Great Barrier Reef, 2020. After a dangerous dive to save his wife Laura trapped while exploring an colonial British merchant ship wreckage, Jay Fennel, a rugged and attractive marine archeologist lies brain dead in a Boston hospital. Fennel's dream-like coma takes us back in time to Pune, India in 1778. The British East India Company is invading the palaces and a young captain named James Stewart, who bears a striking resemblance to Fennel, is about to embark on a dangerous mission. Along the way he encounters murder, deceit, betrayal and revenge. He falls deeply in love with an Indian She-warrior named Tulaja, an impossible love which he must fight for. Only the power of a ring can transcend time and save a life.Written by
Why are you frightened child?
I'm disturbed by my visions, Gurdev. I see strange figures... in white. In some strange place full of light. I see a man in some other place in a blood red coat. And I see a ring which shimmers in a blue light.
[ominous wind gusting]
You wish to know the meaning of these visions, child... come what may?
There was a ring, child. Long ago. It was forged of eternal love. One ring made of two rings. To fit together, both ...
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The score is terrific, the scenery is gorgeous, the acting is mostly pretty good, and the story is... nonsensical.
There are two story timelines. The opening story timeline is set in the fairly near future, sometime later in the 21st century, with what appear to be Americans. But we spend very little time there. The main story timeline is 18th century India.
The backdrop of the main storyline, in India in 1778, was interesting and realistic, except that the British East India Company leaders were all hopelessly one-dimensional villains. The lead roles were well-played, the lead characters were sympathetic, and the story was drew me in.
But when you tell a great, big, long story, it ought to have a point. It ought to have something to do with the climax. This one left me wondering, "what was the point of all that?"
Plus, there was almost no meaningful connection between the two timelines. It just didn't make sense.
And the story made a promise that it didn't keep. At the beginning, we see an interesting artifact -- a ring -- in the wreck of a long- sunken ship. Someone with the initials "D.E." must have greatly valued it, we're told, because he or she drowned while clinging to the purse which contained that ring.
So, who was D.E., we wonder, and what was his story? The next scene takes us back in time, to 18th century India, and we settle back expecting to learn the story of D.E. and the ring. But we never do.
We do, indeed, hear a great long story -- but we never find out about D.E. and the ring, or how it got onto that shipwreck. That was very annoying.
And what's with the two names for this movie, anyhow? Is it called "The Lovers" or "Singularity?"
As Maxwell Smart would say, "missed it by THAT much." I'll be generous and give it a 4, mainly just because I liked the music.
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