Thirty years ago Bolshoi Orchestra conductor Andreï Filipov was fired for hiring Jewish musicians. Now a lowly janitor, an opportunity arises to gather his old musicians to go and pose as th... Read allThirty years ago Bolshoi Orchestra conductor Andreï Filipov was fired for hiring Jewish musicians. Now a lowly janitor, an opportunity arises to gather his old musicians to go and pose as the official Bolshoi orchestra in Paris.Thirty years ago Bolshoi Orchestra conductor Andreï Filipov was fired for hiring Jewish musicians. Now a lowly janitor, an opportunity arises to gather his old musicians to go and pose as the official Bolshoi orchestra in Paris.
- Awards
- 9 wins & 16 nominations total
Dmitriy Nazarov
- Aleksandr 'Sasha' Abramovich Grosman
- (as Dimitri Nazarov)
Miou-Miou
- Guylène de La Rivière
- (as Miou Miou)
Valeriy Barinov
- Ivan Gavrilov
- (as Valeri Barinov)
Anna Kamenkova
- Irina Filipova
- (as Anna Kamenkova Pavlova)
Anghel Gheorghe
- Vassili
- (as Anghel Gheorghe dit 'Caliu Din Clejani')
Aleksandr Komissarov
- Viktor Vikich
- (as Alexander Komissarov)
Guillaume Gallienne
- Laudeyrac
- (as Guillaume Gallienne de la Comédie Française)
Featured reviews
I liked Le Train De La Vie, but i loved Le Concert. Mihaileanu keeps things simple and withholds just a couple of info, in order to reveal the actual truth at the end of the movie. He creates a drama without forcing you into tears from the beginning, consolidating every dramatic moment with a gag, joke or just a funny face. He builds funny characters, that you can enjoy seeing without being worn off by their problems or issues.
He was able to make a 2 hours film that envelopes so much about drama, failure, communism, music and dedication that is quite impossible not to appreciate. This movie was quite a joy.
He was able to make a 2 hours film that envelopes so much about drama, failure, communism, music and dedication that is quite impossible not to appreciate. This movie was quite a joy.
The Concert is a French/ Italian/Romanian/Belgian production shot in Moscow and Paris. The publicity blurb says that the musical finale is worth the ticket price alone, but I would say even reading the list of exotic names floating over the opening credits is worth a good percentage of the price.
We travel back 30 years to when Andrei, talented young conductor of the Bolshoi Orchestra, was humiliated and sacked by Breshnev for refusing to get rid of his Jewish musicians. Fast forward to the present, and we find him still working at the Bolshoi - but as a cleaner. One lucky day he finds himself alone with the office fax machine. What follows is an audacious plot to get his old sidekicks to Paris, using borrowed instruments, hired suits and fake passports, posing as the real Bolshoi for a concert at the Theatre du Chatelet. If you can imagine a story as full of colour and drama as the TV rock 'n' roll serial epic Tutti Frutti, jammed into just one cinema experience, this could be it. It's rare to see so many set pieces in one film.
I laughed out loud once or twice - and if you know what a grumpy old man I am you would realise what that means. I was also moved to tears, but I'm not telling you why. That would spoil it all - just saying that under its layer of manic fast-cut comedy the story carries a deep, dark and passionate secret which gradually reveals itself as the comedy peels off. The music is, I have to add, beautiful - whether it's Roma dance jigs in the street or Tchaikovsky in the concert hall. Bring a hanky!
We travel back 30 years to when Andrei, talented young conductor of the Bolshoi Orchestra, was humiliated and sacked by Breshnev for refusing to get rid of his Jewish musicians. Fast forward to the present, and we find him still working at the Bolshoi - but as a cleaner. One lucky day he finds himself alone with the office fax machine. What follows is an audacious plot to get his old sidekicks to Paris, using borrowed instruments, hired suits and fake passports, posing as the real Bolshoi for a concert at the Theatre du Chatelet. If you can imagine a story as full of colour and drama as the TV rock 'n' roll serial epic Tutti Frutti, jammed into just one cinema experience, this could be it. It's rare to see so many set pieces in one film.
I laughed out loud once or twice - and if you know what a grumpy old man I am you would realise what that means. I was also moved to tears, but I'm not telling you why. That would spoil it all - just saying that under its layer of manic fast-cut comedy the story carries a deep, dark and passionate secret which gradually reveals itself as the comedy peels off. The music is, I have to add, beautiful - whether it's Roma dance jigs in the street or Tchaikovsky in the concert hall. Bring a hanky!
I received warm recommendations before going to see "Le concert" and, as a consequence, was prepared to like it.
I must admit that hearing one of my favourite classical pieces at the beginning induced a positive outlook; however, as I am rather critical, this would not have made up for a boring experience afterwards.
Yet the rest was delightful, and there was no moment left for fatigue or dissatisfaction. Those clichés criticized by some are still well understood in Eastern Europe; as to the exacerbated kitsch - it can be found today, with no difficulty, within the society I live in.
