facial modeller: Framestore |
Thomas Maier | ... | lead visual effects artist |
Lucie Martinetto | ... | rigging td |
Aylin Meyer | ... | Matchmove Artist |
Victor Morejon | ... | digital compositor |
Danielle Morley | ... | visual effects producer: Framestore (as Danielle Waldren) |
Zak Morris | ... | line producer: Framestore |
James Morrissey | ... | creature fx td |
Zsolt Máté | ... | Environment TD: Framestore |
Shaikh Naeem | ... | artist: tracking and matchmove (as Naeem Basheeruddin Shaikh) |
Dan Neal | ... | Cg supervisor: framestore |
David Nielsen | ... | lead groom td: framestore |
Konstantin Nikolov | ... | Visualisation Artist: The Third Floor |
Andrew Niven | ... | motion design |
Ciaran O'Neachtain | ... | paint and roto: framestore |
Nora O'Sullivan | ... | Visualisation Artist: The Third Floor |
Alban Orlhiac | ... | head of texture: Framestore |
Andres Patarroyo | ... | Visualisation Artist: The Third Floor |
Viral Patel | ... | compositing supervisor |
Matthew Patience | ... | lead compositor: Framestore |
Enrik Pavdeja | ... | visual effects supervisor |
Sarah Peczek | ... | Previs Editor at The Third Floor, inc. |
Miriam Pepper-Parsons | ... | senior matchmove artist: Framestore |
Marcel Pichert | ... | compositor: Framestore |
Pietro Rastelli | ... | Matchmove Artist |
Zoe Anne Rinaldi | ... | VFX Assistant Coordinator |
Paul Roberts | ... | creature effects technical director |
Francesco Russo | ... | digital compositor: Framestore |
Alicia Saleh | ... | Lead layout artist |
Cris Samper | ... | technical director: visual effects |
Andre de Oliveira Santos | ... | rigger: Framestore |
Edoardo Sartori | ... | shot creator: The Third Floor |
Alessio Seminerio | ... | fx artist |
Gugandeep Singh | ... | paint & roto artist |
Jamie Slowgrove | ... | Assistant Technical Director: Framestore |
Justin Summers | ... | Visualization Supervisor at The Third Floor, inc. |
András Szõcs | ... | digital compositor: Framestore |
Joe Tapp | ... | vfx production assistant |
Lucas Tebib | ... | Environment TD: Framestore |
Hayley Thomas | ... | compositor |
Mathapo Tlou | ... | digital compositor: BlackGinger |
Byron Tofas | ... | digital compositor: Blackginger |
Phil Tsang | ... | Asset Supervisor: The Third Floor |
Eric Tsui | ... | Visualisation Lead: The Third Floor |
Mateo Turin | ... | compositor: Framestore |
Luca Valentino | ... | digital compositor: Framestore |
Cas van den Bergh | ... | assistant technical director |
Douw van Niekerk | ... | lidar technician: BlackGinger / photogrammetry technician: BlackGinger |
Jonene van Zyl | ... | visual effects producer: BlackGinger, South Africa |
David Vandenbroecke | ... | Visualisation Artist: The Third Floor |
Janneke Vennema-Osborne | ... | Visualisation Coordinator at The Third Floor, inc. |
Rares Veteleanu | ... | VFX Editor: Framestore |
Caspar Vinall | ... | paint and roto artist: Framestore |
Brandon Wallwork | ... | render wrangler |
Dan Warder | ... | effects td |
Daniel Watson | ... | Visualisation Artist: The Third Floor |
Samantha White | ... | visual effects coordinator |
Michael Zisk | ... | visual effects coordinator |
Edgar Karapetyan | ... | visual effects artist (uncredited) |
Tyrone Owens | ... | postvis animator (uncredited) |
Florian Perrault | ... | matchmove visualization artist (uncredited) |
Tonya Strantzi | ... | pipeline technical director: Framestore (uncredited) |
Stunts
Thomas Billings | ... | Stunt double: idris elba |
Damian Green | ... | stunt rigger |
Kerry Gregg | ... | stunt coordinator |
Francois Grobbelaar | ... | key stunt rigger |
Tuks Tad Lungu | ... | stunt performer |
Camera and Electrical Department
Francois Archer | ... | focus puller: "a" camera |
Masibulele Bele | ... | prelight spark |
