A New Jersey guy dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love.
Director:
Joseph Gordon-Levitt
Stars:
Joseph Gordon-Levitt,
Scarlett Johansson,
Julianne Moore
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
Director:
David O. Russell
Stars:
Bradley Cooper,
Jennifer Lawrence,
Robert De Niro
A process server and his marijuana dealer wind up on the run from hitmen and a corrupt police officer after he witnesses his dealer's boss murder a competitor while trying to serve papers on him.
Ryan Bingham enjoys living out of a suitcase for his job, travelling around the country firing people, but finds that lifestyle threatened by the presence of a potential love interest, and a new hire.
Director:
Jason Reitman
Stars:
George Clooney,
Vera Farmiga,
Anna Kendrick
Adam is a 27 year old writer of radio programs and is diagnosed with a rare form of spinal cancer. With the help of his best friend, his mother, and a young therapist at the cancer center, Adam learns what and who the most important things in his life are.Written by
Calikeane
During Adam's surgery they show the surgeon using laparoscopic surgical tools and the surgeon is watching images of the surgery being performed magnified on a screen, also used during a laparoscopic surgery, yet Adam's long scar down his back clearly shows his surgery was an open procedure. See more »
Quotes
Adam:
[When Katherine comes to see Adam after his surgery]
I'm peeing right now.
See more »
Most movies don't know how to handle cancer. Heck, most people don't know how to handle cancer — and I'm not talking about the patients. Cancer, or any other terminal illness for that matter, almost always plays some kind x-factor in a film — that is when a film even dares to enter a realm often deemed depressing and "not for the movies." Most often, scripts will position cancer as a tearjerking emotional turning point in a film or as the initial spark of some banal "live life to the fullest" comedy.
"50/50" puts an end to that. Written semi-autobiographically by cancer survivor Will Reiser, it would seem it takes one to write one. Although cancer drives the entire story, the story doesn't fixate on cancer or melodramatize the terrible truths we already know about potentially fatal illness. Perhaps you could tell as much from the trailer thanks to some typical Seth Rogen antics, but the injection of contemporary R-rated humor is neither irreverent, insensitive nor an attempt to simply put a positive spin on a depressing subject. Life — believe it or not — doesn't stop for cancer. People don't sit in the hospital the entire time and then lie at home in bed the rest. Reiser's story provides a mostly unforced and honest depiction of a young man's diagnosis and treatment for potentially fatal spinal cancer, one where cancer isn't the conflict in and of itself, but the way it so dramatically changes the behavior of the people whose lives it enters and positively and negatively alters relationships.
Joseph Gordon-Levitt continues his spree of playing absolutely lovable main characters as Adam, a play-it-safe 27-year-old who after the initial shock handles his diagnosis in stride, keeping his ups and downs internal other than when the script cues him to let it out a bit. The more external symptoms come from Adam's girlfriend (Bryce Dallas Howard), best friend Kyle (Seth Rogen) and mother (Anjelica Huston).
Other than focusing on these relationships, director Jonathan Levine ("The Wackness") puts particular emphasis on character perspective, which will change instantaneously at points throughout the film. In one terrific sequence, Adam enters the hospital for his first chemo treatment and gets bummed out by all the sick and ailing people in the hallway. After the older men he meets while getting treatment (Philip Baker Hall and Matt Frewer) give him some marijuana-filled pastries, he leaves down the same hallway high as a kite, suddenly elated despite the same negative images lining the hall. Levine understands that so much of how you deal with cancer relates to mood and perspective at any given time.
Levine coaxes brilliant and thoughtful performances out of his actors. Even though Rogen exerted his usual shtick a bit more than needed, he handles his character as written, someone who wants desperately to help his best friend but hides behind shallow self-centered form of support that many men turn to because they can't communicate emotions all that well.
The women of "50/50" also deliver if not more so. Howard's character is an unlikable mess but she gives her performance convincingly. Anjelica Huston perfects the ideal on-screen mother, the best since Melissa Leo's Oscar-winning mother in "The Fighter." Anna Kendrick also continues to blow me away with her talent. She plays a psychiatrist working on her PhD who receives Adam as just her third patient. She gives such lifelike quirks to her characters and Katie plays right to her strengths.
But in a drama/comedy about cancer, the key lies in tone and for that Levine should become an A-list director. "50/50" could have easily turned into a Hollywood hack-job like the various comic-toned cancer films before it, a film that either overplays the dramatic or overcompensates with the humorous, but "50/50" might be one of film's best balancing acts between the two. The shifts feel completely natural between moments of deep sentiment and moments of levity. Those who can't help but fixate on this being a movie about cancer will likely have to remind themselves to feel serious when "50/50" just wants you to simply absorb it as you would any other film.
