When an orphaned Vietnamese girl is hired to be a housemaid at a haunted rubber plantation in 1953 French Indochina, she unexpectedly falls in love with the French landowner and awakens the... See full summary »
Newly-hired gofer Young-Jak Joo becomes a key pawn in a powerful South Korean corporate-crime family obsessed with sex, money, and intrigue. The family bribes a government official to take ... See full summary »
In the summer of 1969, Colonel Kim Jin Pyeong returns to South Korea after serving in Vietnam. He is suffering from post-traumatic disorder and trapped in a loveless marriage with Soo Jin, ... See full summary »
Lee Jeok-yo is a 70ish year old man who is a respected poet. He cares fondly for his 30ish year old disciple Seo Ji-woo. The world of these two men are shaken when 17-year-old high school ... See full summary »
Eun-yi is a playful young woman, a good match for a job as nanny to a precocious child, Nami, the daughter of a wealthy couple, Hae-ra and Hoon. Hae-ra will soon have twins as well. The majordomo, Mrs. Cho, is the household's cold stone center. Before long, Hoon seduces Eun-yi, and when Mrs. Cho tells Hae-ra's mother about the affair, Eun-yi is up against women with wealth, power, and no conscience. Can Eun-yi maintain her dignity and perhaps even put the family in their place?Written by
An early draft of the screenplay was written by Soo-Hyun Kim, but after director Sang-soo Im had edited the script so heavily that Kim considered it to be entirely Im's own work, she decided to leave the project and publicly expressed her dissatisfaction. See more »
The body harness is visible during the hanging. See more »
Beethoven Piano Sonata No. 17 in D-
The Tempest", Op. 31, No. 2, 'Allegretto' (3rd Movement)"
Performed by Unknown
Composed by Ludwig van Beethoven
This is the first piano piece Eun-yi hears Mr. Goh playing on the piano at the house See more »
This was my first Do-yeon Jeon film and I wasn't sure what to expect but I was blown away by the intensity of the films bleak undertones. Do-yeon plays the part marvelously and there are other impressive performances from Seo-Hyeon Ahn and Yeo-Jong Yun.
I sat riveted throughout while it twisted and turned down its sometimes too obvious narrative path.
The rather theatrical ending was a bit of a surprise but didn't spoil the films impact too much.
I have yet see the other Do-yeon Jeon films but based on this performance I can't wait.
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