An advertising executive is kidnapped and held hostage for 20 years in solitary confinement. When he is inexplicably released, he embarks on an obsessive mission to discover who orchestrated his punishment, only to find he is still trapped in a web of conspiracy and torment.Written by
When Joe and Adrian are walking down a hallway to get Joe's daughter, the hallway is bathed in red lighting. The lighting is no longer red after they open a door and they're seen from another camera angle. See more »
[as Joe straps him down and interrogates him with a knife blade]
[Joe continues to cut his neck]
Ow! Ow! Motherfucker. OW! SHIT!
YOU NO-DICK, ASS-LICKING SON OF A BITCH! FUCK YOU!
No, fuck you!
[Joe cuts him more]
OH! YOU BOOGER-EATING, PISS-DRINKING MOTHERFUCKER! If you stop now you may get out of here alive!
[...] See more »
Why would they remake a film by the master? The whole idea behind remaking films is to remake something that was maybe a good idea but had bad execution. The original Oldboy is a 10 top to bottom, story, script, action, actors, direction, why did they try to remake perfection.
Josh Brolin is good but when you start comparing him to the pain and anguish Min-Sik Choi convaed in the Korean version there is no way to compare the two. Also I like Spike Lee and some of his work but he was the wrong choice for this.
Still not sure who thought this was a good idea, it's like eating a McRib when you can have Korean BBQ, which one sounds better to you. Watch the Korean version.
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