Other than some predictable moments and plot devices to give the film a nicer Hollywood sheen, "50/50" provides a genuine and heartfelt movie experience, one that neither goes for the emotional sucker punch nor the sugarcoated version. Instead of making us look at cancer in a specific way, it makes us look at the way we look at cancer — or any uncomfortable subject — the way we talk about it or don't talk about it, the way we interact with those who live with it and the way we cope with it ourselves. That way when someone we love has a serious problem, we can ultimately do what's best for that person.
~Steven C
Visit my site, moviemusereviews.com!
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Most movies don't know how to handle cancer. Heck, most people don't know how to handle cancer — and I'm not talking about the patients. Cancer, or any other terminal illness for that matter, almost always plays some kind x-factor in a film — that is when a film even dares to enter a realm often deemed depressing and "not for the movies." Most often, scripts will position cancer as a tearjerking emotional turning point in a film or as the initial spark of some banal "live life to the fullest" comedy.
"50/50" puts an end to that. Written semi-autobiographically by cancer survivor Will Reiser, it would seem it takes one to write one. Although cancer drives the entire story, the story doesn't fixate on cancer or melodramatize the terrible truths we already know about potentially fatal illness. Perhaps you could tell as much from the trailer thanks to some typical Seth Rogen antics, but the injection of contemporary R-rated humor is neither irreverent, insensitive nor an attempt to simply put a positive spin on a depressing subject. Life — believe it or not — doesn't stop for cancer. People don't sit in the hospital the entire time and then lie at home in bed the rest. Reiser's story provides a mostly unforced and honest depiction of a young man's diagnosis and treatment for potentially fatal spinal cancer, one where cancer isn't the conflict in and of itself, but the way it so dramatically changes the behavior of the people whose lives it enters and positively and negatively alters relationships.
Joseph Gordon-Levitt continues his spree of playing absolutely lovable main characters as Adam, a play-it-safe 27-year-old who after the initial shock handles his diagnosis in stride, keeping his ups and downs internal other than when the script cues him to let it out a bit. The more external symptoms come from Adam's girlfriend (Bryce Dallas Howard), best friend Kyle (Seth Rogen) and mother (Anjelica Huston).
Other than focusing on these relationships, director Jonathan Levine ("The Wackness") puts particular emphasis on character perspective, which will change instantaneously at points throughout the film. In one terrific sequence, Adam enters the hospital for his first chemo treatment and gets bummed out by all the sick and ailing people in the hallway. After the older men he meets while getting treatment (Philip Baker Hall and Matt Frewer) give him some marijuana-filled pastries, he leaves down the same hallway high as a kite, suddenly elated despite the same negative images lining the hall. Levine understands that so much of how you deal with cancer relates to mood and perspective at any given time.
Levine coaxes brilliant and thoughtful performances out of his actors. Even though Rogen exerted his usual shtick a bit more than needed, he handles his character as written, someone who wants desperately to help his best friend but hides behind shallow self-centered form of support that many men turn to because they can't communicate emotions all that well.
The women of "50/50" also deliver if not more so. Howard's character is an unlikable mess but she gives her performance convincingly. Anjelica Huston perfects the ideal on-screen mother, the best since Melissa Leo's Oscar-winning mother in "The Fighter." Anna Kendrick also continues to blow me away with her talent. She plays a psychiatrist working on her PhD who receives Adam as just her third patient. She gives such lifelike quirks to her characters and Katie plays right to her strengths.
But in a drama/comedy about cancer, the key lies in tone and for that Levine should become an A-list director. "50/50" could have easily turned into a Hollywood hack-job like the various comic-toned cancer films before it, a film that either overplays the dramatic or overcompensates with the humorous, but "50/50" might be one of film's best balancing acts between the two. The shifts feel completely natural between moments of deep sentiment and moments of levity. Those who can't help but fixate on this being a movie about cancer will likely have to remind themselves to feel serious when "50/50" just wants you to simply absorb it as you would any other film.
Other than some predictable moments and plot devices to give the film a nicer Hollywood sheen, "50/50" provides a genuine and heartfelt movie experience, one that neither goes for the emotional sucker punch nor the sugarcoated version. Instead of making us look at cancer in a specific way, it makes us look at the way we look at cancer — or any uncomfortable subject — the way we talk about it or don't talk about it, the way we interact with those who live with it and the way we cope with it ourselves. That way when someone we love has a serious problem, we can ultimately do what's best for that person.
~Steven C
Visit my site, moviemusereviews.com!