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Halloween II (2009)

R | | Horror | 28 August 2009 (USA)
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Laurie Strode struggles to come to terms with her brother Michael's deadly return to Haddonfield, Illinois; meanwhile, Michael prepares for another reunion with his sister.

Director:

Rob Zombie

Writer:

Rob Zombie
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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sheri Moon Zombie ... Deborah Myers
Chase Wright Vanek Chase Wright Vanek ... Young Michael (as Chase Vanek)
Scout Taylor-Compton ... Laurie Strode
Brad Dourif ... Sheriff Lee Brackett
Caroline Williams ... Dr. Maple
Malcolm McDowell ... Dr. Samuel Loomis
Tyler Mane ... Michael Myers
Dayton Callie ... Coroner Hooks
Richard Brake ... Gary Scott
Octavia Spencer ... Nurse Daniels
Danielle Harris ... Annie Brackett
Richard Riehle ... Buddy the Night Watchman
Margot Kidder ... Barbara Collier
Mary Birdsong ... Nancy McDonald
Brea Grant ... Mya Rockwell
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Storyline

Michael Myers is still at large and no less dangerous than ever. After a failed reunion to reach his baby sister at their old home, Laurie Strode is immediately taken to a hospital to be treated by the wounds that had been afflicted by her brother a few hours ago. However, Michael isn't too far off and will continue his murdering 'Halloween' rampage until he gets his sister all to himself. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Family Is Forever See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong brutal bloody violence throughout, terror, disturbing graphic images, language, and some crude sexual content and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 August 2009 (USA) See more »

Also Known As:

H2 See more »

Filming Locations:

Conyers, Georgia, USA See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$16,349,565, 30 August 2009, Wide Release

Gross USA:

$33,392,973

Cumulative Worldwide Gross:

$39,421,467
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At 45:20 when Laurie awakens from a nightmare, the eye chart above her spells out "F*CKED". See more »

Goofs

(at around 42 mins) During Loomis's interview in front of the dilapidated Myer's house it is obviously not the same house used in the previous film. See more »

Quotes

Laurie Strode: [walking around the hospital] I-I need something for my head!
[pause]
Laurie Strode: [yells out] HELLO?
See more »

Crazy Credits

[at the beginning before the opening credits] WHITE HORSE - Linked to instinct, purity and the drive of the physical body to release powerful and emotional forces, like rage with ensuing chaos and destruction. --excerpt from the Subconscious Psychosis of Dreams. See more »

Alternate Versions

The Director's Cut runs 14 minutes longer (119 minutes). Among the changes:
  • The opening scene with Laurie walking and Loomis being placed into the ambulance is longer.
  • The hospital dream scene has an extra sequence of Laurie attempting to cross over a pile of bodies.
  • An on screen title that said "One Year Later" in the Theatrical Cut now says "Two Years Later."
  • During the breakfast scene, Laurie and Annie now argue about going to the psychiatrist.
  • More dialogue with Laurie and the psychiatrist. Laurie looks at a framed inkblot on a wall and says that it looks like a white horse.
  • Loomis' press conference is expanded. Loomis discusses Michael's Oedipal complex, as well as the idea that Michael perhaps saw Loomis as a father figure.
  • Added sequence where Laurie runs a bath and begins to freak out.
  • Laurie stopping to play with a pig on her way to work is removed. She instead goes to the psychiatrist and tells her about playing with the pig (we see a few seconds of it, now in flashback), and how it triggered a nervous breakdown of sorts. When the shrink denies her more pills, Laurie freaks out and swears.
  • The scene where Annie finds Laurie drinking a beer in her room has been expanded: They have another fight.
  • A non-masked Michael (along with Young Michael and his mother) angrily looks at a billboard that advertises Loomis' book.
  • When Laurie and Maya come home from the party, there is a short added sequence of them making tea in the kitchen prior to going upstairs. There's also an added shot of Michael apparently walking out of the house.
  • Brackett's reaction to finding Annie's body is longer, containing video flashbacks of real-life actress Danielle Harris as a child.
  • The ending is significantly different: After Loomis enters the cabin, Michael throws him through a wall, and the two of them wind up outside. Michael then removes his mask, yells "DIE!", and stabs Loomis. The cops then open fire and kill Michael. Laurie then comes out, takes Michael's knife, and approaches Loomis with it, implying that she may stab him. The cops then open fire on her and seemingly kill her. We then fade to the same hospital footage seen at the end of the theatrical cut as a cover of "Love Hurts" plays on the soundtrack.
See more »

