Frankie is sent from London to Spain to make a delivery to Charlie, who likes the kid and shows him the ropes including the use of guns and drugs. Frankie likes the sun, pools and the cute, bikini clad girls and stays in Spain.
Special ops interrogation officer Jimmy Vickers tracks down a gang who slaughtered his parents. With police closing in & his old unit on his trail, he has to to evade capture long enough to complete his gruesome crusade.
Tom, a married man with kids, is struggling at work when a client tries to seduce him with promises of a 'more exciting life'. On his way home one night he gets attacked by a gang of ... See full summary »
A feature length thriller/horror set in post-apocalyptic London starring Danny Dyer, Tamer Hassan, Simon Phillips, Ronan Vibert, Sebastian Street, Daisy Head, Rita Ramnani and John Mawson. ... See full summary »
Six years after KiDULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Scarlett Alice Johnson,
Goodbye Charlie Bright is the humorous and heart-warming story of the friendship between two teenage boys from a tough council estate. Set during a long hard summer it charts the close but volatile relationship between Charlie and Justin.
A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash before it's too late for them both.Written by
50 Cent and Omid Djalili worked together on the video game "50 Cent: Blood on the Sand". See more »
When Nick and Bing are stopped by police on the M6 motorway the officer tells Nick he was doing 92 in a 70 zone. London taxis are speed limited to 70mph. Furthermore British police do not patrol motorways on motorcycles because it is too dangerous. See more »
Performed by Benga
Words and Music by Adenbenga Adejumo (c) 2007
Courtesy of Ammunition Records
Published by EMI Music Publishing Limited See more »
Strictly by-the-numbers, but still quite watchable.
The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.
Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.
It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.
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