Meike Chinnery | ... | camera operator: "b" camera |
Zwelithini Cukana | ... | prelight spark |
Wiseman Dinizulu | ... | gaffer |
Werner Grobbelaar | ... | data wrangler |
Simone Howlett | ... | focus puller: "b" camera |
Lee Jackson | ... | BTS Camera Operator |
Zane Kassiem | ... | grip |
Stephen Knipe | ... | key grip |
Sandile Malinga | ... | Camera trainee |
Lentsoe Mamatela | ... | digital imaging technician |
Thulani Mhaga | ... | electrician |
Margaret Muggleston | ... | camera loader: "a" camera, action unit |
Lauren Mulligan | ... | still photographer |
Sowabile Nonqulo | ... | electrician |
Antoine Odia | ... | electrician |
Gordon Paterson | ... | dimmerboard operator |
Chantelle Potgieter | ... | camera loader: "b" camera |
Dale Rodkin | ... | camera operator: "a" camera/steadicam |
Oosthuizen Rohard | ... | lightning board operator |
Baltasar Breki Samper | ... | director of photagraphy second unit |
Kent Satram | ... | focus puller: "a" camera |
Fifi Somoro | ... | camera loader: "a" camera |
Sakhele Tomose | ... | assistant grip |
Sive Tunywa | ... | electrician |
Derek Ueckermann | ... | focus puller: "a" camera, action unit |
Vusi Velapi | ... | prelight gaffer |
Steven Brett Whittaker | ... | digital imaging technician: action unit |
Animation Department
Alexander Antoniades | ... | senior animator |
Alvise Avati | ... | animation supervisor |
Laurent Benhamo | ... | animator |
Luca Bottello | ... | animator |
Krzysztof Boyoko | ... | lead animator |
Javier Cimentada | ... | animator |
Cynthia Crimmins | ... | Animation Department Manager |
Aleksandr Fed | ... | animator |
Antonio Guidetti | ... | animator |
Cihan Gultas | ... | animator: Framestore |
Brandon Hartley | ... | animator |
Yogesh Khairnar | ... | animator: Framestore |
Cihan Kiliccioglu | ... | senior animator |
Chris McGaw | ... | Lead Animator |
Konstantin Nikolov | ... | previs artist |
Sivapranav Panicker | ... | Senior Animator: Framestore |
Riccardo Pietracaprina | ... | senior animator |
Bora Sahin | ... | lead animator |
Ankan Sanyal | ... | animator |
Casting Department
Craig Swanepoel | ... | extras casting director |
Costume and Wardrobe Department
Lauren de Reuck | ... | key costumer |
Amy Druce | ... | key costumer |
Darion Hing | ... | costume truck supervisor |
Jeremy Johnson | ... | set costumer |
Michelle Karavoussanos | ... | assistant costume designer |
Catherine McIntosh | ... | key costumer |
Amy Smego | ... | costume buyer |
Bronwyn Whitehead | ... | costume breakdown artist |
Location Management
Peter Currey | ... | location scout |
Music Department
Geoff Alexander | ... | conductor |
John Barrett | ... | recording engineer |
Dan Boardman | ... | music preparation |
Tommy Bosustow | ... | assistant engineer |
Ian Burdge | ... | musican: featured cello |
David Butterworth | ... | orchestrator |
Paul Clarvis | ... | musican: featured percussion |
Richard Cookson | ... | musician: viola |
Gareth Cousins | ... | score mixer |
Gordon Davidson | ... | recording engineer |
Grace Davidson | ... | singer: soprano |
Bradley Farmer | ... | music editor |
Joanna Goldsmith-Eteson | ... | vocalist |
Isobel Griffiths | ... | orchestra contractor |
Clifton Harrison | ... | musician: viola |
Daniel Hayden | ... | score recordist |
Wes Hicks | ... | score editor |
Sumudu Jayatilaka | ... | singer |
Sona Jobarteh | ... | featured vocalist / musician: kora |
Karen Jones | ... | musican: featured flute |
Lewis Jones | ... | recording engineer |
Matt Jones | ... | score recordist |
Erenice Lohan | ... | music producer |
London Voices | ... | choir |
Hà Lê | ... | theme music composer |
Dorina Markoff | ... | musician |
Perry Montague-Mason | ... | musician: violin |
Laura Mvula | ... | featured vocalist |
