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Storyline
Bilal is 17 years old, a Kurdish boy from Iraq. He sets off on an adventure-filled journey across Europe. He wants to get to England to see his love who lives there. Bilal finally reaches Calais, but how do you cover 32 kilometers of the English Channel when you can't swim? The boy soon discovers that his trip won't be as easy as he imagined... The community of struggling illegal aliens in Calais is captured with authenticity, from the point of view of people who arrived there knowing nothing about France. This immigrant drama, with wonderful performances by the actors, is a strong story which uses documentary austerity and minimalist style to create a great emotional impact.
Written by
Warsaw Film Festival
Plot Summary
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Plot Synopsis
Taglines:
Friendship has no borders. True love has no limits.
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Details
Release Date:
11 March 2009 (France)
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Box Office
Opening Weekend USA:
$6,528,
9 May 2010, Limited Release
Gross USA:
$13,461, 16 May 2010
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Company Credits
Technical Specs
Aspect Ratio:
2.35 : 1
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Did You Know?
Trivia
The neighbor of Simon who rats him out to the police, has a doormat with the word 'Welcome' printed on it.
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Goofs
When Simon finds Mina in London, in the background is a sign for "Elephant and Castle Shopping Center" - in British English, the spelling "centre" would be used.
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Quotes
Marion Calmat:
Know what barring people from shops means? Want me to buy you a history-book?
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Connections
Spoofed in
Chashme Baddoor (2013)
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Soundtracks
Welcome
by
Nicola Piovani
© 2009 Nord Ouest
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Virtually all the reviews here are laudatory but something odd is noticed. The countries most concerned in this lugubrious depiction of the illegal migrant experience are France and England, yet there is not an English or French voice among the lavish praise!
Yes, it is easy to say national borders should be open and unrestricted, as long as it is some other nation whose borders are to be crossed.
Bilal is a seventeen year old boy from Mosul in Iraqi Kurdistan. He wants to go to England to be with Mina. Bilal also wants to work in England to earn money to send back to his family in Iraq. This will be good for his family, good perhaps for Iraq or the autonomous Kurdistan region. Not so good for Great Britain, of course, sending its wealth abroad, but Bilal doesn't care about that. Neither does the maker of this film.
In reaching France, Bilal has violated the laws of all the countries he has passed through but he doesn't care one whit for that. Neither does the maker of this film.
A proper treatment of the complex question of migration from the Third World to the First would try to balance individual stories with mass migration's effect overall. But this film has no pretension of impartiality. In focuses on the story of one migrant, his dreams and many travails, and gives no consideration at all to whether England, France or the innocent townsfolk of Calais are required or even prepared to receive thousands of penniless migrants who have no desire to assimilate into Western societies.