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The Man Who Killed Don Quixote (2018)

Not Rated | | Adventure, Comedy, Drama | 19 May 2018 (France)
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Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.

Director:

Terry Gilliam
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2,014 ( 278)
3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
José Luis Ferrer José Luis Ferrer ... Don Quixote (commercial)
Ismael Fritschi Ismael Fritschi ... Sancho Panza (commercial) (as Ismael Fritzi)
Juan López-Tagle ... Spanish Propman (as Juan López Tagle)
Adam Driver ... Toby
William Miller ... 1st AD - Bill
Will Keen ... Producer
Jason Watkins ... Rupert
Paloma Bloyd ... Melissa
Óscar Jaenada ... Gypsy
Sonia Franco Sonia Franco ... Flamenco Dancer
José Aser Giménez José Aser Giménez ... Flamenco Guitarist
José Antonio Fernández José Antonio Fernández ... Flamenco Percussionist
Viveka Rytzner ... Junior Creative
Alberto Jo Lee ... Chinese Translator / Creative Creep
Bruno Sevilla ... Client Rep
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Storyline

Toby, a cynical but supposedly genius film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth - a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Plot Summary | Add Synopsis

Taglines:

Today's a marvelous day for adventures!


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Spain | Belgium | France | UK | Portugal

Language:

English | Spanish

Release Date:

19 May 2018 (France) See more »

Also Known As:

The Man Who Killed Don Quixote See more »

Filming Locations:

Canary Islands, Spain See more »

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Box Office

Budget:

EUR17,000,000 (estimated)

Gross USA:

$391,963

Cumulative Worldwide Gross:

$2,301,001
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Gilliam started working on the film in 1989, but was unable to secure funding until 1998 when it entered full pre-production with a budget of $32.1 million without American financing, with Jean Rochefort as Quixote, Johnny Depp as Toby Grisoni, a 21st-century marketing executive thrown back through time, and Vanessa Paradis as the female lead. Shooting began in 2000 in Navarre, but a significant number of difficulties such as sets and equipment destroyed by flooding, the departure of Rochefort due to illness, problems obtaining insurance for the production, and other financial difficulties led to a sudden suspension of the production and its subsequent cancellation. The original production was the subject of the documentary film Lost in La Mancha, which was intended to be a making-of but was released on its own in 2002. Gilliam made repeated attempts to relaunch production between 2005 and 2016, which included Robert Duvall, Michael Palin, and John Hurt as Quixote, and Depp, Ewan McGregor, Jack O'Connell, and Adam Driver as Grisoni. However, all ended up being cancelled for various reasons, such as failing to secure funds, Depp's busy schedule and eventual loss of interest in the project, and Hurt being diagnosed with the cancer that would eventually result in his death. After yet another failed attempt, it was unexpectedly reported in March 2017 that filming had finally started, with Driver still attached as Grisoni, Jonathan Pryce as Quixote, and Olga Kurylenko as the female lead. On 4 June Gilliam announced that the shooting of the film was complete, 17 years after it originally started. See more »

Quotes

Rupert: We become what we hold on to.
See more »

Crazy Credits

Cinematographer Nicola Pecorini is credited as "Nicola Sancho Pecorini". See more »


Soundtracks

If You Know Susie
Composers Buddy G. DeSylva (as Buddy Desylvia), Joseph Meyer
(c) Copyright 1925, Renewed 1953, Stephen Ballantine Music
See more »

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User Reviews

 
Representative of Gilliam's filmography
3 October 2018 | by t-viktor212See all my reviews

Gilliam's passion project sums up much of his filmography: it conveys almost all of the director's rs recurring tropes, themes and elements. It isn't an easy-to-enjoy film (mostly due to Gilliam's style), nonetheless an interesting film to watch, if not for else, because of its cursed fame.

Don Quixote is mainly about human madness, a theme Gilliam also explored in 'The Fisher King' and in 'Twelve Monkeys', two films from the time when the director started developing this movie. As for visuals, style, and the overwhelming sense of chaos that the third act conveys, it reminds of 'The Brothers Grimm' and more in particular of 'The Imaginarium of Doctor Parnassus', (coincidentally two films that also had, on lower scale, a troubled production). 'The Zero Theorem' and 'Fear and Loathing in Las Vegas' are the only Gilliam films I found to be devoid of any direct connection with Don Quixote.

Adam Driver and Jonathan Pryce pull off memorable performances. I was pretty sure about Pryce succeeding, but didn't expect Driver to be this good, especially towards the end.

Frankly, I think this film was a bit underrated. It's true that Gilliam's post-'Fear and Loathing in Las Vegas' generally had little critical acclaim, but I personally couldn't find anything to complain about, or better, I couldn't find anything arguable that isn't a recurring element in Gilliam's cinema: a chaotic third act, a bittersweet ending, and so on. I enjoyed watching Don Quixote, but I can imagine most of the viewers to find it either uninteresting, dull, chaotic or 'pretentious'.

Don Quixote might be Gilliam's last film. With 'The Zero Theorem' he closed his dystopia Sci-fi trilogy, now he has finally finished the film he probably was most eager to complete, so it seems to me that there are no narratives left that he intends to explore. Let's just hope that I am wrong, and Gilliam will be doing another half-dozen of movies, but otherwise, Don Quixote is the perfect conclusive film for his career. Maybe it's not his best or easier to appreciate, but definitely it is his most representative one.


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