IMDb RATING
5.6/10
3.6K
YOUR RATING
A woman gets entangled in a series of bizarre lies in order to take care of herself and her 12-year-old son.A woman gets entangled in a series of bizarre lies in order to take care of herself and her 12-year-old son.A woman gets entangled in a series of bizarre lies in order to take care of herself and her 12-year-old son.
- Awards
- 1 win & 2 nominations total
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- Writer
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Featured reviews
I like Jenna Fischer. Everybody likes Jenna Fischer. That said, she's like Rashida Jones, great in an ensemble, but nowhere near enough gravitas to pull off the lead. It's a question of intensity. Even in a light weight movie, the lead has to have some sort of inner tension that can be seen and heard. Fischer is just too easy to look past. You can't bring yourself to worry if she's going to be okay, because you know she will be. She radiates that innocent girlishness that makes men instinctively protective. In fact I'd wager that she's one of those women who hasn't gone more than a month without a steady boyfriend since high school, because 'good guys' won't leave her alone. Also, the directing was beyond lazy. I doubt he told anybody what do ever, including the editor. Frankly, I know a pretty talented guy who could recut this and make it a much better film. Honestly, that may be all it needs. Revised opinion, re-release it after cutting it so Fisher gets more close ups and the dialog moves faster. 6 out of 10
Revised, revised Opinion: Wrote review while watching movie (was in about 1:26). Now that it's over my advice is to avoid. Unless you're a hardcore Fischer fan, it's not worth the time investment. Everything that's set up basically just hangs there. The characters don't get smarter (except learning not to tell gigantic lies you can't support). In fact, the writing pretty much loses all direction and just becomes forgettable nonsense with no resolution, point or lesson. 4 out of 10
Revised, revised Opinion: Wrote review while watching movie (was in about 1:26). Now that it's over my advice is to avoid. Unless you're a hardcore Fischer fan, it's not worth the time investment. Everything that's set up basically just hangs there. The characters don't get smarter (except learning not to tell gigantic lies you can't support). In fact, the writing pretty much loses all direction and just becomes forgettable nonsense with no resolution, point or lesson. 4 out of 10
I personally would give this movie 6.5/10 if possible; it isn't particularly good, but as other reviewers have commented, I appreciated the rawly exposed main character Laura (Jenna Fischer). I don't think the characters make believable individual families, but together the chemistry of the actors remind me of 'The Royal Tenenbaums', which I felt was as overrated as this movie is underrated.
The plot of the movie is contrived, but if one looks at the writer/director (Michael J Weithorn), it makes perfect sense that the characters are very unique, but there is simply not enough time to develop them fully. The setting (Long Island, 2002) lends this movie some interesting flavor and some of the scenes where I laughed out loud were because they were ironic/sarcastic and generally dry, which I feel accurately depicts the vanilla suburbia that surrounds the concrete jungle of NYC. There is a theme of class warfare that I found interesting even if it did not develop into a great ending.
For people who haven't seen it but might try it on Netflix, etc., it can best be explained like this: the first 25 minutes introduce many characters and would make an interesting TV pilot, and the rest of the movie tries to awkwardly make the people pieces fit together into a situation that would be better delivered as several half-hour episodes/seasons on basic cable. The ending is not particularly gratifying, but the reflections on life and the character development make it a sentimentally rewarding movie. Go into it with low expectations, and you will be pleasantly surprised. Watch it a second time, and you will be rewarded with its subtlety.
The plot of the movie is contrived, but if one looks at the writer/director (Michael J Weithorn), it makes perfect sense that the characters are very unique, but there is simply not enough time to develop them fully. The setting (Long Island, 2002) lends this movie some interesting flavor and some of the scenes where I laughed out loud were because they were ironic/sarcastic and generally dry, which I feel accurately depicts the vanilla suburbia that surrounds the concrete jungle of NYC. There is a theme of class warfare that I found interesting even if it did not develop into a great ending.
For people who haven't seen it but might try it on Netflix, etc., it can best be explained like this: the first 25 minutes introduce many characters and would make an interesting TV pilot, and the rest of the movie tries to awkwardly make the people pieces fit together into a situation that would be better delivered as several half-hour episodes/seasons on basic cable. The ending is not particularly gratifying, but the reflections on life and the character development make it a sentimentally rewarding movie. Go into it with low expectations, and you will be pleasantly surprised. Watch it a second time, and you will be rewarded with its subtlety.
