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The Man Who Killed Don Quixote (2018)

Not Rated | | Adventure, Comedy, Drama | 19 April 2019 (USA)
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Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.

Director:

Terry Gilliam
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Popularity
392 ( 222)
3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
José Luis Ferrer José Luis Ferrer ... Don Quixote (commercial)
Ismael Fritschi Ismael Fritschi ... Sancho Panza (commercial) (as Ismael Fritzi)
Juan López-Tagle ... Spanish Propman (as Juan López Tagle)
Adam Driver ... Toby
William Miller ... 1st AD - Bill
Will Keen ... Producer
Jason Watkins ... Rupert
Paloma Bloyd ... Melissa
Óscar Jaenada ... Gypsy
Sonia Franco Sonia Franco ... Flamenco Dancer
José Aser Giménez José Aser Giménez ... Flamenco Guitarist
José Antonio Fernández José Antonio Fernández ... Flamenco Percussionist
Viveka Rytzner ... Junior Creative
Alberto Jo Lee ... Chinese Translator / Creative Creep
Bruno Sevilla ... Client Rep
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Storyline

Toby, a cynical but supposedly genius film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth - a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Plot Summary | Add Synopsis

Taglines:

Today's a marvelous day for adventures!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site | Official Twitter

Country:

Spain | Belgium | France | UK | Portugal

Language:

English | Spanish

Release Date:

19 April 2019 (USA) See more »

Also Known As:

The Man Who Killed Don Quixote See more »

Filming Locations:

Canary Islands, Spain See more »

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Box Office

Budget:

€17,000,000 (estimated)

Opening Weekend USA:

$12,756, 21 April 2019, Limited Release

Gross USA:

$327,624, 21 April 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The squatting person depicted on the pre-production art announcing the film holds a significant similarity to the artwork 'Boy', a giant sculpture made by Australian artist Ron Mueck and exhibited at ARoS Art Museum in Aarhus, Denmark. See more »

Crazy Credits

Cinématographer Nicola Pecorini is credited as "Nicola Sancho Pecorini". See more »


Soundtracks

Tarde Azul de Abril
Written by Tessy Díez (as Tessy Díez Martín) and Roque Baños
Performed by Carmen Linares
See more »

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User Reviews

 
Clever and true at its heart
11 August 2018 | by Katrina-99See all my reviews

If you know the story of Don Quixote, the Man from LaMancha you will find this film to be very clever in its layering of the original tale intertwined with a new tale that is infused about a narcissistic director (Adam Driver) who has lost his creative mojo whilst filming a feature film about Don Quixote in Spain. True to its original intent, it is a hybrid of reality and fantasy with the cruelties of the world as a backdrop to what could be with a touch of madness. It has much to say about youthful and brave creativity, and the artistic freedom that comes from true independence and the necessity of reframing your reality to match your circumstance. Love, passion, friendship, empathy, and generosity of spirit are explored in a modern version of the Spanish Inquisition. The jailhouse sequences are sublime in their mash up of real and unreal. It is a clever, witty and multilayered script with much for the literate fan to digest and plenty for newcomers to the tale to learn. Jonathan Price is perfect as Don Quixote and Adam Driver manages to deliver skepticism, narcissism and empathy along an increasingly complex tightrope with ease. The script is a marvel and the directing and edit are to be applauded. I don't know what the film offers people unfamiliar with the original story- but as I've been waiting for many years to see this film I can say it does not disappoint, I'll be thinking about it for a long, long time. Well done Terry Gillem


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