To move against the Empire, the Mandalorian needs the help of an old enemy.To move against the Empire, the Mandalorian needs the help of an old enemy.To move against the Empire, the Mandalorian needs the help of an old enemy.
IMDb RATING
8.9/10
22K
YOUR RATING
- Director
- Writers
- Rick Famuyiwa
- Jon Favreau
- George Lucas(based on STAR WARS by)
- Stars
- Director
- Writers
- Rick Famuyiwa
- Jon Favreau
- George Lucas(based on STAR WARS by)
- Stars
Donald Mills
- Security Droid
- (voice)
Katy M. O'Brian
- Comms Officer
- (as Katy O'Brian)
Taeho K
- Village Kid
- (as Taeho De Vitto)
Chris Bartlett
- Imperial Gunner
- (uncredited)
Sean Patrick Bryan
- Storm Trooper
- (uncredited)
Jeff Jocoy
- Imperial Officer
- (uncredited)
Greg Kufera
- Aqualish Prisoner
- (uncredited)
Trevor Logan
- Shydopp Pirate
- (uncredited)
- Director
- Writers
- Rick Famuyiwa
- Jon Favreau
- George Lucas(based on STAR WARS by)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Mayfeld tells Valin Hess that he and the disguised Mandalorian have to leave in order to file "TPS reports", it is a funny nod to office drudgery and the constant need to get monthly TPS reports completed and filed correctly made famous in Office Space (1999).
- GoofsThere is no reason why Mando's facial scan should grant him access to any classified Imperial data. However, it isn't the facial scan that gives him access, but the code cylinder given by Mayfeld. The facial scan may only serve as a log of who accessed the information, so people regarded as enemies of the empire would be caught.
- Quotes
The Mandalorian: Moff Gideon, You have something I want. You may think you have some idea of what you're in possession of, but you do not. Soon, he will be back with me. He means more to me than you will ever know.
- Crazy creditsThe concept art seen during the end credits, in order of appearance:
- Karthon Chop Fields by Erik Tiemens.
- Imperial Juggernaut by Ben Last.
- Boarding the Juggernaut by Brian Matyas.
- Fennec and Cara team-up by Brian Matyas.
- Gideon receives a message by Brian Matyas.
- Remnant Empire base by Anton Grandert.
- Shydopp Pirates by Brian Matyas.
- Explosion up ahead by Christian Alzmann.
- Shydopp Pirate Skiffs by Ryan Church.
- Imperial Convoy by Ben Last.
- Escape in Slave 1 by Brian Matyas.
- ConnectionsEdited into Disney Gallery: The Mandalorian: Making of Season 2 (2020)
- SoundtracksInvaders on Their Land
Composed by Ludwig Göransson
Featured review
Redfish Review: A Shining Standard
Going in to Chapter 15, I was hesitant that Disney would take Baby Yoda's separation as an excuse to conduct a season wide scavenger hunt, which at the highest surface level, this episode may seem to become, however through some of the most well shot action sequences in modern history, an immaculate attention to character development, and a genuine purpose for each character to fulfill, Episode 15: The Believer, is one of the best pieces of Star Wars content in recent memory, period. From the start, character motivations are clear and concise, with no actions seeming out of place or unjustified in relation to the plot, of which occurs much more than I prefer on this show due to story holes and an unwillingness to allow the series to be carried by it's characters as opposed to its cameos. For instance, Boba Fett is not portrayed as a mythic figure here, but is given a believable reason for assisting the team, and is competent without feeling invincible because of it. Bill Burr's character is given some fantastic subtle backstory as well, that ends up showing actual impact on the narrative as a whole. The Empire also sees itself as very subjective in terms of how pure or evil they really may be. Characters are glad to see them in situations that benefit them, yet show an intense hatred toward those very personnel when their true colors are shown. This is screenwriting as it was always meant to be. Plot facilitated by character with both given equal attention to affect one another. Rick Famuyiwa marvels in his ability to balance solid coverage of a scene so the audience is aware of the geography, but allows for tight shots and action beats to carry a scene, creating noticeable tension and elimination the possibility of a easy out. Morals are questioned, the sides between right and wrong blur, and The Mandalorian is truly depicted and determined to save his child, no matter how many bodies will be spilled along the way. Cinema at its best is able to immerse an audience through intelligent cinematography and plot beats, while allowing them to connect with character's whose motives genuinely challenge their own beliefs. I hereby give this episode my full stamp of approval, and simply hope that Disney understands just how vital this progression and weight truly is. As the most professionally written and directed episode in the series thus far, I can now go to sleep at night.
helpful•586
- christensenofficial
- Dec 11, 2020
Details
- Runtime38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39:1
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