Toby, a disillusioned advertising executive, becomes pulled into a world of time jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
Sam, intelligent but without purpose, finds a mysterious woman swimming in his apartment's pool one night. The next morning, she disappears. Sam sets off across LA to find her, and along the way he uncovers a conspiracy far more bizarre.
David Robert Mitchell
Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
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Egor is a vet at a training facility for hunting dogs in a remote region of the country. Surrounded by foxes, deer, badgers, and dogs, he lives in a small building next to the house of the ... See full summary »
Acid is a silent manifesto of the generation of twenty-year-old. They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of ... See full summary »
Circa 1968, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
Toby, a cynical advertising director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth - a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?
The best-known adaptation of Don Quixote is arguably the musical 'Man of La Mancha', which has been produced on stage with, among others, José Ferrer. One of the actors that Terry Gilliam considered for the role in this film was Gérard Depardieu who, like Ferrer, has also played Cyrano de Bergerac. Fittingly, Cyrano is at one point asked if he has read Don Quixote, to which he replies, "I've practically lived it!" See more »
An autobiographical tale about films, stories and dreams
Not a masterpiece, not a disaster, The man who killed Don Quixote has the qualities and faults of what it is, that is to say, basically, a film for one spectator only : Terry Gilliam himself.
Announcing its legend in the opening credits, the film takes pleasure in referring quite openly to the misadventures of Lost in La Mancha, most often through lines put in the mouth of the producer played by Stellan Skarsgard. These winks would be at best anecdotic, at worst narcissistic, if we didn't realize little by little that, we are in the presence of a true cinematic exorcism. Exorcism of this damned project, certainly. Exorcism also, through the character of Toby, of what Gilliam could have become if he had listened to the sirens of advertising and had become a soulless hack. Exorcism finally, and this is the most touching, of what Gilliam is afraid of becoming (and that he may have already become for some), that is to say an old fool who no longer interests anyone, an old dreamer in a materialistic world, a relic from another time, mocked and ridiculed. Thus, despite all its failures (problems of rhythm, lack of breath due to lack of money, episodic structure that works randomly and unfortunately makes Quixote disappear many times), we can only admire this film which bears on its face its testamentary dimension. Transmission, summary of a life, return on his youth, everything is there. Gilliam is Quixote, Gilliam is Toby, Gilliam will die but Gilliam is immortal since his dreams are forever with us on film. This is the bittersweet and somewhat crazy statement of The Man Who Killed Don Quixote, a film about films, a story about stories, an endless dream.
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