A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Hal, wayward prince and heir to the English throne, is crowned King Henry V after his tyrannical father dies. Now the young king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
Eddie Murphy portrays real-life legend Rudy Ray Moore, a comedy and rap pioneer who proved naysayers wrong when his hilarious, obscene, kung-fu fighting alter ego, Dolemite, became a 1970s Blaxploitation phenomenon.
Frank "The Irishman" Sheeran is a man with a lot on his mind. The former labor union high official and hitman, learned to kill serving in Italy during the Second World War. He now looks back on his life and the hits that defined his mob career, maintaining connections with the Bufalino crime family. In particular, the part he claims to have played in the disappearance of his life-long friend, Jimmy Hoffa, the former president of the International Brotherhood of Teamsters, who mysteriously vanished in late July 1975 at the age of 62.Written by
Frank Sheeran measured in at 6'4", almost 6" taller than the man portraying him, Robert De Niro. Some techniques like"forced perspective" and shoe lifts helped maintain the illusion of Sheeran's hulking frame. Similar techniques were used in Mary Shelley's Frankenstein (1994). See more »
When Tony Pro talks to Jimmy in prison, more ice cream magically appears in Hoffa's dish. See more »
Would you like to be a part of this, Frank? Would you like to be a part of this history?
Yes, I would. Whatever you need me to do, I'm available.
See more »
The movie's original title - I Hear You Paint Houses- is shown onscreen twice: once at the beginning of the film and once at the end after the title card for The Irishman is shown. See more »
Peoples are losing their minds over the sainted director, forgetting the movie. Sure, it's well made, fascinating history. But it's second nature for De Niro, and Pacino overreaches at times. The third reel is repetitive over the decline of the De Niro character. Would be a better movie at 2hr 30. In fact, I thought it had ended about then, but it meandered on another hour.
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