The plot may have seemed straightforward, but a whirlwind of colour, wonderful music, sadness and humour carried me swiftly to the end and to the applause of the audience in the cinema.
It may not be the best film I have seen, but it certainly possesses the "je ne sais quoi" that makes you want to see it again, that makes you feel different for having experienced it. And for this, I think "Le Concert" should be accepted and loved just as it is.
I must admit that hearing one of my favourite classical pieces at the beginning induced a positive outlook; however, as I am rather critical, this would not have made up for a boring experience afterwards.
Yet the rest was delightful, and there was no moment left for fatigue or dissatisfaction. Those clichés criticized by some are still well understood in Eastern Europe; as to the exacerbated kitsch - it can be found today, with no difficulty, within the society I live in.
The plot may have seemed straightforward, but a whirlwind of colour, wonderful music, sadness and humour carried me swiftly to the end and to the applause of the audience in the cinema.
It may not be the best film I have seen, but it certainly possesses the "je ne sais quoi" that makes you want to see it again, that makes you feel different for having experienced it. And for this, I think "Le Concert" should be accepted and loved just as it is.
The movie gives you an accurate feel for what it feels to struggle to survive and find your way in post-communist Eastern Europe. The tragedy of the past is still present and yet the human nature freed up from restrictions turns in completely unexpected directions. The only way to escape the day-time TV feel is to bring in plenty of sense of humor.
Radu Mihaileanu creates a master piece. I can vouch that it captures the crazy spirit of the last 20 years and the need to make sense of it all. The resolution of the movie is childish and so there were the hopes and dreams of us all in 1989.
The movie is a modern fairy tale told with harsh truths and love and compassion.
Radu Mihaileanu creates a master piece. I can vouch that it captures the crazy spirit of the last 20 years and the need to make sense of it all. The resolution of the movie is childish and so there were the hopes and dreams of us all in 1989.
The movie is a modern fairy tale told with harsh truths and love and compassion.
If you love music this will quickly become a favorite for you.
This movie is all about music. An orchestra conductor is given a second chance 30 years later and he definitely grabs it.
Life flows through this movie. You can detect how music mixes with life and how music is a part and at the same time is not a part of life.
Music lifts you beyond life.
I also liked the comedy parts. Life is tragedy and comedy and music encompasses it all.
Be advised that the director likes to play and the mixture between fantasy and real life is present throughout the whole movie.
Also, please note the gypsy who arranges the passport issue. In real life he is a member of the Romanian music band Taraf des Haidouks (http://www.myspace.com/tarafdehaidouksbandofgypsies). They have amazing music and you will also be treated with a small sample in the movie. He is one of my favorite characters in the movie and one of my favorite performers on stage.
I'm trying to find any downsides to this movie but I personally can't. The person who accompanied me to the cinema said it was too...soapy. I was just sorry I was not alone in my home...This is a movie where you meet yourself so you'd better not have witnesses.
This movie is all about music. An orchestra conductor is given a second chance 30 years later and he definitely grabs it.
Life flows through this movie. You can detect how music mixes with life and how music is a part and at the same time is not a part of life.
Music lifts you beyond life.
I also liked the comedy parts. Life is tragedy and comedy and music encompasses it all.
Be advised that the director likes to play and the mixture between fantasy and real life is present throughout the whole movie.
Also, please note the gypsy who arranges the passport issue. In real life he is a member of the Romanian music band Taraf des Haidouks (http://www.myspace.com/tarafdehaidouksbandofgypsies). They have amazing music and you will also be treated with a small sample in the movie. He is one of my favorite characters in the movie and one of my favorite performers on stage.
I'm trying to find any downsides to this movie but I personally can't. The person who accompanied me to the cinema said it was too...soapy. I was just sorry I was not alone in my home...This is a movie where you meet yourself so you'd better not have witnesses.
Did you know
- TriviaMelanie Laurent started learning to play the violin only a few months before production. For the concert scenes, she learned all the bow movements, so her bow would always be on the correct string and move convincingly. However, her left hand (and sometimes arm) were digitally added/replaced in post-production.
- GoofsWhen Filipov, Gavrilov, and Grossman are meeting with the man will provide them and the orchestra passports to Paris, he says that when it is evening in Moscow it is morning in Paris. This is impossible because there is only a two hour time difference between the two cities.
- Crazy creditsThe director's father, Ion Mihaileanu, is credited as "diligent and attentive spectator and supporter of the film"
- ConnectionsFeatures Candidate (2002)
- SoundtracksViolin Concerto in D Major op. 35
Composed by Pyotr Ilyich Tchaikovsky (1878)
Performed by The Budapest Symphony Orchestra
(P) 2010 Les Productions Du Tresor / Oi Oi Oi Productions Under Exclusive License To Milan Entertainment, Inc
- How long is The Concert?Powered by Alexa
Details
Box office
- Gross US & Canada
- $657,986
- Opening weekend US & Canada
- $21,742
- Aug 1, 2010
- Gross worldwide
- $41,146,351
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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