Connections

Referenced in Pop Culture Beast's Halloween Horror Picks: Feast (2014) See more »

Soundtracks

Time To Die
Written by John Weiffenbach, Bubba Dupree, Chris Stover and Sean Finnegan
Performed by Void
Courtesy of Dischord Records
See more »

Frequently Asked Questions

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User Reviews

 
Killer Instincts
29 August 2009 | by Jonny_NumbSee all my reviews

In my review of Quentin Tarantino's "Inglourious Basterds," I wrote that those put off by "Death Proof" would also likely be put off by his latest. Go figure that one week later, I am applying the same notion to Rob Zombie's sequel to his 2007 remake of "Halloween." One of the most heatedly derided remakes to date, I found Zombie's take impassioned and sincere while transcending John Carpenter's minimal, workmanlike low-budget-horror-flick terrain. While not a perfect film, "Halloween" epitomized (to me, anyway) the creative potential of the remake when placed in the right hands.

"Halloween II" finds Zombie returning to the Michael Myers maelstrom while tightening already-established character arcs, employing a harshly gritty style (courtesy of DP Brandon Trost), and topping it all off with a heapin' helpin' of carnage. Whereas "Halloween" focused on the inception and evolution of Michael Myers (Tyler Mane) from a murderous youth to the hulking masked madman we all know and love, Zombie's thematic focus this time out is "family" (and its many incarnations), using the traumatized character of Laurie Strode (Scout Taylor-Compton) as its axis.

Picking up one year after the fateful night her brother decided to come home, Laurie has become a punked-out version of her former virginal suburbanite self, and now resides with Sheriff Lee (Brad Dourif, sporting a Ted Nugent hairdo) and Annie Brackett (Danielle Harris). Meanwhile, the Eve of All Hallows is looming over Haddonfield like a shadowy blanket, with a rejuvenated, hooded-angel-of-death Michael Myers making a pilgrimage back home, guided by the specters of his younger self (Chase Wright Vanek) and his mother, Deborah (Sheri Moon Zombie). In the meantime, Dr. Sam Loomis (Malcolm McDowell) has become a pop-psychology celebrity, authoring yet another book on his last run-in with the notorious Myers.

With "Halloween II," Zombie drops the slick, polished look of the initial film, replacing instead with dark, grainy stock punctuated by flashes of neon and the soft focus of black & white. In many ways, the director has created a film that, like his characters, is schizophrenic in its style, cleverly threading complex dream sequences into reality, and cutting away from scenes with little warning. While the employment of dream sequences in most films is a cheap tactic for a "GOTCHA!" moment, Zombie keeps his motives ambiguous: do the dreams represent a psychic link between Laurie and Michael? the erosion of Laurie's sanity? Michael's distorted concept of pilgrimage? Either (and every) way, they give the proceedings a richly layered psychological weight that, in addition to their shock value, make us feel that the characters each have something at stake. The events leading up to the brilliantly-staged climax are both unpredictable and surprisingly affecting.

Unlike the "Saw" sequels (which have become the bane of the discriminating horror fan's existence), bathed in a hypocritical morality amid all the twisted flesh, spilled blood, and dungeon locations, Zombie is cognizant of death as something horrifying and destructive--the murders in "Halloween II" are played straight, executed with a fury that is disquieting; Myers has become a driven beast whose path of destruction possesses a joyless, workmanlike quality, removing any potential glamorization from the act. Every flesh-tearing slash, every helpless scream, cuts to the bone.

Quite admirably, Zombie uses his second go-'round with Myers as a chance to tie up character arcs and plot threads that felt truncated in the over-ambitious "Halloween": Loomis, who seems detached from most of the main plot, is given a chance to redeem his greedy, bottom-feeder ways; Sheriff Brackett gets to exhibit a paternal side, but also an authoritarian mentality once the code of law is broken (he has several great, emotionally wrenching scenes near the end of the film); as Deborah, Sheri Moon Zombie's detached, trancelike performance is apt for the physical manifestation of the voice guiding a psychotic mind. Amid the carnage of his corpse-strewn landscape, Zombie's interest in character interaction and moral ambiguity gives "Halloween II" a depth that, for those with the stomach to take it, is downright refreshing.


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