Everton Nelson | ... | orchestra leader |
George Oulton | ... | score recordist |
Miroca Paris | ... | musician |
Ben Parry | ... | choir director |
Paul Pritchard | ... | recording engineer |
Sara Pulice | ... | orchestra contractor: Isobel Griffiths Ltd |
Evan Rogers | ... | orchestrator |
Jill Streater | ... | head of music preparation |
Joe Wyatt | ... | assistant engineer |
Roger Linley | ... | musician: double bass (uncredited) |
Steve Mair | ... | musician: double bass (uncredited) |
Laurence Ungless | ... | musician: double bass (uncredited) |
Bruce White | ... | Viola (uncredited) |
Script and Continuity Department
Palesa Mohlala | ... | continuity assistant |
Zimbini Pafa | ... | continuity / script supervisor |
Additional Crew
Jamar Atkinson | ... | security: Mr. Elba |
Fjóla Valdís Bjarnadóttir | ... | assistant: Mr. Kormákur (as Fjóla Bjarndóttir) |
John-James Buttress | ... | Covid Monitor |
Robert-John Carlisle | ... | HOD Creature & Prosthetics (as Rob Carlisle) |
Ali Claire | ... | vice president of credits: Universal Pictures |
Raffaele Di Nicola | ... | promo materials |
Tony Ducret | ... | studio executive |
Jennifer Elmore | ... | studio coordinator |
King Enekeme | ... | chef: Mr. Elba |
Nerina Hankey | ... | assistant: Mr. Elba |
Susan Hegarty | ... | dialect consultant: Mr. Elba |
Christiaan Ho-Tong | ... | assistant production coordinator |
Tim Kilshaw | ... | key armourer |
Hybre Marinus | ... | assistant: Mr. Kormákur |
Sashnie Moodley | ... | assistant: Mr. Packer & Mr. Lopez |
Stanley Ngobeni | ... | construction accountant |
Kuhle Peter | ... | production assistant |
Nejel Reyes | ... | Screen Credits |
Dezi Rorich | ... | unit publicity manager |
Alton Stoffels | ... | health and safety advisor |
Christo Strydom | ... | construction buyer |
Christo van Schalkwyk | ... | covid health and safety manager |
Tiffany von Willingh | ... | production coordinator |
Thanks
Suzanne Scott | ... | special thanks (as Suzanne Scott - lion specialist) |
Sunneva Ása Weisshappel | ... | special thanks |
Production Companies
Distributors
- Universal Pictures (2022) (United States) (theatrical)
- Cinemundo (2022) (Portugal) (theatrical)
- United International Pictures (UIP) (2022) (Argentina) (theatrical) (through)
- United International Pictures (UIP) (2022) (Singapore) (theatrical)
- Universal Pictures Argentina (2022) (Argentina) (theatrical) (through United International Pictures)
- Universal Pictures International (UPI) (2022) (Austria) (theatrical)
- Universal Pictures International (UPI) (2022) (Switzerland) (theatrical)
- Universal Pictures International (UPI) (2022) (Germany) (theatrical)
- Universal Pictures International (UPI) (2022) (Spain) (theatrical)
- Universal Pictures International (UPI) (2022) (France) (theatrical)
- Universal Pictures International (UPI) (2022) (United Kingdom) (theatrical)
- Universal Pictures International (UPI) (2022) (Mexico) (theatrical)
- Universal Pictures International (UPI) (2022) (Netherlands) (theatrical)
- Peacock (2022) (United States) (video) (VOD)
- Studio Distribution Services (SDS) (2022) (United States) (Blu-ray) (through)
- Studio Distribution Services (SDS) (2022) (United States) (DVD) (through)
- Universal Pictures Home Entertainment (UPHE) (2022) (United States) (Blu-ray)
- Universal Pictures Home Entertainment (UPHE) (2022) (United States) (DVD)
- Universal Pictures Home Entertainment (2022) (Germany) (Blu-ray)
- Universal Pictures Home Entertainment (2022) (Germany) (DVD)
- Universal Pictures Home Entertainment (2022) (Netherlands) (Blu-ray)
- Universal Pictures Home Entertainment (2022) (Netherlands) (DVD)
- Universal Pictures Home Entertainment (2022) (Netherlands) (video) (VOD)
Special Effects
