The Last Exorcism (2010)
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- PG-13
- 1h 27min
- Horror, Mystery
- 27 Aug 2010 (USA)
- Movie
A troubled evangelical minister agrees to let his last exorcism be filmed by a documentary crew.
Director:
Writers:
Stars:
Awards:
- 7 wins & 10 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Patrick Fabian | ... |
Cotton Marcus
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| Ashley Bell | ... |
Nell Sweetzer
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| Iris Bahr | ... |
Iris Reisen
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| Louis Herthum | ... |
Louis Sweetzer
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| Caleb Landry Jones | ... |
Caleb Sweetzer
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| Tony Bentley | ... |
Pastor Manley
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John Wright Jr. | ... |
John Marcus
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| Shanna Forrestall | ... |
Shanna Marcus
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Justin Shafer | ... |
Justin Marcus
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Carol Sutton | ... |
Shopkeeper
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| Victoria Patenaude | ... |
Motorist
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| John Wilmot | ... |
Spindly Man
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Becky Fly | ... |
Becky Davis
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| Denise Lee | ... |
Nurse
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Logan Craig Reid | ... |
Logan Winters
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| Sofia Hujabre | ... |
Cafe Manager
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| Adam Grimes | ... |
Daniel Moskowitz
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| Rest of cast listed alphabetically: | |||
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Cy Fahrenholtz | ... |
Churchgoer (uncredited)
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Geraldine Glenn | ... |
Churchgoer (uncredited)
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Tony Lawson | ... |
Church Goer (uncredited)
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Cynthia LeBlanc | ... |
Churchgoer (uncredited)
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Elton LeBlanc | ... |
Churchgoer (uncredited)
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Directed by
| Daniel Stamm | ||
Written by
| Huck Botko | ... | (written by) & |
| Andrew Gurland | ... | (written by) |
Produced by
| Marc Abraham | ... | producer |
| Phil Altmann | ... | executive producer |
| Thomas A. Bliss | ... | producer |
| Huck Botko | ... | executive producer |
| Patrick Curd | ... | co-executive producer |
| Andrew Gurland | ... | executive producer |
| Ron Halpern | ... | executive producer |
| Patty Long | ... | co-producer |
| Gabrielle Neimand | ... | co-producer |
| Eric Newman | ... | producer |
| Douglas Plasse | ... | co-executive producer (as Doug Plasse) |
| Eli Roth | ... | producer |
Music by
| Nathan Barr | ||
Cinematography by
| Zoltan Honti | ||
Editing by
| Shilpa Sahi | ||
Editorial Department
| James Ahern | ... | digital intermediate editor |
| Adam Hawkey | ... | digital intermediate colorist |
| Michael John Koetter | ... | software engineer |
| Franklin Peterson | ... | assistant editor |
| Mathieu Reid | ... | color timer |
| Jay Trautman | ... | assistant editor |
| Ian Turpen | ... | scan & record operator |
Casting By
| Lauren Bass | ||
Production Design by
| Andrew W. Bofinger | ||
Costume Design by
| Shauna Leone | ||
Makeup Department
| Howard Berger | ... | special makeup effects artist |
| Nikki I Brown | ... | makeup department head |
| Alex Diaz | ... | on set supervisor: special effects makeup |
| Marcos Gonzales | ... | key makeup artist |
| Krystal Kershaw | ... | additional makeup artist |
| Greg Nicotero | ... | special makeup effects artist |
| Jennifer Sanchez | ... | contact lens technician |
Production Management
| Patty Long | ... | unit production manager |
| Joan Malloch | ... | post-production supervisor |
| John Portnoy | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Gregory S. Carr | ... | second assistant director |
| Joel Jeffrey Nishimine | ... | first assistant director (as Joel Nishimine) |
| Jimi Woods | ... | second assistant director |
Art Department
| Tom Hammock | ... | production designer: additional photography (as Thomas S. Hammock) |
| Beau Harrison | ... | assistant property master |
| Leonard Marchand | ... | property master (as Leonard Lavigueur) |
| Dave Quinlan | ... | set dresser |
| Renee Ragucci-Shelton | ... | props (as Renee Ragucci) |
Sound Department
| Michael Baird | ... | supervising sound designer |
| Roberto Cappannelli | ... | re-recording mixer |
| Rene Defrancesch | ... | boom operator |
| Robert Dehn | ... | sound studio manager |
| Brent Findley | ... | sound effects editor |
| Jason Gaya | ... | adr mixer |
| Corey J. Grasso | ... | adr mixer |
| Angela Hemingway | ... | adr dialogue editor |
