It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ...Written by
In an interview with Terry Gross, Tom Ford explained that he created a back story for George's suit. He decided that George would've had it custom made on Saville Row on a trip home to England, which informed its cut and color. He also decided that the suit was a few years old, because 'old-school' British people of wealth tend to be thrifty with clothing. Ford put a label on the inside of the suit with George's name and 1957, the year it was made. See more »
The white Corvette in the parking lot is a 1963 Stingray. The split rear window was only available in 1963. Production started in 1962, and it could be an early delivery. See more »
Do you ever just live in the moment? It's like now, what could be better than being tucked here with you?... I mean, if I died right now it would be OK.
Well it wouldn't be OK with me, so why don't you just shut up and go and change the record.
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A stunning outing for Tom Ford. The images are, clearly, out of an aesthete's mind without being shallow, ever. I believe there is a dramatic reason behind every frame. Colin Firth, looking truly handsome, goes through a day of torment with remarkable civility. I felt involved and shaken and couldn't help but make mine his pain. The flashbacks with Matthew Goode are truly vivid and truthful. This is a step forward in explaining through images that love is love no matter who you are, where you come from or what your circumstances are. It could have been a man and a woman, the fact that it's a man and a man is almost irrelevant. We recognize the feel of it and Colin Firth's performance is the magic stroke that makes that not only possible but natural. It is a sensational debut for fashion star Tom Ford. True to himself an artist that promises great, wonderful things for the future. I can't wait.
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