Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. Meanwhile, five strangers are trapped in an elevator in the building where the jumper committed suicide. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Tensions run high among those trapped, so Lustig calls the police and Detective Bowden assumes the case. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The end credits do not call any of the people trapped in the elevator by their names, just their occupations or what they are, e.g. "Older Woman." See more »
When the crashed car with the cop's family is shown, the kid was thrown through the windshield (there is a hole), although the car was hit on its side. See more »
When I was a child, my mother would tell me a story about how the Devil roams the Earth. Sometimes, she said, he would take human form so he could punish the damned on Earth before claiming their souls. The ones he chose would be gathered together and tortured as he hid amongst them, pretending to be one of them. I always believed my mother was telling me an old wives' tale.
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Upside down shots from a helicopter of a city as the opening credits roll. See more »
I know this was "from the mind of Manoj Night Shyamalan" and it was riding on a wave of pretty bad press, but strangely enough, I found the movie to be pretty good.
This movie delivered what it promised, a solid taut thriller which can keep one on the edge of the seat for the optimum 1 hour and 20 minutes of running time. The acting was surprisingly consistent and good throughout by all the actors involved (tough for a low budgeter to achieve), the screenplay didn't indulge in unnecessary Boo moments to propel things forward, the script was solid and everything tied up well at the end.
I mean cmon critics, for once please give Shyamalan a break! Far better return on my money than the steaming goo pile called the "Due Date".
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