| Steven Iba | ... | assistant sound editor |
| Jonathan Pendergrass | ... | foley editor |
| Jonathan Wales | ... | re-recording mixer |
Special Effects by
| Larry Barado | ... | special effects foreman |
| Edward Joubert | ... | special effects technician |
| David K. Nami | ... | special effects coordinator |
Visual Effects by
| Christine Carr | ... | visual effects producer |
| Shane Cook | ... | compositing supervisor: Gradient Effects |
| Christopher Dusendschon | ... | digital imaging supervisor: iO FILM |
| Dylan Highsmith | ... | visual effects editor |
| Thomas Kernan | ... | model lead: Gradient Effects |
| James Polk | ... | character technical director: Gradient Effects |
| Olcun Tan | ... | digital effects supervisor |
| Thomas Tannenberger | ... | visual effects supervisor |
| Cameron Thomas | ... | compositor: Gradient Effects |
| Fiona Campbell Westgate | ... | visual effects producer: Gradient Effects |
Stunts
| Trace Cheramie | ... | stunt coordinator |
| Steve Picerni | ... | stunt coordinator |
Camera and Electrical Department
| Marcus Kellum | ... | second assistant camera |
| Justin LeBlanc | ... | light balloon technician |
| Christopher Meydrich | ... | additional grip |
| Myron Parran | ... | first assistant camera |
| Patti Perret | ... | still photographer |
| Declan Ryan | ... | lighting balloon technician |
| Jared Talbot | ... | additional set lighting technician |
| Nathan Tape | ... | gaffer |
| Tyler Townsend | ... | digital imaging technician |
| Trevor Tufano | ... | second assistant camera |
| Joseph Walsh | ... | assistant camera |
| Chris Weaver | ... | key grip |
| Kristopher Weaver | ... | key grip |
Casting Department
| Jordan Bass | ... | casting associate |
| Lauri David | ... | background casting |
| Terri Douglas | ... | adr voice casting |
Costume and Wardrobe Department
| Doré Cermak | ... | key costumer |
| Reba Saul Gazdik | ... | ager/dyer (as Reba Saul) |
Location Management
| Matthew Cassel | ... | location manager: Los Angeles |
| Yvette LaPlace | ... | location manager |
| David Margulis | ... | location scout |
| Stephan Roux | ... | location scout |
| Valerie Ryan | ... | location scout |
Music Department
| Mary Parker | ... | music consultant |
Script and Continuity Department
| Nick Sarando | ... | script supervisor (as Nicholas Sarando) |
Transportation Department
| Will Bourne | ... | driver: cast |
| Brian Mathews | ... | production driver |
Additional Crew
| Mac Alsfeld | ... | office production assistant |
| Mark Barclay | ... | assistant: Mr. Bliss and Mr. Altmann |
| James Brooke | ... | production services |
| James T. Bruce IV | ... | production consultant |
| Brooke Ensign | ... | unit publicist |
| Natalie Faldo | ... | assistant: Ms. Neimand |
| Nora L. Ferris | ... | insurance broker |
| Gaia Filicori | ... | production assistant |
| Matthew Ford | ... | set medic |
| Shyama Friedenson | ... | marketing: Studiocanal |
| Sofia Hujabre | ... | production secretary |
| Charlotte Lancaster | ... | craft service |
| John Landers | ... | key craft service |
| Stephanie Langhoff | ... | production coordinator |
| Stephen Ledet | ... | set production assistant |
| Christie Mattull | ... | production insurance: Momentous Insurance Brokerage (as Christy Mattull) |
| Jesse Rose Moore | ... | assistant: Mr. Newman (as Jesse Moore) |
| Marilyn Penn-Lindley | ... | post production accountant (as Marilyn Penn) |
| Timothy Scott Ralston | ... | screening operations executive |
| Jayne Royall | ... | production accountant |
| Matthew Warren | ... | completion guarantor: Film Finances Inc. (as Matt Warren) |
| Cynthia Dyan Williams | ... | photo double |
| Kurt Woolner | ... | completion guarantor: Film Finances Inc. |
| Jamie Zakoski | ... | assistant: Mr. Abraham |
| Nathaniel Zimet | ... | chef |
Thanks
| Leonard Alsfeld | ... | special thanks |
| David Birke | ... | special thanks |
| John Bobear | ... | special thanks |
| Valerie Bobear | ... | special thanks (as Valerie 'Armbruster' Bobear) |
| James Brooke | ... | special thanks |
| James T. Bruce IV | ... | special thanks (as James Bruce) |
| Fatimah Conley-Mayfield | ... | special thanks |
| Jerry Gilbert | ... | special thanks: Louisiana Media Services |
| Tom Hammock | ... | special thanks |
| Gary D. Jones | ... | special thanks |
| Hunter Moskowitz | ... | special thanks (as Hunter L. Moskowitz) |
| Sara Northcutt | ... | special thanks: Hampton Inn Hotels & Suites of New Orleans |
| Louis Pomes | ... | special thanks |
| David Pomier | ... | special thanks (as Dave Pomier) |
Production Companies
- Strike Entertainment (presents)
- StudioCanal (presents)
- Arcade Pictures
- Louisiana Media Productions
Distributors
- Alliance (2010) (Canada) (theatrical)
- Cinestar (2010) (Philippines) (theatrical)
- Cinéart (2010) (Belgium) (theatrical)
- Cinéart (2010) (Netherlands) (theatrical)
- Comstock Group (2011) (Japan) (theatrical)
- Energía Entusiasta (2010) (Argentina) (theatrical)
- Future Film (2010) (Finland) (theatrical)
- Hopscotch Films (2010) (Australia) (theatrical)
