Five years after her husband and daughter are killed in a senseless act of violence, a woman comes back from self-imposed exile to seek revenge against those responsible and the system that let them go free.
John Gallagher Jr.,
A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.
Chased by a vengeful criminal, the feds and a gang of otherworldly soldiers, a recently released ex-con, and his adopted teenage brother are forced to go on the run with a weapon of mysterious origin as their only protection.
A murder mystery set in a world where humans and puppets co-exist, but puppets are viewed as second-class citizens. When the puppet cast of an '90s children's TV show begins to get murdered one by one, a former cop, who has since become a private eye, takes on the case.Written by
Surprisingly gross, hilarious alternate universe for a new batch of mobile Muppets
Let's be clear from the get-go. This is a comedy starring Melissa McCarthy and a bunch of Muppets with legs. It's directed by Jim Henson's son, Brian, who has spent many years producing and directing dad's sort of kiddie fare. All that wholesomeness apparently required suppression of adult humor tendencies which finally ruptured, resulting in this VERY RAUNCHY film that many will view as a breath of fresh air. Despite the pedigree and premise, this variation on Who Framed Roger Rabbit is closer to Andrew Dice Clay than to Sesame Street or any of the previous Muppet movies.
DON'T BRING THE KIDDIES!
Puppets live in L.A. along with humans, but only as second-class residents. A few bits slip in some racial satire with the overall broader comedy. The hero is a down-and-out private detective, salvaging a meager living after being booted from the police force for an unfortunate incident. He's a classic example of film noir dicks, complete with a dumpy office in a seedy area, and a devoted ditzy secretary (Maya Rudolph). When the puppets who starred in an old sitcom start getting bumped off, his efforts to solve the crimes first lead to reluctantly reuniting with his former partner (McCarthy) whose testimony caused his dismissal 20 years earlier. Before long, he becomes suspect Number One for the killing spree.
The dialog is clever, with scads of great throwaway lines - some of which I missed because of loud, frequent audience laughter. The mobility of the cloth-clad cast members allowed Henson to deliver some terrifically fresh and funny visuals, with slapstick and grossout gags that will make the unsuspecting blush. Or worse.
In my college days (eons ago), I bought a poster of all the Disney characters in a Hieronymus Bosch array of sexual and scatological extremes. It was hilarious. This movie delivers similar irreverence to generations who grew up with wholesome, kid-friendly Muppet antics and lessons, rarely tiptoeing beyond Miss Piggy's horniness for Kermit on the bawdiness scale.
This winds up being a treat for those who know what to expect, and particularly for McCarthy's fans. This is actually the best vehicle she's had for a while, which is good news for all comedy buffs. Even if Jim Henson might not approve of his son's choices here, those who enjoy South Park and the Cartoon Network's Adult Swim programming will feel right at home.
Again - DON'T BRING THE KIDDIES!
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