- Framestore (visual effects)
- The Third Floor (visualization)
- BlackGinger (visual effects, additional cyberscanning & LIDAR)
- Clear Angle Studios (cyberscanning)
- Gentle Giant Studios (cyberscanning)
- Complete Geomatic Solutions (lidar)
Other Companies
- Back Lot Music (soundtrack)
- Ernst Leitz Wetzlar (manufacturer: Leitz THALIA lenses)
- Isobel Griffiths Limited (orchestra contractor)
- White Bird Talent Agency (extras casting)
Storyline
Plot Summary | |
Plot Keywords | |
Taglines | Sometimes the rustle in the bushes actually is a monster. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Runtime |
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Official Sites | |
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Aspect Ratio |
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Sound Mix |
Box Office
Budget | $36,000,000 (estimated) |
Cumulative Worldwide Gross | $59,095,809 |
Did You Know?
Trivia | Although all of the animals that appear in the film are computer generated, director Baltasar Kormákur decided to have a real one brought to set one day so that he could work out how to realistically capture it using CGI. Sharlto Copley recalled how a miscommunication meant a number of the cast and crew ended up spending time hiding in their trailers. "You know how these miscommunications can happen very quickly," he says. "So the lion is on a separate unit they're shooting it as a reference, the animation unit is shooting it to see how fur moves and getting the lion in different positions, doing all sorts of crazy stuff. "Anyway, I come out of my trailer, I'm literally walking out and I just hear somebody going like 'Get the f**k back inside'. And instinctively I close the door, I think like is there a riot? Is there something we're in the middle of nowhere like what's happening? And the guy's like 'There's a lion in base camp!' "Base camp is where all the trailers are," Copley continues. "We're like 20 minutes from set by car because we're shooting in the middle of nowhere and then for about an hour and a half, we thought that there was a lion walking around our trailers, and everyone's trying to look for where is the lion. "And every now and then somebody comes back from set to the base camp and would walk in and wouldn't know. And people would go, like, 'Get in a trailer!' And then they'd sort of look at us, like, what are you doing? And we'd be like 'There's a lion!' And then they'd run it was crazy." He adds: "The Universal executives were telling me last night, this is the worst case scenario for a movie about lions, if somebody gets eaten right now, like, just keep everybody away from this lion." Thankfully, though, it eventually came to light that the incident had been blown out of proportion and the cast and crew had never really been in any danger from the animal. "It was actually fine," Copley explains. "The lion was 10 kilometers away! It was being transported when it escaped. And they caught it and put it back and it was no issue." See more » |
Goofs | At times, the lion prustens: a sound that lions do not make. Prusten is unique to tigers and leopards/jaguars among the big cats. On top of that, it's a non-aggressive sound, specifically showing affection or friendliness, such as between mother and cubs. See more » |
Movie Connections | Featured in 2022 NFL Hall of Fame Game: Jacksonville Jaguars vs. Las Vegas Raiders (2022). See more » |
Soundtracks | Black Man's Cry See more » |
Crazy Credits | After credits we here the sounds of the Savannah and lions roaring when the title comes up several slash marks appear on it followed by a lion growling See more » |
Quotes |
Martin Battles:
Come On You Bastard [last lines] Martin Battles: I'm Sorry Boy See more » |