The only thing good about this movie is Jenna Fischer, and she's very, very good. Otherwise, the acting is mediocre at best and the story, dialog and direction are pretty bad. Only Fischer's perfect performance in a ridiculous movie makes it worth watching.
It IS a comedy, by the way, despite what some online reviewers have said. It just doesn't work as a comedy, or as a drama, or as anything else... except as a vehicle for Fischer's unique gift for playing likable, thoroughly and consistently entertaining losers, who also are totally believable human beings - not by any means an easy feat. She's almost a female Woody Allen, except she's not an obnoxious, whining, passive-aggressive, self-aggrandizing pervert.
It IS a comedy, by the way, despite what some online reviewers have said. It just doesn't work as a comedy, or as a drama, or as anything else... except as a vehicle for Fischer's unique gift for playing likable, thoroughly and consistently entertaining losers, who also are totally believable human beings - not by any means an easy feat. She's almost a female Woody Allen, except she's not an obnoxious, whining, passive-aggressive, self-aggrandizing pervert.
I don't know exactly how to put this into words but what appeared to be a nice drama movie in the beginning turned out to be an average boring movie till the end. Overall the movie presented a psychic storyline with a disturbed girl finding her way out of her husbands death. Coming to the acting, one can say that most of the characters did justice to what they were put through. I am a kind of person who usually don't miss a single scene of movies, even I also had to skip a few parts at the end. Direction was not very good because the movie actually fail to leave some mark in your mind and it is a kind of movie that you won't even remember its name after a week or so.
first of all, not much comic as stated in the genre Movie is about a married lady life in turmoil after she suspects her husband on cheating her. Being unloved and insecure she is turning alcholic resulting in child and house ignorance ( as u can see unwashed dishes and clothes spread all around in the background).
Her husband dies of heart problem. Laura tries to overcome her alcoholic tendencies and admit her son (Denis) to a private school out side the city on her imposing mother and sister demand. Alone & ignored, eager to have new friends, Dennis lies to his teachers and classmates that his father was a hero of 9/11. Laura reluctantly promises not to reveal the truth about his father death to friends.
on the other hand, Laura was forced to file a case against the doctor who failed to diagnose her husband condition and claim insurance money for her family benefit. Attorney part has been played diligently.
Inshort, there are some scenes in the movie which portray real life experiences but some points remain unanswered till the end like mother son relation and devotion in real sense
Her husband dies of heart problem. Laura tries to overcome her alcoholic tendencies and admit her son (Denis) to a private school out side the city on her imposing mother and sister demand. Alone & ignored, eager to have new friends, Dennis lies to his teachers and classmates that his father was a hero of 9/11. Laura reluctantly promises not to reveal the truth about his father death to friends.
on the other hand, Laura was forced to file a case against the doctor who failed to diagnose her husband condition and claim insurance money for her family benefit. Attorney part has been played diligently.
Inshort, there are some scenes in the movie which portray real life experiences but some points remain unanswered till the end like mother son relation and devotion in real sense
Did you know
- TriviaThe last film role of Ron Leibman.
- Quotes
Laura Pehlke: How was camp?
Dennis Pehlke: I saw a girl's tit.
Laura Pehlke: Ouu, how was it?
Dennis Pehlke: How *was* it?
Laura Pehlke: I don't know, I just...
Dennis Pehlke: She jumped into the pool and her bathing suit came down for a second. Besides, she's only eleven, it wasn't much of a tit.
Laura Pehlke: Still, it's something.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.176 (2011)
- SoundtracksGirl From Ipanama
Written by Antonio Carlos Jobim, Vinicius de Moraes, Norman Gimbel
- How long is A Little Help?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Маленькая помощь
- Filming locations
- Long Island Expressway, New York, USA(Laura and son in car.)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $96,868
- Opening weekend US & Canada
- $44,870
- Jul 24, 2011
- Gross worldwide
- $96,868
- Runtime
- 1h 49m(109 min)
- Color
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