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22 user 19 critic

3 Backyards (2010)

R | | Drama | 2010 (USA)
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The story of three people from the same suburban town during the course of one curious autumn day.

Director:

Eric Mendelsohn

Writer:

Eric Mendelsohn
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elias Koteas ... John
Kathryn Erbe ... John's Wife
Edie Falco ... Peggy
Rachel Resheff ... Christina
Ron Phillips Ron Phillips ... Christina's Father
Wesley Broulik ... Big Man
Ann Arvia Ann Arvia ... Matron
Dana Eskelson ... Debbie
Randi Kaplan Randi Kaplan ... Jill
Embeth Davidtz ... The Actress
Kathy Searle ... Ticket Agent
Joe Cipoletti Joe Cipoletti ... Janitor #1
Louise Millmann Louise Millmann ... Teacher
John Monteleone John Monteleone ... Janitor #2
Nicole Brending Nicole Brending ... Frazzled Housewife
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Storyline

The story of three people from the same suburban town during the course of one curious autumn day.

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Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for a scene of sexual content | See all certifications »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

2010 (USA) See more »

Filming Locations:

New York, USA See more »

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Box Office

Budget:

$300,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

War Pony
Written and Performed by Brian Akey
© 2009 frightening pace
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User Reviews

 
use your imagination
15 March 2011 | by mangoallergySee all my reviews

Ever since "Crash" and "Babel," we've come to expect that multiple story lines will weave together and neatly coalesce within a two-hour running time. Life isn't really like that. "3 Backyards" explores stories that never intersect. Characters within each story reach out or withdraw under the indifferent gaze of the sun. Just as the three narratives remain apart, so do some of the characters within each one.

The most refreshing aspect of "3 Backyards" is the utter lack of backstory. There is no spoon-feeding here. People are unnamed. We know nothing about the characters except what we ourselves infer; we can only guess at the reasons for someone's grief or isolation. The camera looks directly into the face of Edie Falco's wonderfully transparent character; other people are seen in side profiles, in shadow, from a distance, behind glass.

The compelling score is a prominent feature of the film and would not be out of place in a recital hall.


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