Meryl and Paul Morgan have separated since his infidelity. He's a Manhattan lawyer, seeking forgiveness. She's moved on, focusing on real estate sales. As he walks her to an appointment one evening, pleading his case, they witness a murder, and the murderer sees them. The F.B.I. wants them in Witness Protection until the killer is caught. He's already hunting them. The F.B.I. sends them to Ray, Wyoming, a tiny ranch town, where they stay with the aging Sheriff and his gun-toting wife (who's his Deputy). Meryl and Paul must sort out their relationship while their New York City ways bump up against those of the West. Meantime, Meryl knows two things that Paul doesn't.
We're not in Manhattan anymore.
18 December 2009 (USA)
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Also Known As:
Untitled Hugh Grant/Sarah Jessica Parker Project
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Opening Weekend USA: $6,616,571,
20 December 2009, Wide Release
Gross USA: $29,580,087
Cumulative Worldwide Gross: $85,280,250
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Aspect Ratio: 2.35 : 1
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Did You Know?
When Vincent (Michael Kelly
) makes his assault on the Wheeler ranch, the rifle he is carrying is a SUB-2000, made by Kel-Tec CNC Industries. It is a 9mm carbine that uses Glock magazines, and is notable for the fact that the entire length of the rifle will fold in half for transport and storage. See more
An experienced shooter like Emma would never allow a first-timer like Meryl to hold and fire a rifle as depicted in this film. By pressing her cheek against the side of the rifle while failing to secure the stock firmly with her shoulder, Meryl would likely have seriously injured herself as a result of the recoil produced by firing. This was demonstrated in the same scene when Paul injured his shoulder despite holding the rifle more correctly. See more
[on the answering machine
Hi, you've reached Meryl Morgan, I can't take your call right now, so leave a message and have a great day. Thanks!
Uh, hello, it is me, your uh... your husband, um... at least legally uh... still your husband, as recognized by the state of New York, and uh... in the end, who would argue with the governor? I uh... I wanted to call and just say hello, as it is approaching the three-month anniversary of our being separated, and I thought perhaps it might be ...
After the credits Meryl Morgan's answering machine is heard once again See more
We Can Work It Out
Written by John Lennon
and Paul McCartney
Performed by Stevie Wonder
Courtesy of Motown Records
Under license from Universal Music Enterprises
[Played during the end credits] See more