- Kinowelt Filmverleih (2010) (Germany) (theatrical)
- Lionsgate (2010) (United States) (theatrical)
- Odeon (2010) (Greece) (theatrical)
- Optimum Releasing (2010) (United Kingdom) (theatrical)
- Shaw Organisation (2010) (Singapore) (theatrical)
- The Klockworx (2011) (Japan) (theatrical)
- Encripta (2018) (Brazil) (video) (VOD)
- Entertainment One (2011) (Spain)
- Film1 (2011) (Netherlands) (tv) (limited)
- Future Film (2011) (Finland) (Blu-ray) (DVD)
- IPA Asia Pacific (2010) (Thailand)
- Midget Entertainment (2010) (Denmark)
- Noble Entertainment (2010) (Sweden)
- Pinema (2010) (Turkey)
- PlayArte Pictures (2010) (Brazil)
- Star Entertainment (2019) (India)
- Star Entertainment (2020) (India)
- StudioCanal (2010) (France)
- Twin Pics (2011) (Netherlands) (DVD)
- Twin Pics (2011) (Netherlands) (Blu-ray) (DVD)
- Volga (2010) (Russia)
- Zon Lusomundo Audiovisuais (2010) (Portugal)
Special Effects
- Gradient Effects (visual effects)
Other Companies
- Que Crawl (catering)
- iO Film (digital intermediate)
- Sonic Magic (sound post-production and mixing)
- Film Finances (completion guaranty)
- Momentous Insurance Brokerage (insurance)
- Cinelease (lighting equipment)
- FBT Film and Entertainment (special thanks)
- Louisiana Media Services (special thanks: to Jerry Gilbert)
- The Louisiana Office of Entertainment Industry Development (special thanks)
- Lousiana Governor's Office of Film and TV Development (special thanks)
- The New Orleans Mayor's Office of Film & Video (special thanks)
- Hampton Inn New Orleans (special thanks: to Sara Northcutt)
- Current Film Services (special thanks)
- SAG-AFTRA (special thanks)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- Int'l Brotherhood of Teamsters (acknowledgement)
- Dolby Laboratories (sound mix: Dolby Digital)
- Panavision (cameras and lenses)
- StudioCanal (author and creator: for the purposes of U.S. copyright law and the Berne Convention and all national laws giving effect thereto)
- Strike Entertainment (author and creator: for the purposes of U.S. copyright law and the Berne Convention and all national laws giving effect thereto)
- Hollywood Trucks (entertainment transportation)
- Hurwitz Creative (electronic press kit)
- Inner Media (production consulting)
- Inner Media (tax incentive consulting services)
- Klass Security and Investigations (anti-piracy security services)
- Louisiana Entertainment (state film office)
- Silver Screen Rentals (production supplies)
- The New Orleans Film Commission (film commission)
- The People of Louisiana (special thanks)
- Upload Films (post-production)
- Visual Icon (exclusive clip and still licensing)
Storyline
| Plot Summary |
In Baton Rouge, Louisiana, the evangelical Reverend Cotton Marcus was raised by his father to be a preacher. He agrees that the filmmaker Iris Reisen and the cameraman Daniel Moskowitz make a documentary about his life. Cotton tells that when his wife Shanna Marcus had troubles in the delivery of their son Justin, he prioritized the doctor help to God and since then he questions his faith. Further, he tells that exorcisms are frauds but the results are good for the believers because they believe it is true. When Cotton is summoned by the farmer Louis Sweetzer to perform an exorcism in his daughter Nell, Cotton sees the chance to prove to the documentary crew what he has just told. They head to Ivanwood and they have a hostile reception from Louis's son Caleb. Cotton performs the exorcism in Nell, exposing his tricks to the camera, but sooner they learn that the dysfunctional Sweetzer family has serious problems. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | Believe In Him. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Box Office
| Budget | $1,800,000 (estimated) |
| Cumulative Worldwide Gross | $67,738,090, 26 Sep 2013 |
Did You Know?
| Trivia | The scene in which Nell is given a pair of red Doc Marten boots stemmed from the fact that the insurance company refused to cover Ashley Bell for her exorcism scenes if she was running around barefoot. See more » |
| Goofs | At 9:51, there is a shot of a newspaper article about the death of an autistic boy. The article is in three columns. Half way down the third column, the article repeats, starting from the beginning again. See more » |
| Movie Connections | Edited into The Last Exorcism Part II (2013). See more » |
| Soundtracks | Black Paws, Snow Deep See more » |
| Quotes |
Cotton Marcus:
Do you believe that if you go ahead and allow the Holy Ghost into your heart, you can be cleansed of all your sins and sit in the Kingdom of God? Congregation: Amen. Cotton Marcus: That is what I'm talking about. Can I get an amen? Congregation: Amen. Cotton Marcus: Can I get a hallelujah? Congregation: Hallelujah! Cotton Marcus: Can I get a hallelujah and an amen? Congregation: Hallelujah, amen! Cotton Marcus: Do you know if you take two ripe bananas, you put them in a bowl, and you put some sugar and you go ahead then bake it for 400, you can go and pull it out and have yourself banana bread? Hallelujah! Congregation: Hallelujah! See more » |