Lemuel Gulliver has been working in the mail room of a New York daily newspaper for the past ten years. Afraid to put himself out there, he considers himself a loser, as do all his peers. One day, after having finally had enough, he decides to declare his flame to the beautiful Darcy Silverman, the newspaper's travel editor and one of Gulliver's only friends...only to chicken out at the last minute and instead tell her that he'd like to try his hand at writing a column. Darcy accepts and sends him on an assignment to the Bermuda Triangle. There, Gulliver becomes shipwrecked and ends up on the island of Liliput, where he is twelve taller than the tallest man. For the first time, Gulliver has people looking up to him...Written by
The stone jail where Gulliver is imprisoned is modeled after a natural formation of volcanic origin in the northeast coast of Northern Ireland, consisting of over 40,000 interlocking basalt columns of distinctive shape. Quite appropriately, its Irish name "Clochan an Aifir" means "the Giant's Causeway." See more »
When Gulliver first wakes on the shore of the "Island Where We Dare Not Go" the frame is flipped with the letters of his shirt shown backwards. See more »
I'm not doing this. You got me in a diaper and a dress. I'm not doing tea time with you! Go find another doll!
[the giant princess grunts to Gullivers & broke the rabbit doll's head & paused]
Tea time for tee, haha...
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The end credits are presented as part of newspaper clips from Gulliver's column. Surrounding the credits is actual text from the original novel by Jonathan Swift, and mentions some adventures from the book that are not featured in the movie, such as the encounters with the subhuman "yahoos". See more »
In the latest Gulliver go round ( there have been at least a dozen variations since 1902) we have a production of enormous precise detail vividly brought alive by state of the art special effects, grand set design and lavish costuming all crushed by the uninspired casting of the slobbering one note buffoon Jack Black in the title role. In his pudgy mitts the Swiftian satire becomes another heavy handed, predictable goof ball routine of sly eyed impishness and soft hearted sweetness applied in the same manner as in the rest of his "zany" canon.
Lemuel Gulliver sets out for the Bermuda Triangle to prove himself as a journalist and to win the heart of the girl of his dreams. Blown off course by a raging tropical storm he finds himself on the the tiny island of the tiny people, Liliput. Gaining their trust he is soon the rage of the land improving infrastructure and counseling the lovelorn. All goes well until he is challenged by General Edward and is humiliated before all who look up to him. Can Gulliver redeem himself? What's more important is that the filmmakers have enough story to fill the second half with fun pyrotechnics.
Black's cuddly bear, man child grows more tiresome with each performance and in Gulliver it's lights out early with the same boorish routine the ubiquitous media gadfly projects whether playing a role or doing an interview. Director Rob Letterman's film does have a precious look and he does inject some nice Python humor here and there but it is all obscured by Black's beached whale of a Gulliver. For lazy parents looking for a baby sitter, the film might serve as that crazy and funny uncle that can occupy the kiddies for two hours. Make sure though you send them with an older sibling. Unlike this loser of a film it will be a win, win for you to abstain.
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